Two Tahitian Women in a Landscape by Paul Gauguin

Two Tahitian Women in a Landscape

Paul Gauguin · 1887

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“Stop to appreciate this early, intimate vision of Tahitian life, rendered with vivid colors and a unique monotype technique. It offers a glimpse into an artist's evolving style and his fascination with distant cultures.”

ABOUT THIS WORK

Two Tahitian women dominate this vibrant landscape, their forms rendered in bold outlines and saturated color. One woman stands facing us, her head tilted, while the other sits, her back to the viewer, gazing into the distance. This artwork is a monotype, a unique print made by painting directly onto a surface and then transferring the image to paper. The technique allows for a painterly quality, evident in the fluid washes of watercolor and gouache that give the scene its rich texture and depth. It was made in 1887, a few years before the artist's first extended stay in Tahiti, suggesting an early fascination with the region's people and environment. The work's vivid palette and flattened forms hint at the Post-Impressionist and Symbolist movements, emphasizing emotional expression over realistic depiction. The strong outlines and simplified shapes create a sense of timelessness, inviting contemplation of the figures and their serene surroundings.

DETAILS
Artist
Paul Gauguin
Date
1887
Medium
Monotype matrix in watercolor and gouache, with brush and green ink, over traces of graphite, on cream Japanese paper, laid down on tan wove paper (partially removed)
Location
Art Institute of Chicago
Dimensions
32.2 × 23.8 cm (12 11/16 × 9 3/8 in.)
Collection
Prints and Drawings
Culture
France
Credit line
Gift of Emily Crane Chadbourne
ART MOVEMENTS
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Two Tahitian Women in a Landscape

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01

The standing woman's glance

She turns her face over her shoulder and meets us with a calm, sidelong look. Her red lips and dark eyes anchor the whole sheet.

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02

Crouching younger figure

Low at the right, a smaller figure rests her chin on her fist and looks out at us. She meets the standing woman's gaze from a different height.

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03

Blue patterned wraps

The blue cloth is washed in uneven, mottled patches, with pale cream flower and crescent shapes left or dabbed in. It is the strongest color on the sheet. The same blue repeats in the cloth near the crouching figure.

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04

Rounded green bushes

Flat, scalloped green shapes sit behind the woman like a halo. Dark outlines turn plants into patterns and push her forward.

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05

Blue mountain peaks

Sharp, saturated blue peaks and a reddish slope rise at the right. Their bold, flat color reads more as a decorative note than a literal view.

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THE ARTIST

Paul Gauguin

1848–1903 · France

Paul Gauguin, the French Post-Impressionist, abandoned a stockbroker's life for art, famously seeking 'refuge from Western civilization' in Tahiti.

Read Gauguin’s full story
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Beyond Gauguin and Symbolism: works from the same years, and from the other movements Two Tahitian Women in a Landscape belongs to.

Equestrienne (At the Cirque Fernando) Same movement · Post-Impressionism Equestrienne (At the Cirque Fernando) Henri de Toulouse-Lautrec · 1887 · Art Institute of Chicago A Woman Walking in a Garden Same era · 1870s–1900s A Woman Walking in a Garden Vincent van Gogh · 1887 · Frans Buffa & sons After the Bullfight Same movement · Impressionism After the Bullfight Mary Cassatt · 1873 · Art Institute of Chicago A Sunday on La Grande Jatte — 1884 Same era · 1870s–1900s A Sunday on La Grande Jatte — 1884 Okada Saburosuke · 1884 · Art Institute of Chicago A Turn in the Road Same movement · Impressionism A Turn in the Road Alfred Sisley · 1873 · Art Institute of Chicago Madame Léon Clapisson Same era · 1870s–1900s Madame Léon Clapisson Léon-Victor Dupré · 1883 · Art Institute of Chicago Carmelina Same movement · Post-Impressionism Carmelina Henri Matisse · 1903 · Museum of Fine Arts Boston Paris Street; Rainy Day Same era · 1870s–1900s Paris Street; Rainy Day Kawabata Gyokushō · 1877 · Art Institute of Chicago
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