Still Life: Wood Tankard and Metal Pitcher by Paul Gauguin

Still Life: Wood Tankard and Metal Pitcher

Paul Gauguin · 1880

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“This still life offers a rare glimpse into Paul Gauguin’s early, Impressionistic style, before his iconic vibrant colors and Tahitian subjects. Notice the masterful rendering of light and texture on these everyday objects.”

ABOUT THIS WORK

A humble wooden tankard and a gleaming metal pitcher stand side by side on a simple tabletop, bathed in a soft, diffused light. The careful attention to texture is striking, from the rough grain of the wood to the reflective surface of the pewter-like pitcher, which subtly mirrors its surroundings. This early work by Paul Gauguin, painted in 1880, showcases his roots in Impressionism, particularly in the way light plays across the forms and the muted, earthy color palette. It’s a quiet, intimate scene, a departure from the vibrant, symbolic canvases he would later create. The composition, with its close-up view and balanced arrangement, invites a moment of contemplation, highlighting the beauty in everyday objects before his dramatic shift to more exotic subjects and bolder styles.

DETAILS
Artist
Paul Gauguin
Date
1880
Medium
Oil on linen canvas
Location
Art Institute of Chicago
Dimensions
54 × 65 cm (21 1/4 × 25 9/16 in.); Framed: 71.2 × 82 × 7 cm (28 × 32 1/4 × 2 3/4 in.)
Collection
Painting and Sculpture of Europe
Culture
France
Credit line
A Millennium Gift of Sara Lee Corporation
ART MOVEMENTS
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What to Notice

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Still Life: Wood Tankard and Metal Pitcher

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01

The wooden tankard

The big rust-brown tankard fills the center. Its lid and warm orange body, dabbed with reds and greens, make it the heavy anchor of the scene.

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02

Carved handle and thumb piece

On the left, the tankard's handle ends in a knotted, carved top, with an open hole showing a bit of pale table through it. At first glance it can read as a dark blob.

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03

The pewter pitcher

Small and cool grey-blue, the pitcher on the right answers the tankard's warmth. Its small lid and slim handle make a neat contrast to the bulk beside it.

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04

Cast shadows

Shadows from the tankard and pitcher stretch left across the pale tabletop in blue, green and darker strokes. They tie the objects to the table and suggest light coming from the right.

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05

Striped cloth at top

Along the top edge, vertical strokes of white, blue, green and red make a loose stripe pattern. The shapes here are sketchy and nearly abstract.

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THE ARTIST

Paul Gauguin

1848–1903 · France

Paul Gauguin, the French Post-Impressionist, abandoned a stockbroker's life for art, famously seeking 'refuge from Western civilization' in Tahiti.

Read Gauguin’s full story
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Beyond Gauguin and Symbolism: works from the same years, and from the other movements Still Life: Wood Tankard and Metal Pitcher belongs to.

After the Bullfight Same movement · Impressionism After the Bullfight Mary Cassatt · 1873 · Art Institute of Chicago Cart with Black Ox Same era · 1860s–1890s Cart with Black Ox Vincent van Gogh · 1884 · Portland Art Museum A Turn in the Road Same movement · Impressionism A Turn in the Road Alfred Sisley · 1873 · Art Institute of Chicago Madame Léon Clapisson Same era · 1860s–1890s Madame Léon Clapisson Léon-Victor Dupré · 1883 · Art Institute of Chicago Equestrienne (At the Cirque Fernando) Same movement · Post-Impressionism Equestrienne (At the Cirque Fernando) Henri de Toulouse-Lautrec · 1887 · Art Institute of Chicago Paris Street; Rainy Day Same era · 1860s–1890s Paris Street; Rainy Day Kawabata Gyokushō · 1877 · Art Institute of Chicago Gustave Boyer (b. 1840) in a Straw Hat Same movement · Post-Impressionism Gustave Boyer (b. 1840) in a Straw Hat Paul Cézanne · 1870 · The Metropolitan Museum of Art A Sunday on La Grande Jatte — 1884 Same era · 1860s–1890s A Sunday on La Grande Jatte — 1884 Okada Saburosuke · 1884 · Art Institute of Chicago
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