“This painting by Ivan Puni offers a powerful and introspective look at humanity's relationship with the divine, rendered through a solitary, almost crucified figure in a stark, abstract setting.”
In this striking vertical composition, a figure with arms outstretched, almost crucified, dominates the canvas. Ivan Puni, also known as Jean Pougny, painted this work in 1930, a period when he was exploring a more lyrical and figurative style after his earlier avant-garde experiments in Russia. The title, "And Man Created God in His Own Image," suggests a profound commentary on humanity's role in shaping its own spiritual and societal constructs. The figure's elongated form and the stark, almost abstract background create a sense of isolation and introspection. The limited color palette, primarily muted blues, grays, and browns, emphasizes the somber and contemplative mood, drawing the viewer into a moment of existential reflection.
- Artist
- Ivan Puni
- Date
- 1930
- Medium
- Oil on canvas
- Location
- Art Institute of Chicago
- Dimensions
- 121.9 × 66 cm (48 × 26 in.)
- Collection
- Arts of the Americas
- Culture
- United States
- Credit line
- Gift of Ivan Albright
What to Notice
Five details hide in plain sight. Here’s where to look.

The figure's almost crucified pose, arms outstretched
The elongated, somewhat distorted proportions of the body
The subtle, almost ethereal blue tones in the background
The way the figure seems to emerge from the canvas itself
1 more detail is waiting.
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Ivan Puni
1890–1956 · Russian EmpireRussian avant-garde pioneer who organized the legendary 0.10 exhibition, then reinvented himself as a French painter.
Further Works by Puni
Memories of the Past
1927 · Art Institute of Chicago
The Lineman
1927 · Art Institute of Chicago
Heavy the Oar to Him Who Is Tired, Heavy the Coat, Heavy the Sea
1929 · Art Institute of Chicago
Into the World There Came a Soul Called Ida
1929 · Art Institute of Chicago
Three Love Birds
1930 · Art Institute of Chicago
Nude
1931 · Art Institute of Chicago
That Which I Should Have Done I Did Not Do (The Door)
1931 · Art Institute of Chicago
Divided and Divided
1941 · Art Institute of Chicago
More works to explore
Beyond Puni: works from the same years.
Same era · 1910s–1940s
Lozenge Composition with Yellow, Black, Blue, Red, and Gray
Piet Mondrian · 1921 · Art Institute of Chicago
Same era · 1910s–1940s
American Gothic
Okada Saburosuke · 1930 · Art Institute of Chicago
Same era · 1910s–1940s
Straße mit Passanten bei Nachtbeleuchtung
Ernst Ludwig Kirchner · 1927 · Museum Frieder Burda
Same era · 1910s–1940s
Abstraction: Background with Blue Cloudy Sky
Pablo Picasso · 1930 · Art Institute of Chicago
Same era · 1910s–1940s
American Gothic
Grant Wood · 1930 · Art Institute of Chicago
Same era · 1910s–1940s
Sunset
Paul Klee · 1930 · Art Institute of Chicago
Same era · 1910s–1940s
The Eye
René Magritte · 1932 · Art Institute of Chicago
Same era · 1910s–1940s
The Circus Rider
Marc Chagall · 1927 · Art Institute of Chicago
Same era · 1910s–1940s
Lemons on a Pewter Plate
Henri Matisse · 1926 · Art Institute of Chicago
Same era · 1910s–1940s
Untitled (Desert Landscape)
Salvador Dalí · 1934 · Art Institute of Chicago
Same era · 1910s–1940s
The Blue Forest
Max Ernst · 1925 · Art Institute of Chicago
Same era · 1910s–1940s
Two Women on the Shore
Edvard Munch · 1935 · Munch Museum
