Lemons on a Pewter Plate by Henri Matisse

Lemons on a Pewter Plate

Henri Matisse · 1926

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“Stop to appreciate how Henri Matisse captures the simple beauty of lemons on a pewter plate, using light and texture to create a surprisingly complex and intimate scene that echoes the work of Cézanne.”

ABOUT THIS WORK

In this still life, a cluster of bright yellow lemons sits on a pewter plate, their vibrant color a striking contrast to the muted tones around them. The composition feels intimate, almost as if we've stumbled upon a quiet moment in a sun-drenched room. Notice the challenging spatial construction and the palpable texture of the paint, particularly in the way the light catches the fruit and the plate. This approach to still life, with its emphasis on form and carefully observed light, recalls the works of Paul Cézanne. Henri Matisse began this painting in 1926, the same year his dealer organized a major retrospective of Cézanne's work, suggesting a dialogue with the earlier master. The patterned background and the warm light evoke the southern French city of Nice, where Matisse spent many winters, commenting that the light there profoundly transformed his art.

DETAILS
Artist
Henri Matisse
Date
1926
Medium
Oil on canvas
Location
Art Institute of Chicago
Dimensions
55.6 × 67.1 cm (21 5/8 × 26 1/8 in.)
Collection
Modern Art
Culture
France
Credit line
A Millennium Gift of Sara Lee Corporation
ART MOVEMENTS
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What to Notice

Five details hide in plain sight. Pick one and we’ll show you exactly where to look.

Lemons on a Pewter Plate

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01

Three yellow lemons

Look at the yellow lemons clustered on the plate. Their thick, buttery yellow is the brightest note in a picture of grays and reds.

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02

Pewter plate surface

The big gray oval is painted in broad, dull strokes with a pale gleam near the top rim. Matisse makes metal from a few simple patches of paint.

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03

Tilted plate and table

The plate seems to tip up toward you while the table edge runs flat across the bottom. The shifting angles flatten the space and make the table feel like a tilted surface.

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04

Patterned red backdrop

Across the top, red-orange shapes sprawl over white in loose, heavy brushwork. The wild pattern pushes forward and competes with the quiet still life below.

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05

Scraped coral tablecloth

The pink-coral cloth is brushed on in dry, bumpy strokes, so the canvas texture shows through. The paint feels tactile, almost like woven fabric.

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THE ARTIST

Henri Matisse

1869–1954 · France

Henri Matisse, a master of color and form, moved from law to art after an appendicitis recovery, becoming a defining figure of 20th-century modern art.

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Beyond Matisse and Post-Impressionism: works from the same years, and from the other movements Lemons on a Pewter Plate belongs to.

Landscape at L'Estaque Same movement · Fauvism Landscape at L'Estaque Georges Braque · 1906 · Art Institute of Chicago Lozenge Composition with Yellow, Black, Blue, Red, and Gray Same era · 1910s–1940s Lozenge Composition with Yellow, Black, Blue, Red, and Gray Piet Mondrian · 1921 · Art Institute of Chicago Still Life: Wood Tankard and Metal Pitcher Same movement · Impressionism Still Life: Wood Tankard and Metal Pitcher Paul Gauguin · 1880 · Art Institute of Chicago Memories of the Past Same era · 1910s–1940s Memories of the Past Ivan Puni · 1927 · Art Institute of Chicago After the Bullfight Same movement · Impressionism After the Bullfight Mary Cassatt · 1873 · Art Institute of Chicago Straße mit Passanten bei Nachtbeleuchtung Same era · 1910s–1940s Straße mit Passanten bei Nachtbeleuchtung Ernst Ludwig Kirchner · 1927 · Museum Frieder Burda A Turn in the Road Same movement · Impressionism A Turn in the Road Alfred Sisley · 1873 · Art Institute of Chicago American Gothic Same era · 1910s–1940s American Gothic Okada Saburosuke · 1930 · Art Institute of Chicago
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