Woman in Front of a Still Life by Cezanne

Paul Gauguin, 1890

MEDIUMOil on linen canvas
DIMENSIONS65.3 × 54.9 cm (25 11/16 × 21 5/8 in.); Framed: 82.9 × 73.4 × 10.5 cm (32 5/8 × 28 7/8 × 4 1/8 in.)
LOCATIONArt Institute of Chicago
COLLECTIONPainting and Sculpture of Europe
CULTUREFrance
CREDIT LINEJoseph Winterbotham Collection

Gauguin's 'Woman in Front of a Still Life by Cezanne' is a Post-Impressionist painting that shows his admiration for Cézanne while asserting his own unique Synthetist style and experimental use of color.

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ABOUT THIS WORK

In 'Woman in Front of a Still Life by Cezanne,' Paul Gauguin, a key figure in Post-Impressionism and Symbolism, presents a fascinating interplay of influence and artistic dialogue. Painted in 1890, this work captures a moment when Gauguin was actively exploring new directions, moving away from the Impressionist styles of his early career. Here, he pays homage to Paul Cézanne, an artist he deeply admired, by depicting a woman posed before one of Cézanne's distinctive still lifes. This painting serves as a testament to Gauguin's experimental use of color and his developing Synthetist style, which emphasized symbolic content and simplified forms over naturalistic representation. The inclusion of Cézanne's work within his own highlights Gauguin's engagement with the artistic currents of his time and his desire to forge a unique path, distinct from his contemporaries. It also offers a glimpse into the artistic community and intellectual exchanges that shaped modern art in the late 19th century.

ART MOVEMENTS
ImpressionismPost-ImpressionismSymbolism
LOOK CLOSER

What to Notice

1

The distinctive brushwork of Cézanne's still life in the background

2

Gauguin's bold, simplified forms in the woman's figure

3

The vibrant, non-naturalistic color palette

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Audio Deep Dive

Gauguin's 'Woman in Front of a Still Life by Cezanne' is a Post-Impressionist painting that shows his admiration for Cézanne while asserting his own unique Syn…

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THE ARTIST
Paul Gauguin 1848–1903 · France

Paul Gauguin, the French Post-Impressionist, abandoned a stockbroker's life for art, famously seeking 'refuge from Western civilization' in Tahiti.

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