“Step into Gauguin's vibrant Tahitian landscape, where a colossal tree anchors a scene of daily life and lush vegetation, rendered with a raw, visible canvas texture that brings the island's essence to life.”
A massive, violet-trunked hotu tree dominates the left side of this canvas, its branches stretching out over a verdant Tahitian landscape. Paul Gauguin painted this scene in 1891, during his first months on the island, a time he described as one of being "blinded and dazzled" by the surroundings. The painting captures the island's abundant flora, including slender mango and coconut trees, alongside short banana plants with their distinctive broad leaves. In the foreground, a man cracks a coconut, while a family rests peacefully in the grass, a sleeping dog nestled beside them. The coarse, fibrous jute canvas, visible through the paint layers, contributes a rugged, organic texture, reflecting the natural setting and the artist's engagement with his new environment.
- Artist
- Paul Gauguin
- Date
- 1891
- Medium
- Oil on jute canvas
- Location
- Art Institute of Chicago
- Dimensions
- 72.5 × 91.5 cm (28 9/16 × 36 in.); Framed: 96.6 × 115.6 × 11.5 cm (38 × 45 1/2 × 4 1/2 in.)
- Collection
- Painting and Sculpture of Europe
- Culture
- France
- Credit line
- Gift of Kate L. Brewster
What to Notice
Five details hide in plain sight. Here’s where to look.

The thick, violet-colored trunk of the hotu tree on the far left.
The man in the foreground using a stick to crack open a coconut.
The sleeping dog nestled among the family resting in the grass.
The visible texture of the jute canvas beneath the paint.
1 more detail is waiting.
See all 5 in Art Whisper →Stand in front of it and listen
The full narration walks you through Te raau rahi (The Big Tree) — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Paul Gauguin
1848–1903 · FrancePaul Gauguin, the French Post-Impressionist, abandoned a stockbroker's life for art, famously seeking 'refuge from Western civilization' in Tahiti.
Further Works by Gauguin
Still Life: Wood Tankard and Metal Pitcher
1880 · Art Institute of Chicago
Two Tahitian Women in a Landscape
1887 · Art Institute of Chicago
Arlésiennes (Mistral)
1888 · Art Institute of Chicago
Woman in Front of a Still Life by Cezanne
1890 · Art Institute of Chicago
Te burao (The Hibiscus Tree)
1892 · Art Institute of Chicago
Merahi metua no Tehamana (Tehamana Has Many Parents or The Ancestors of Tehamana)
1893 · Art Institute of Chicago
Aha oe feii? (What! Are You Jealous?)
1894 · Art Institute of Chicago
Mahana no atua (Day of the God)
1894 · Art Institute of Chicago
More from Symbolism
More works to explore
Beyond Gauguin and Symbolism: works from the same years, and from the other movements Te raau rahi (The Big Tree) belongs to.
Same movement · Post-Impressionism
Equestrienne (At the Cirque Fernando)
Henri de Toulouse-Lautrec · 1887 · Art Institute of Chicago
Same era · 1870s–1900s
A Woman Walking in a Garden
Vincent van Gogh · 1887 · Frans Buffa & sons
Same movement · Post-Impressionism
Carmelina
Henri Matisse · 1903 · Museum of Fine Arts Boston
Same era · 1870s–1900s
A Sunday on La Grande Jatte — 1884
Okada Saburosuke · 1884 · Art Institute of Chicago
Same movement · Post-Impressionism
The Old Guitarist
Pablo Picasso · 1903 · Art Institute of Chicago
Same era · 1870s–1900s
Madame Léon Clapisson
Léon-Victor Dupré · 1883 · Art Institute of Chicago
Same movement · Impressionism
After the Bullfight
Mary Cassatt · 1873 · Art Institute of Chicago
Same era · 1870s–1900s
Still Life with Crayfish
Mikhail Larionov · 1900 · Museum Ludwig
Same movement · Impressionism
A Turn in the Road
Alfred Sisley · 1873 · Art Institute of Chicago
Same era · 1870s–1900s
Paris Street; Rainy Day
Kawabata Gyokushō · 1877 · Art Institute of Chicago
Same movement · Post-Impressionism
Gustave Boyer (b. 1840) in a Straw Hat
Paul Cézanne · 1870 · The Metropolitan Museum of Art
Same era · 1870s–1900s
Frauenkopf vor Sonnenblumen
Ernst Ludwig Kirchner · 1906 · Museum Frieder Burda
Same movement · Impressionism
The Pink Dress (Albertie-Marguerite Carré, later Madame Ferdinand-Henri Himmes, 1854–1935)
Berthe Morisot · 1870 · Metropolitan Museum of Art
Same era · 1870s–1900s
Stacks of Wheat (End of Summer)
Claude Monet · 1891 · Art Institute of Chicago
Same movement · Impressionism
The Beach at Sainte-Adresse
Claude Monet · 1867 · Art Institute of Chicago
Same era · 1870s–1900s
Young Girl with Hat
Berthe Morisot · 1891 · Art Institute of Chicago
Same movement · Impressionism
The Banks of the Marne in Winter
Camille Pissarro · 1866 · Art Institute of Chicago
Same era · 1870s–1900s
Haymaking at Éragny
Camille Pissarro · 1892 · Art Institute of Chicago
Same movement · Impressionism
Alfred Sisley
Pierre-Auguste Renoir · 1864 · Foundation E.G. Bührle Collection
Same era · 1870s–1900s
Henri-Gabriel Ibels (1867–1936)
Henri de Toulouse-Lautrec · 1892 · The Metropolitan Museum of Art
Same movement · Impressionism
Beggar with Oysters (Philosopher)
Édouard Manet · 1864 · Art Institute of Chicago
Same era · 1870s–1900s
Rocks at Fontainebleau
Paul Cézanne · 1890 · The Metropolitan Museum of Art
Same movement · Impressionism
Young Spartan Girls Challenging Boys
Edgar Degas · 1860 · Art Institute of Chicago
Same era · 1870s–1900s
Street in Moret
Alfred Sisley · 1890 · Art Institute of Chicago




