“This striking graphite portrait captures a woman in a high hat, showcasing the artist's early mastery of line and form. It offers a quiet glimpse into Viennese elegance, predating the more famous "golden phase" of his career.”
A woman in profile, her face softly shadowed, dominates this graphite portrait. Her elaborate hat, a tall, conical shape adorned with what appears to be a large bow or fabric flourish, draws the eye upward, giving her an elegant, elongated silhouette. The delicate lines of her collar and the subtle texture of her clothing are rendered with a precision that suggests a keen observation of contemporary fashion. This early work, created when the artist was just 20, already hints at the refined draftsmanship that would characterize his later, more ornate pieces. The use of Japanese paper, known for its smooth surface and subtle sheen, allows the graphite to achieve a remarkable range of tones, from the deep blacks of the hat to the softer grays defining her features, creating a sense of depth and quiet sophistication.
- Artist
- Gustav Klimt
- Date
- 1882
- Medium
- Graphite on cream wove Japanese paper (Japanese vellum)
- Location
- Art Institute of Chicago
- Dimensions
- 56 × 37.2 cm (22 1/16 × 14 11/16 in.)
- Collection
- Prints and Drawings
- Culture
- Austria
- Credit line
- Wentworth Greene Field Fund
What to Notice
Five details hide in plain sight. Here’s where to look.

The intricate detailing of the hat, especially the large, soft bow at the back.
The delicate lines that define the woman's collar and the folds of her dress.
The subtle shading on her face, particularly around her eye and cheekbone.
The way the light seems to catch the top of her hat, creating a gentle highlight.
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Gustav Klimt
1862–1918 · Austrian EmpireVienna Secession founder whose golden, erotic masterpieces merged Symbolism with Japanese-inspired Art Nouveau.
Further Works by Klimt
Reclining Nude with Outstretched Left Arm
1903 · The Metropolitan Museum of Art
Reclining Nude with Drapery
1907 · The Metropolitan Museum of Art
The Kiss
1907 · Belvedere
Two Studies for a Crouching Woman
1914 · The Metropolitan Museum of Art
Reclining Nude with Drapery, Back View
1917 · The Metropolitan Museum of Art
More from Symbolism
More works to explore
Beyond Klimt and Symbolism: works from the same years, and from the other movements Portrait of a Lady in a High Hat belongs to.
Same movement · Vienna Secession
Maude Adams (1872–1953) as Joan of Arc
Alphonse Mucha · 1909 · The Metropolitan Museum of Art
Same era · 1860s–1890s
Cart with Red and White Ox
Vincent van Gogh · 1884 · Kröller-Müller Museum
Same movement · Jugendstil
Crouching Nude in Shoes and Black Stockings, Back View
Egon Schiele · 1912 · The Metropolitan Museum of Art
Same era · 1860s–1890s
Madame Léon Clapisson
Léon-Victor Dupré · 1883 · Art Institute of Chicago
Same era · 1860s–1890s
A Sunday on La Grande Jatte — 1884
Okada Saburosuke · 1884 · Art Institute of Chicago
Same era · 1860s–1890s
Paris Street; Rainy Day
Kawabata Gyokushō · 1877 · Art Institute of Chicago
Same era · 1860s–1890s
Cliff Walk at Pourville
Claude Monet · 1882 · Art Institute of Chicago
Same era · 1860s–1890s
Woman and Child at the Well
Camille Pissarro · 1882 · Art Institute of Chicago
Same era · 1860s–1890s
Woman in a Garden
Berthe Morisot · 1882 · Art Institute of Chicago
Same era · 1860s–1890s
Scene at Napanoch
William Hart · 1883 · The Metropolitan Museum of Art
Same era · 1860s–1890s
The Little One Is Dreaming, Etude
Paul Gauguin · 1881 · Ordrupgaard
Same era · 1860s–1890s
Two Sisters (On the Terrace)
Pierre-Auguste Renoir · 1881 · Art Institute of Chicago
Same era · 1860s–1890s
On a Balcony
Mary Cassatt · 1879 · Art Institute of Chicago
Same era · 1860s–1890s
The Millinery Shop
Edgar Degas · 1879 · Art Institute of Chicago




