“Stop to appreciate how Paul Klee created this enigmatic "Asiatic God" using plaster and gauze, giving it a unique, ancient texture. The figure's mysterious presence and the artwork's tactile surface make it a captivating piece.”
A figure emerges from a textured surface in Paul Klee's "Asiatic God," its form at once ancient and modern. The artist built this image from oil paint and plaster over gauze, creating a unique, almost sculptural quality. Look closely and you can see the subtle ridges and imperfections of the plaster, giving the surface a weathered, time-worn feel, as if unearthed from an archaeological dig. The muted, earthy tones contribute to this sense of antiquity, suggesting a being from a distant past or an imagined mythology. This work, created in 1924, reflects Klee's exploration of abstraction and his interest in symbols and spiritual forms, often drawing inspiration from non-Western art and ancient cultures. The "god" here is not a literal depiction but an evocation, a presence that feels both formidable and mysterious.
- Artist
- Paul Klee
- Date
- 1924
- Medium
- Oil and plaster, over gauze, on panel
- Location
- Art Institute of Chicago
What to Notice
Five details hide in plain sight. Here’s where to look.

The rough, almost crumbly texture of the plaster that forms the figure.
The subtle lines and shapes embedded in the surface, suggesting hieroglyphs or ancient script.
The way the muted colors blend and shift, giving depth to the figure.
The faint grid pattern visible beneath the paint, hinting at the underlying gauze.
1 more detail is waiting.
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Paul Klee
1879–1940 · Kingdom of PrussiaPaul Klee was a Swiss-born German artist. His highly individual style was influenced by movements in art that included expressionism, cubism, and surrealism.
Further Works by Klee
Death in the Garden (Legend)
1919 · Art Institute of Chicago
Schoolhouse
1920 · Art Institute of Chicago
Still Life with Fragments
1925 · Art Institute of Chicago
Fleeing Ghost
1929 · Art Institute of Chicago
Strange Glance
1930 · Art Institute of Chicago
Sunset
1930 · Art Institute of Chicago
In the Magic Mirror
1934 · Art Institute of Chicago
Women Harvesting
1937 · Art Institute of Chicago
More from Expressionism
More works to explore
Beyond Klee and Expressionism: works from the same years, and from the other movements Asiatic God belongs to.
Same movement · Surrealism
Dada Gauguin
Max Ernst · 1920 · Art Institute of Chicago
Same era · 1900s–1930s
Lozenge Composition with Yellow, Black, Blue, Red, and Gray
Piet Mondrian · 1921 · Art Institute of Chicago
Same movement · Surrealism
The Eye
René Magritte · 1932 · Art Institute of Chicago
Same era · 1900s–1930s
Interior with painter
Ernst Ludwig Kirchner · 1921 · Buchheim Museum of Imagination
Same movement · Surrealism
Untitled (Desert Landscape)
Salvador Dalí · 1934 · Art Institute of Chicago
Same era · 1900s–1930s
The Lineman
Ivan Puni · 1927 · Art Institute of Chicago
Same movement · Surrealism
The Old Guitarist
Pablo Picasso · 1903 · Art Institute of Chicago
Same era · 1900s–1930s
American Gothic
Okada Saburosuke · 1930 · Art Institute of Chicago
Same movement · Surrealism
Figure with Meat
Francis Bacon · 1954 · Art Institute of Chicago
Same era · 1900s–1930s
Bull's Head
Mikhail Larionov · 1913 · Tretyakov Gallery
Same era · 1900s–1930s
The Three O'Clock Sitting
Henri Matisse · 1924 · The Metropolitan Museum of Art
Same era · 1900s–1930s
Untitled (Birds)
Max Ernst · 1924 · Art Institute of Chicago
Same era · 1900s–1930s
The Praying Jew
Marc Chagall · 1923 · Art Institute of Chicago
Same era · 1900s–1930s
The Fiddler
Norman Rockwell · 1921 · Brandywine Museum of Art
Same era · 1900s–1930s
Abstraction: Background with Blue Cloudy Sky
Pablo Picasso · 1930 · Art Institute of Chicago
Same era · 1900s–1930s
American Gothic
Grant Wood · 1930 · Art Institute of Chicago
Same era · 1900s–1930s
Man and Trees, Florida
John Singer Sargent · 1917 · The Metropolitan Museum of Art




