Still Life with Crayfish by Mikhail Larionov

Still Life with Crayfish

Mikhail Larionov · 1900

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“This early work by Mikhail Larionov offers a striking, intimate look at a single crayfish, showcasing his Impressionistic leanings and a keen eye for color and texture in a humble subject.”

ABOUT THIS WORK

A lone crayfish, vibrant in its red shell, dominates the center of this still life, poised on a simple, rustic surface. The creature, rendered with a directness that almost suggests a portrait, is surrounded by an understated setting. The background is a study in muted tones, allowing the rich color and texture of the crayfish to truly pop. Painted in 1900, this work by Mikhail Larionov shows him exploring Impressionism, a style he adopted around 1902. The brushstrokes here are visible and energetic, capturing the play of light on the crayfish's segmented body and the rough texture of the table. It’s a grounded, unpretentious composition that invites a closer look at the beauty in everyday objects, a characteristic often found in still life paintings.

DETAILS
Artist
Mikhail Larionov
Date
1900
Medium
Oil on canvas
Location
Museum Ludwig
ART MOVEMENTS
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What to Notice

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Still Life with Crayfish

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01

The red crayfish

Look at the crayfish on the white cloth. Its hot orange-red is the loudest note in the picture, so your eye lands here first.

1 of 4 on the painting
02

Landscape in the tray

The oval tray holds a grey, wintry village with small houses, a fence and a few trees. It reads like a mirror or a window onto another place, and its quiet tones sit against the loud colors around it.

2 of 4 on the painting
03

Patterned wallpaper

Pink and green figures, riders on horseback, buildings and coral-like plants cover the turquoise wall. The pattern looks like a folk-print fabric, and it flattens the space behind the table.

3 of 4 on the painting
04

Rough cloth strokes

The white cloth is built from broad, quick strokes of grey, blue and white, with dark edges. The folds are suggested, not smoothed, so the brushwork stays visible.

4 of 4 on the painting
05Whole painting

Tilted tabletop

The table tips up toward us, with its edges running at sharp angles. Objects seem to slide forward, and the space feels flat and bold, not realistic.

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THE ARTIST

Mikhail Larionov

1881–1964 · Russian Empire

Pioneered Rayonism in 1913, Russia's first abstract art movement, then designed for Diaghilev's legendary Ballets Russes.

Read Larionov’s full story
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