“Stop to see how Berthe Morisot uses vibrant, broken brushstrokes to capture the fleeting dance of sunlight and shadow in a forest, making the light itself the true subject of the painting.”
Sunlight filters through the dense canopy of the Compiègne Forest, dappling the path and illuminating the figure of a woman in white. Berthe Morisot captures a fleeting moment, emphasizing the play of light and shadow rather than precise forms. Her brushstrokes are loose and energetic, particularly in the foliage, creating a sense of movement and the shimmering effect of light on leaves. The woman, perhaps enjoying a leisurely stroll, is almost absorbed by her surroundings, her presence a quiet counterpoint to the vibrant natural world. This painting exemplifies the Impressionist fascination with capturing direct observation and the changing qualities of light in an outdoor setting, a radical shift from academic painting traditions.
- Artist
- Berthe Morisot
- Date
- 1885
- Medium
- Oil on canvas
- Location
- Art Institute of Chicago
What to Notice
Four details hide in plain sight. Here’s where to look.

The dappled sunlight on the path, created with quick, broken brushstrokes.
The way the woman's white dress seems to glow against the darker trees.
The varied greens and blues used to suggest the depth of the forest.
The indistinct facial features of the woman, focusing on her form and light.
Stand in front of it and listen
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Berthe Morisot
1841–1895 · FranceBerthe Morisot, a pioneering Impressionist, captured intimate domestic scenes and landscapes, often featuring women and children, with a luminous touch.
Further Works by Morisot
Woman at Her Toilette
1877 · Art Institute of Chicago
Woman in a Garden
1882 · Art Institute of Chicago
Young Girl with Hat
1891 · Art Institute of Chicago
The Pink Dress (Albertie-Marguerite Carré, later Madame Ferdinand-Henri Himmes, 1854–1935)
1870 · Metropolitan Museum of Art
Young Woman Knitting
1883 · Metropolitan Museum of Art
Nude Seen from Behind
1889 · Art Institute of Chicago
Young Girl with a Cat
1889 · Art Institute of Chicago
Young Woman Seated on a Sofa
1879 · Metropolitan Museum of Art
More from Impressionism
More works to explore
Beyond Morisot and Impressionism: works from the same years.
Same era · 1870s–1900s
Cart with Red and White Ox
Vincent van Gogh · 1884 · Kröller-Müller Museum
Same era · 1870s–1900s
A Sunday on La Grande Jatte — 1884
Okada Saburosuke · 1884 · Art Institute of Chicago
Same era · 1870s–1900s
Madame Léon Clapisson
Léon-Victor Dupré · 1883 · Art Institute of Chicago
Same era · 1870s–1900s
Paris Street; Rainy Day
Kawabata Gyokushō · 1877 · Art Institute of Chicago
Same era · 1870s–1900s
Still Life with Crayfish
Mikhail Larionov · 1900 · Museum Ludwig
Same era · 1870s–1900s
Evening Primroses in a Vase
Paul Gauguin · 1885
Same era · 1870s–1900s
Studies of Pierre Renoir; His Mother, Aline Charigot; Nudes; and Landscape
Pierre-Auguste Renoir · 1885 · Art Institute of Chicago
Same era · 1870s–1900s
The Sick Child
Edvard Munch · 1885 · National Museum of Art, Architecture and Design
Same era · 1870s–1900s
Bordighera
Claude Monet · 1884 · Art Institute of Chicago
Same era · 1870s–1900s
Cows Drinking at a Pool
William Hart · 1886 · Museum of Fine Arts Boston
Same era · 1870s–1900s
Albert (René) Grenier (1858–1925)
Henri de Toulouse-Lautrec · 1887 · The Metropolitan Museum of Art
Same era · 1870s–1900s
Madame Cézanne (Hortense Fiquet, 1850–1922) in a Red Dress
Paul Cézanne · 1888 · The Metropolitan Museum of Art




