Merahi metua no Tehamana (Tehamana Has Many Parents or The Ancestors of Tehamana) by Paul Gauguin

Merahi metua no Tehamana (Tehamana Has Many Parents or The Ancestors of Tehamana)

Paul Gauguin · 1893

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“Stop to observe this portrait of Tehamana, a young Tahitian girl whose stoic gaze and traditional attire are juxtaposed with symbolic elements that evoke a sense of exotic mystery.”

ABOUT THIS WORK

In this striking portrait, a young Tahitian girl named Tehamana stands with an unflinching gaze, her shoulders squared. She wears a missionary dress, a nod to the colonial influences present in Tahiti during Paul Gauguin's time there. White flowers spill from her hair, contrasting with the stoic expression on her face. To her right, a ripe mango suggests themes of fertility and abundance. The background is a fascinating blend of non-European symbols: glyphs reminiscent of Easter Island tablets and a female deity drawing from Polynesian and Hindu traditions. These elements create a sense of exotic mystery, transforming Tehamana into a figure embodying Gauguin's romanticized vision of the South Pacific.

DETAILS
Artist
Paul Gauguin
Date
1893
Medium
Oil on jute canvas
Location
Art Institute of Chicago
Dimensions
75 × 53 cm (29 1/2 × 20 7/8 in.); Framed: 98.8 × 76.6 × 8.3 cm (38 7/8 × 30 1/8 × 3 1/4 in.)
Collection
Painting and Sculpture of Europe
Culture
France
Credit line
Gift of Mr. and Mrs. Charles Deering McCormick
ART MOVEMENTS
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What to Notice

Five details hide in plain sight. Here’s where to look.

Merahi metua no Tehamana (Tehamana Has Many Parents or The Ancestors of Tehamana)
01

The stoic expression on Tehamana's face.

02

White flowers cascading from her hair.

03

The Samoan fan held in her right hand.

04

The ripe mango resting beside her.

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THE ARTIST

Paul Gauguin

1848–1903 · France

Paul Gauguin, the French Post-Impressionist, abandoned a stockbroker's life for art, famously seeking 'refuge from Western civilization' in Tahiti.

Read Gauguin’s full story
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Beyond Gauguin and Symbolism: works from the same years, and from the other movements Merahi metua no Tehamana (Tehamana Has Many Parents or The Ancestors of Tehamana) belongs to.

Equestrienne (At the Cirque Fernando) Same movement · Post-Impressionism Equestrienne (At the Cirque Fernando) Henri de Toulouse-Lautrec · 1887 · Art Institute of Chicago A Woman Walking in a Garden Same era · 1870s–1900s A Woman Walking in a Garden Vincent van Gogh · 1887 · Frans Buffa & sons Carmelina Same movement · Post-Impressionism Carmelina Henri Matisse · 1903 · Museum of Fine Arts Boston Still Life with Crayfish Same era · 1870s–1900s Still Life with Crayfish Mikhail Larionov · 1900 · Museum Ludwig The Old Guitarist Same movement · Post-Impressionism The Old Guitarist Pablo Picasso · 1903 · Art Institute of Chicago A Sunday on La Grande Jatte — 1884 Same era · 1870s–1900s A Sunday on La Grande Jatte — 1884 Okada Saburosuke · 1884 · Art Institute of Chicago After the Bullfight Same movement · Impressionism After the Bullfight Mary Cassatt · 1873 · Art Institute of Chicago Madame Léon Clapisson Same era · 1870s–1900s Madame Léon Clapisson Léon-Victor Dupré · 1883 · Art Institute of Chicago
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