“This painting features a single, piercing eye that seems to watch your every move, emerging from a face of abstract lines. It's a striking example of how simple forms can create a powerful, unsettling presence.”
A single, watchful eye dominates this painting, emerging from a canvas of muted, earthy tones. It fixes the viewer with an unsettling intensity, its gaze both direct and enigmatic. The face around it is barely defined, a series of simple lines and geometric shapes suggesting a nose, mouth, and the curve of a head, but it's the eye that truly holds attention. This work, created in 1930, reflects the broader artistic currents of Expressionism and Surrealism, where inner psychological states and dream-like imagery took precedence over realistic representation. The way the eye seems to float in an ambiguous space, almost disembodied, evokes a sense of introspection or perhaps a hidden presence. It’s a compelling example of how a few carefully placed forms can convey a powerful emotional charge, inviting us to ponder who or what is observing us with such a "strange glance."
- Artist
- Paul Klee
- Date
- 1930
- Medium
- Oil on canvas
- Location
- Art Institute of Chicago
What to Notice
Five details hide in plain sight. Here’s where to look.

The single, large eye, slightly off-center, that stares directly out.
The minimal lines suggesting a nose and mouth, almost like a mask.
The subtle variations in the beige and brown background, creating depth.
The way the eye's pupil is a simple black dot, yet feels so alive.
1 more detail is waiting.
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Paul Klee
1879–1940 · Kingdom of PrussiaPaul Klee was a Swiss-born German artist. His highly individual style was influenced by movements in art that included expressionism, cubism, and surrealism.
Further Works by Klee
Death in the Garden (Legend)
1919 · Art Institute of Chicago
Schoolhouse
1920 · Art Institute of Chicago
Asiatic God
1924 · Art Institute of Chicago
Still Life with Fragments
1925 · Art Institute of Chicago
Fleeing Ghost
1929 · Art Institute of Chicago
Sunset
1930 · Art Institute of Chicago
In the Magic Mirror
1934 · Art Institute of Chicago
Women Harvesting
1937 · Art Institute of Chicago
More from Expressionism
More works to explore
Beyond Klee and Expressionism: works from the same years, and from the other movements Strange Glance belongs to.
Same movement · Surrealism
The Eye
René Magritte · 1932 · Art Institute of Chicago
Same era · 1910s–1940s
Lozenge Composition with Yellow, Black, Blue, Red, and Gray
Piet Mondrian · 1921 · Art Institute of Chicago
Same movement · Surrealism
Untitled (Desert Landscape)
Salvador Dalí · 1934 · Art Institute of Chicago
Same era · 1910s–1940s
American Gothic
Okada Saburosuke · 1930 · Art Institute of Chicago
Same movement · Surrealism
Dada Gauguin
Max Ernst · 1920 · Art Institute of Chicago
Same era · 1910s–1940s
And Man Created God in His Own Image
Ivan Puni · 1930 · Art Institute of Chicago
Same movement · Surrealism
Figure with Meat
Francis Bacon · 1954 · Art Institute of Chicago
Same era · 1910s–1940s
Straße mit Passanten bei Nachtbeleuchtung
Ernst Ludwig Kirchner · 1927 · Museum Frieder Burda
Same movement · Surrealism
The Old Guitarist
Pablo Picasso · 1903 · Art Institute of Chicago
Same era · 1910s–1940s
Abstraction: Background with Blue Cloudy Sky
Pablo Picasso · 1930 · Art Institute of Chicago
Same era · 1910s–1940s
American Gothic
Grant Wood · 1930 · Art Institute of Chicago
Same era · 1910s–1940s
The Circus Rider
Marc Chagall · 1927 · Art Institute of Chicago
Same era · 1910s–1940s
Lemons on a Pewter Plate
Henri Matisse · 1926 · Art Institute of Chicago
Same era · 1910s–1940s
Garden Airplane-Trap
Max Ernst · 1935 · Art Institute of Chicago
Same era · 1910s–1940s
Two Women on the Shore
Edvard Munch · 1935 · Munch Museum
Same era · 1910s–1940s
A Chemist Lifting with Extreme Precaution the Cuticle of a Grand Piano
Salvador Dalí · 1936 · Art Institute of Chicago
Same era · 1910s–1940s
Woman at an Easel (Green Screen)
Georges Braque · 1936 · Art Institute of Chicago




