“Stop and observe the two women silhouetted against a moonlit sea, a powerful example of how color and form can evoke deep emotion and a sense of quiet mystery.”
In this evocative painting, two women stand on a moonlit shore, their forms silhouetted against the water. The scene is imbued with a sense of quiet contemplation, perhaps even melancholy, a hallmark of Symbolism and Expressionism, movements that deeply influenced the artist. One woman, her back mostly to us, gazes out at the sea, her posture suggesting introspection. The other, facing her companion, seems to be engaged in a silent exchange, her figure a stark contrast to the luminous path the moon casts across the water. The broad, almost raw brushstrokes create a textured surface, allowing the colors to blend and blur, enhancing the dreamlike quality of the moment. The somber palette, dominated by blues and greens, with touches of dark red, contributes to the painting's emotional depth, inviting viewers to ponder the unspoken narrative between the figures and their relationship with the vast, mysterious seascape.
- Artist
- Edvard Munch
- Date
- 1935
- Medium
- Oil on canvas
- Location
- Munch Museum
What to Notice
Five details hide in plain sight. Here’s where to look.

The way the moonlight creates a shimmering path on the water.
The distinct silhouettes of the two women against the bright water.
The rough, visible brushstrokes that give the painting a textured feel.
The subtle variations in blue and green in the water and sky.
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Edvard Munch
1863–1944 · NorwayNorwegian painter whose 1893 work The Scream became one of Western art's most iconic images.
Further Works by Munch
Potted Plant
1881 · Munch Museum
The Hands
1893 · Munch Museum
The Kiss
1897 · Munch Museum
Consolation
1907 · Munch Museum
The Sick Child
1885 · National Museum of Art, Architecture and Design
Øvre Foss
1880 · Munch Museum
The Scream
1910 · Munch Museum
Death and the Woman
1894 · The Metropolitan Museum of Art
More from Symbolism
The Seine at Pont de Grenelle
Gauguin · 1875 · Wallraf–Richartz Museum
Beata Beatrix
Rossetti · 1877 · Birmingham Museums Trust
Lozenge Composition with Yellow, Black, Blue, Red, and Gray
Mondrian · 1921 · Art Institute of Chicago
Portrait of a Lady in a High Hat
Klimt · 1882 · Art Institute of Chicago
More works to explore
Beyond Munch and Symbolism: works from the same years, and from the other movements Two Women on the Shore belongs to.
Same movement · Expressionism
Cart with Red and White Ox
Vincent van Gogh · 1884 · Kröller-Müller Museum
Same era · 1920s–1950s
Deux personnages
Pierre Alechinsky · 1950
Same movement · Expressionism
Death in the Garden (Legend)
Paul Klee · 1919 · Art Institute of Chicago
Same era · 1920s–1950s
Nude
Ivan Puni · 1931 · Art Institute of Chicago
Same movement · Expressionism
Figure with Meat
Francis Bacon · 1954 · Art Institute of Chicago
Same era · 1920s–1950s
American Gothic
Okada Saburosuke · 1930 · Art Institute of Chicago
Same movement · Expressionism
Crouching Nude in Shoes and Black Stockings, Back View
Egon Schiele · 1912 · The Metropolitan Museum of Art
Same era · 1920s–1950s
Straße mit Passanten bei Nachtbeleuchtung
Ernst Ludwig Kirchner · 1927 · Museum Frieder Burda
Same movement · Expressionism
Birth
Marc Chagall · 1911 · Art Institute of Chicago
Same era · 1920s–1950s
The Indestructibles
Philip Evergood · 1946 · Art Institute of Chicago
Same era · 1920s–1950s
Composition (No. 1) Gray-Red
Piet Mondrian · 1935 · Art Institute of Chicago
Same era · 1920s–1950s
Garden Airplane-Trap
Max Ernst · 1935 · Art Institute of Chicago
Same era · 1920s–1950s
In the Magic Mirror
Paul Klee · 1934 · Art Institute of Chicago
Same era · 1920s–1950s
Untitled (Desert Landscape)
Salvador Dalí · 1934 · Art Institute of Chicago
Same era · 1920s–1950s
Woman at an Easel (Green Screen)
Georges Braque · 1936 · Art Institute of Chicago
Same era · 1920s–1950s
On the Threshold of Liberty
René Magritte · 1937 · Art Institute of Chicago
Same era · 1920s–1950s
White Crucifixion
Marc Chagall · 1938 · Art Institute of Chicago
