Girl in the straw hat
At right, a young woman in a pale hat and blue wrap gazes out at us. She is the only figure fully facing the viewer, so she feels most like a portrait.

“Stop to see an intimate collection of studies by Pierre-Auguste Renoir, featuring portraits of his family and dynamic figure sketches, offering a unique look into an artist's working process.”
This canvas offers a rare glimpse into the private world of an artist at work, presenting a fascinating collection of studies rather than a finished piece. In the upper left, we see a portrait of Pierre Renoir, the artist's son, captured with a direct gaze. Below him, the gentle profile of his mother, Aline Charigot, is rendered with a softness that suggests intimacy. The lower half of the painting features two nude figures, sketched with an energetic fluidity that contrasts with the more defined portraits above. These nudes, along with a quickly rendered landscape study, show a painter exploring form and composition, perhaps preparing for a larger work. The varied subjects and unfinished quality make this an unusual and revealing example of an Impressionist's process, showing how an artist might experiment with different themes and techniques on a single canvas.
Five details hide in plain sight. Pick one and we’ll show you exactly where to look.
At right, a young woman in a pale hat and blue wrap gazes out at us. She is the only figure fully facing the viewer, so she feels most like a portrait.
Near the top left, two round-cheeked babies with red-gold hair lean together in soft gray-blue wraps. Their rosy cheeks are the warmest notes here.
The large nude lying on her side anchors the lower half. Her long curve of back, hip and legs sweeps the eye from left to right.
On the two reclining women in the middle, skin is built from pale greens, creams and pinks blended softly. The shadows are tinted color, not gray or brown.
In the bottom left corner, a head in a pale bonnet fades into the light ground, sketched with only a few soft touches. It reads as a quick, lightly worked study.
The full narration walks you through Studies of Pierre Renoir; His Mother, Aline Charigot; Nudes; and Landscape — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Pierre-Auguste Renoir, a leading Impressionist, painted lively scenes of Parisian life and celebrated feminine beauty.
Lunch at the Restaurant Fournaise (The Rowers' Lunch)
1875 · Art Institute of Chicago
Woman at the Piano
1875 · Art Institute of Chicago
The Laundress
1877 · Art Institute of Chicago
Acrobats at the Cirque Fernando (Francisca and Angelina Wartenberg)
1879 · Art Institute of Chicago
Near the Lake
1879 · Art Institute of Chicago
Seascape
1879 · Art Institute of Chicago
Young Woman Sewing
1879 · Art Institute of Chicago
Fruits of the Midi
1881 · Art Institute of Chicago
Young Spartan Girls Challenging Boys
Degas · 1860 · Art Institute of Chicago
Sea View, Calm Weather (Vue de mer, temps calme)
Manet · 1864 · Art Institute of Chicago
The Banks of the Marne in Winter
Pissarro · 1866 · Art Institute of Chicago
The Beach at Sainte-Adresse
Monet · 1867 · Art Institute of Chicago
Beyond Renoir and Impressionism: works from the same years.
Same era · 1870s–1900s
Cart with Red and White Ox
Vincent van Gogh · 1884 · Kröller-Müller Museum
Same era · 1870s–1900s
A Sunday on La Grande Jatte — 1884
Okada Saburosuke · 1884 · Art Institute of Chicago
Same era · 1870s–1900s
Madame Léon Clapisson
Léon-Victor Dupré · 1883 · Art Institute of Chicago
Same era · 1870s–1900s
Paris Street; Rainy Day
Kawabata Gyokushō · 1877 · Art Institute of Chicago
Same era · 1870s–1900s
Still Life with Crayfish
Mikhail Larionov · 1900 · Museum Ludwig
Same era · 1870s–1900s
Evening Primroses in a Vase
Paul Gauguin · 1885
Same era · 1870s–1900s
Forêt de Compiègne
Berthe Morisot · 1885 · Art Institute of Chicago
Same era · 1870s–1900s
The Sick Child
Edvard Munch · 1885 · National Museum of Art, Architecture and Design
Same era · 1870s–1900s
Cows Drinking at a Pool
William Hart · 1886 · Museum of Fine Arts Boston
Same era · 1870s–1900s
Rocks at Port-Goulphar, Belle-Île
Claude Monet · 1886 · Art Institute of Chicago
Same era · 1870s–1900s
Albert (René) Grenier (1858–1925)
Henri de Toulouse-Lautrec · 1887 · The Metropolitan Museum of Art
Same era · 1870s–1900s
Madame Cézanne (Hortense Fiquet, 1850–1922) in a Red Dress
Paul Cézanne · 1888 · The Metropolitan Museum of Art