“Stop and consider this painting of a woman at an easel, where the artist uses simplified forms and a striking green background to explore the very act of creation and perception.”
A woman sits at an easel, brush poised, in this painting by Georges Braque. Her form is a study in geometric simplification, with her head a dark oval and her body a series of intersecting planes. The background, a vibrant green, is notably flat and abstract, almost like a stage backdrop, which gives the scene a sense of timelessness rather than a specific place. This work, created in 1936, comes after Braque's pioneering cubist period, yet it still shows his enduring interest in breaking down and reassembling forms. The palette is muted, focusing on earthy tones and the striking green, drawing attention to the structure and composition rather than descriptive detail. It invites us to consider the act of painting itself, as the artist within the painting mirrors the artist who created it, and perhaps even the viewer looking on.
- Artist
- Georges Braque
- Date
- 1936
- Medium
- Oil on canvas
- Location
- Art Institute of Chicago
What to Notice
Five details hide in plain sight. Here’s where to look.

The woman's head, a dark, simplified oval shape.
The vibrant, flat green of the background, like a screen.
The way her body is constructed from interlocking geometric planes.
The subtle texture in the paint, visible up close.
1 more detail is waiting.
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Georges Braque
1882–1963 · FranceCo-invented Cubism with Picasso, creating works so similar experts couldn't tell them apart for years.
Further Works by Braque
Antwerp
1906 · Art Institute of Chicago
Landscape at L'Estaque
1906 · Art Institute of Chicago
Little Harbor in Normandy
1909 · Art Institute of Chicago
Still Life with Glass, Dice, Newspaper and Playing Card
1913 · Art Institute of Chicago
Still Life with Fruits and Stringed Instrument
1938 · Art Institute of Chicago
Wheatfield
1951 · Art Institute of Chicago
More from Cubism
More works to explore
Beyond Braque and Cubism: works from the same years, and from the other movements Woman at an Easel (Green Screen) belongs to.
Same movement · Fauvism
Carmelina
Henri Matisse · 1903 · Museum of Fine Arts Boston
Same era · 1920s–1950s
Lozenge Composition with Yellow, Black, Blue, Red, and Gray
Piet Mondrian · 1921 · Art Institute of Chicago
Same era · 1920s–1950s
Deux personnages
Pierre Alechinsky · 1950
Same era · 1920s–1950s
Nude
Ivan Puni · 1931 · Art Institute of Chicago
Same era · 1920s–1950s
Nighthawks
Okada Saburosuke · 1942 · Art Institute of Chicago
Same era · 1920s–1950s
Straße mit Passanten bei Nachtbeleuchtung
Ernst Ludwig Kirchner · 1927 · Museum Frieder Burda
Same era · 1920s–1950s
The Indestructibles
Philip Evergood · 1946 · Art Institute of Chicago
Same era · 1920s–1950s
A Chemist Lifting with Extreme Precaution the Cuticle of a Grand Piano
Salvador Dalí · 1936 · Art Institute of Chicago
Same era · 1920s–1950s
Garden Airplane-Trap
Max Ernst · 1935 · Art Institute of Chicago
Same era · 1920s–1950s
On the Threshold of Liberty
René Magritte · 1937 · Art Institute of Chicago
Same era · 1920s–1950s
Two Women on the Shore
Edvard Munch · 1935 · Munch Museum
Same era · 1920s–1950s
Women Harvesting
Paul Klee · 1937 · Art Institute of Chicago
Same era · 1920s–1950s
White Crucifixion
Marc Chagall · 1938 · Art Institute of Chicago


