“Stop and observe this vast canvas to experience a rainy day in 19th-century Paris. The artist masterfully uses light and reflection to evoke the atmosphere, capturing a bustling intersection with a striking, photographic perspective.”
This monumental painting, "Paris Street; Rainy Day," captures a specific, bustling intersection in 1877 Paris, a short walk from the artist's home. The scene is dramatically cropped, perhaps influenced by the then-new medium of photography, as if the viewer has just stepped into the frame. Two central figures, a man and a woman with an umbrella, walk toward us, their gazes directed beyond the canvas, drawing our attention to something unseen. Instead of explicitly showing raindrops, the artist conveys the wet weather through the subtle reflections on the cobblestones and the numerous retractable umbrellas carried by the figures. Each background figure is carefully placed, creating a sense of constant motion and the lively atmosphere of a modern city street.
- Artist
- Kawabata Gyokushō
- Date
- 1877
- Medium
- Oil on canvas
- Location
- Art Institute of Chicago
- Dimensions
- 212.2 × 276.2 cm (83 1/2 × 108 3/4 in.); Framed: 241.3 × 306.1 × 10.2 cm (95 × 120 1/2 × 4 in.)
- Collection
- Painting and Sculpture of Europe
- Culture
- Paris
- Credit line
- Charles H. and Mary F. S. Worcester Collection
What to Notice
Five details hide in plain sight. Here’s where to look.

The reflections on the wet cobblestones, suggesting rain without depicting individual drops.
The varied angles and positions of the umbrellas, some open, some closed.
The dramatic cropping of the composition, as if a snapshot of a moment.
The man's top hat and the woman's bonnet, typical fashion of the era.
1 more detail is waiting.
See all 5 in Art Whisper →Stand in front of it and listen
The full narration walks you through Paris Street; Rainy Day — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Kawabata Gyokushō
1842–1913 · Empire of JapanKawabata Gyokushō was a prominent Japanese painter known for his delicate ink and color works on silk.
Further Works by Gyokushō
Gathering of the Jewels (Tama hiroi)
1861 · The Metropolitan Museum of Art
Plum Blossoms under the Moon at Dawn
1867 · The Metropolitan Museum of Art
Cat Seen from Behind
1868 · Metropolitan Museum of Art
River Scene with Rocky Hills in Background
1868 · Metropolitan Museum of Art
Spring warmth (Haru atatakai no zu)
1881 · Musée Cernuschi
Blossoms by a River
1887 · The Metropolitan Museum of Art
Landscape
1887 · The Metropolitan Museum of Art
Traveling by Moonlight
1887 · The Metropolitan Museum of Art
More from Nihonga
More works to explore
Beyond Gyokushō and Nihonga: works from the same years.
Same era · 1860s–1890s
Cart with Black Ox
Vincent van Gogh · 1884 · Portland Art Museum
Same era · 1860s–1890s
Chariot Race
Léon-Victor Dupré · 1876 · Art Institute of Chicago
Same era · 1860s–1890s
A Sunday on La Grande Jatte — 1884
Okada Saburosuke · 1884 · Art Institute of Chicago
Same era · 1860s–1890s
Arrival of the Normandy Train, Gare Saint-Lazare
Claude Monet · 1877 · Art Institute of Chicago
Same era · 1860s–1890s
Beata Beatrix
Dante Gabriel Rossetti · 1877 · Birmingham Museums Trust
Same era · 1860s–1890s
Portrait after a Costume Ball (Portrait of Madame Dietz-Monnin)
Edgar Degas · 1877 · Art Institute of Chicago
Same era · 1860s–1890s
The Laundress
Pierre-Auguste Renoir · 1877 · Art Institute of Chicago
Same era · 1860s–1890s
The Man with the Dog
Édouard Manet · 1877 · Art Institute of Chicago
Same era · 1860s–1890s
Woman at Her Toilette
Berthe Morisot · 1877 · Art Institute of Chicago
Same era · 1860s–1890s
Fan Mount: The Cabbage Gatherers
Camille Pissarro · 1878 · Metropolitan Museum of Art
Same era · 1860s–1890s
View of Marly-le-Roi from Coeur-Volant
Alfred Sisley · 1876 · The Metropolitan Museum of Art
Same era · 1860s–1890s
On a Balcony
Mary Cassatt · 1879 · Art Institute of Chicago

