Woman at an Easel (Green Screen) by Georges Braque

Woman at an Easel (Green Screen)

Georges Braque · 1936

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“Stop and consider this painting of a woman at an easel, where the artist uses simplified forms and a striking green background to explore the very act of creation and perception.”

ABOUT THIS WORK

A woman sits at an easel, brush poised, in this painting by Georges Braque. Her form is a study in geometric simplification, with her head a dark oval and her body a series of intersecting planes. The background, a vibrant green, is notably flat and abstract, almost like a stage backdrop, which gives the scene a sense of timelessness rather than a specific place. This work, created in 1936, comes after Braque's pioneering cubist period, yet it still shows his enduring interest in breaking down and reassembling forms. The palette is muted, focusing on earthy tones and the striking green, drawing attention to the structure and composition rather than descriptive detail. It invites us to consider the act of painting itself, as the artist within the painting mirrors the artist who created it, and perhaps even the viewer looking on.

DETAILS
Artist
Georges Braque
Date
1936
Medium
Oil on canvas
Location
Art Institute of Chicago
ART MOVEMENTS
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What to Notice

Five details hide in plain sight. Here’s where to look.

Woman at an Easel (Green Screen)
01

The woman's head, a dark, simplified oval shape.

02

The vibrant, flat green of the background, like a screen.

03

The way her body is constructed from interlocking geometric planes.

04

The subtle texture in the paint, visible up close.

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THE ARTIST

Georges Braque

1882–1963 · France

Co-invented Cubism with Picasso, creating works so similar experts couldn't tell them apart for years.

Read Braque’s full story
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EXPLORE THE MOVEMENT

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More works to explore

Beyond Braque and Cubism: works from the same years, and from the other movements Woman at an Easel (Green Screen) belongs to.

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