“This watercolor monotype by Paul Gauguin captures a tense, intimate moment between two Tahitian women, rendered with bold colors and a unique printmaking technique that gives the scene a dreamlike intensity.”
Two Tahitian women confront each other in a lush, sun-drenched landscape, their bodies painted in broad, flat areas of color. The woman on the left, seen from behind, appears to be speaking to her companion, who gazes back with a direct, almost challenging stare. Gauguin created this work using a watercolor monotype process, where he painted on a glass plate and then pressed paper onto it, resulting in a unique, almost ghostly image. This technique, combined with added brushstrokes and gouache, gives the scene a dreamlike quality, emphasizing the vibrant hues and simplified forms over naturalistic detail. The title, "Aha oe feii?" (What! Are You Jealous?), hints at an unseen narrative, inviting us to ponder the nature of their interaction within this evocative setting.
- Artist
- Paul Gauguin
- Date
- 1894
- Medium
- Watercolor monotype from a glass matrix, with brush and white gouache, reddish-brown and black water color, on cream wove paper (an imitation Japanese vellum)
- Location
- Art Institute of Chicago
- Dimensions
- 19.5 × 23.2 cm (7 11/16 × 9 3/16 in.)
- Collection
- Prints and Drawings
- Culture
- France
- Credit line
- Gift of Edward McCormick Blair
What to Notice
Five details hide in plain sight. Here’s where to look.

The way the women's bodies are outlined in dark blue, almost like stained glass.
The intricate patterns of the sarongs they wear, especially the red and white one.
The vibrant green and yellow foliage that frames the figures.
The subtle, almost translucent quality of the watercolor in certain areas.
1 more detail is waiting.
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The full narration walks you through Aha oe feii? (What! Are You Jealous?) — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Paul Gauguin
1848–1903 · FrancePaul Gauguin, the French Post-Impressionist, abandoned a stockbroker's life for art, famously seeking 'refuge from Western civilization' in Tahiti.
Further Works by Gauguin
Still Life: Wood Tankard and Metal Pitcher
1880 · Art Institute of Chicago
Two Tahitian Women in a Landscape
1887 · Art Institute of Chicago
Arlésiennes (Mistral)
1888 · Art Institute of Chicago
Woman in Front of a Still Life by Cezanne
1890 · Art Institute of Chicago
Te raau rahi (The Big Tree)
1891 · Art Institute of Chicago
Te burao (The Hibiscus Tree)
1892 · Art Institute of Chicago
Merahi metua no Tehamana (Tehamana Has Many Parents or The Ancestors of Tehamana)
1893 · Art Institute of Chicago
Mahana no atua (Day of the God)
1894 · Art Institute of Chicago
More from Symbolism
More works to explore
Beyond Gauguin and Symbolism: works from the same years, and from the other movements Aha oe feii? (What! Are You Jealous?) belongs to.
Same movement · Post-Impressionism
Equestrienne (At the Cirque Fernando)
Henri de Toulouse-Lautrec · 1887 · Art Institute of Chicago
Same era · 1870s–1900s
A Woman Walking in a Garden
Vincent van Gogh · 1887 · Frans Buffa & sons
Same movement · Post-Impressionism
Carmelina
Henri Matisse · 1903 · Museum of Fine Arts Boston
Same era · 1870s–1900s
Still Life with Crayfish
Mikhail Larionov · 1900 · Museum Ludwig
Same movement · Post-Impressionism
The Old Guitarist
Pablo Picasso · 1903 · Art Institute of Chicago
Same era · 1870s–1900s
A Sunday on La Grande Jatte — 1884
Okada Saburosuke · 1884 · Art Institute of Chicago
Same movement · Impressionism
After the Bullfight
Mary Cassatt · 1873 · Art Institute of Chicago
Same era · 1870s–1900s
Madame Léon Clapisson
Léon-Victor Dupré · 1883 · Art Institute of Chicago
Same movement · Impressionism
A Turn in the Road
Alfred Sisley · 1873 · Art Institute of Chicago
Same era · 1870s–1900s
Frauenkopf vor Sonnenblumen
Ernst Ludwig Kirchner · 1906 · Museum Frieder Burda
Same movement · Post-Impressionism
Gustave Boyer (b. 1840) in a Straw Hat
Paul Cézanne · 1870 · The Metropolitan Museum of Art
Same era · 1870s–1900s
The Sofa
Henri de Toulouse-Lautrec · 1894 · The Metropolitan Museum of Art
Same movement · Impressionism
The Pink Dress (Albertie-Marguerite Carré, later Madame Ferdinand-Henri Himmes, 1854–1935)
Berthe Morisot · 1870 · Metropolitan Museum of Art
Same era · 1870s–1900s
Woman Bathing Her Feet in a Brook
Camille Pissarro · 1894 · Art Institute of Chicago
Same movement · Impressionism
The Beach at Sainte-Adresse
Claude Monet · 1867 · Art Institute of Chicago
Same era · 1870s–1900s
House and Courtyard
John Singer Sargent · 1895 · The Metropolitan Museum of Art
Same movement · Impressionism
The Banks of the Marne in Winter
Camille Pissarro · 1866 · Art Institute of Chicago
Same era · 1870s–1900s
The Child's Bath
Mary Cassatt · 1893 · Art Institute of Chicago
Same movement · Impressionism
Alfred Sisley
Pierre-Auguste Renoir · 1864 · Foundation E.G. Bührle Collection
Same era · 1870s–1900s
The Hands
Edvard Munch · 1893 · Munch Museum
Same movement · Impressionism
Beggar with Oysters (Philosopher)
Édouard Manet · 1864 · Art Institute of Chicago
Same era · 1870s–1900s
The Loire
Alfred Sisley · 1896 · Art Institute of Chicago
Same movement · Impressionism
Young Spartan Girls Challenging Boys
Edgar Degas · 1860 · Art Institute of Chicago
Same era · 1870s–1900s
Stacks of Wheat (End of Summer)
Claude Monet · 1891 · Art Institute of Chicago




