Beata Beatrix by Dante Gabriel Rossetti

Beata Beatrix

Dante Gabriel Rossetti · 1877

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“This ethereal painting captures a moment of spiritual transition, inspired by Dante's "La Vita Nuova." It's a deeply personal work for Rossetti, who depicted his late wife, Elizabeth Siddal, as the central figure.”

ABOUT THIS WORK

A woman with flowing red hair sits in a trance-like state, bathed in an otherworldly glow. This painting, titled "Beata Beatrix" or "Blessed Beatrice," depicts Beatrice Portinari from Dante Alighieri's 13th-century poem, "La Vita Nuova," at the moment of her death. Dante Gabriel Rossetti, who had translated the poem, modeled Beatrice after his late wife, Elizabeth Siddal. Rather than a literal depiction of death, Rossetti intended the painting to be "an ideal of the subject, symbolized by a trance or sudden spiritual transfiguration." This version, left unfinished at Rossetti's death in 1882 and completed by Ford Madox Brown, shows a white dove approaching Beatrice, holding red poppies in its beak.

DETAILS
Artist
Dante Gabriel Rossetti
Date
1877
Medium
Oil on canvas
Location
Birmingham Museums Trust
ART MOVEMENTS
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What to Notice

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Beata Beatrix

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01

Closed eyes, raised face

Look at her tilted face, closed eyes and parted lips. She seems caught in a trance, a moment often read as a spiritual transfiguration rather than a plain death scene.

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02

The red bird and poppy

A red bird lowers a white poppy toward her hands. The poppy is often read as a reference to laudanum, the drug that killed Rossetti's wife, Elizabeth Siddal, who is linked to the figure of Beatrice.

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03

The sundial shadow

On the ledge behind her, a sundial casts its shadow across a gold disc. The inscriptions in the frame point to the date of Beatrice's death, so the dial can be read as marking that moment.

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04

Love in the background

Far back on the left, a haloed figure in red stands in the garden. On the right, a dark figure stands near a well. They are usually identified as Love and Dante, small but central to the story.

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05

The meeting in paradise

In the small panel below, Dante kneels with open hands before Beatrice in a flowering garden, as angels look on. It shows the reunion that follows her death.

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THE ARTIST

Dante Gabriel Rossetti

1828–1882 · United Kingdom of Great Britain and Ireland

Dante Gabriel Rossetti, a founding member of the Pre-Raphaelite Brotherhood, blended poetry and painting to create evocative, symbolic works like "Beata Beatrix."

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Beyond Rossetti and Symbolism: works from the same years, and from the other movements Beata Beatrix belongs to.

The Backgammon Players Same movement · Arts and Crafts movement The Backgammon Players Philip Webb · 1861 · The Metropolitan Museum of Art Cart with Black Ox Same era · 1860s–1890s Cart with Black Ox Vincent van Gogh · 1884 · Portland Art Museum Fear Same movement · Aestheticism Fear Odilon Redon · 1866 · Cleveland Museum of Art Paris Street; Rainy Day Same era · 1860s–1890s Paris Street; Rainy Day Kawabata Gyokushō · 1877 · Art Institute of Chicago Trellis Same movement · Arts and Crafts movement Trellis William Morris · 1864 · The Metropolitan Museum of Art Chariot Race Same era · 1860s–1890s Chariot Race Léon-Victor Dupré · 1876 · Art Institute of Chicago Hagar and Ishmael, from "Dalziels' Bible Gallery" Same movement · Aestheticism Hagar and Ishmael, from "Dalziels' Bible Gallery" Simeon Solomon · 1863 · The Metropolitan Museum of Art A Sunday on La Grande Jatte — 1884 Same era · 1860s–1890s A Sunday on La Grande Jatte — 1884 Okada Saburosuke · 1884 · Art Institute of Chicago
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