In the Magic Mirror by Paul Klee

In the Magic Mirror

Paul Klee · 1934

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“This painting captures a moment of deep personal turmoil for the artist, expressed through a single, evolving line that creates multiple faces and a poignant black heart. It's a powerful visual metaphor for disillusionment and anxiety.”

ABOUT THIS WORK

A blank face dominates this canvas, a vertical line snaking from top to bottom, creating a fascinating optical illusion. The line begins as an eyebrow, then morphs into a nose, and finally a chin, giving rise to three distinct visages simultaneously: one looking left, one looking right, and one staring directly out with two tear-shaped eyes. Below these evolving faces, a single, isolated black heart hangs in the void. Painted in 1934, shortly after Paul Klee was labeled a "degenerate artist" by the Nazi Party and forced to leave Germany for Switzerland, this work seems to channel his profound disillusionment. The knotted brow, the sorrowful eyes, and the stark black heart combine to communicate a palpable sense of anxiety, distress, and bitterness that resonates through the canvas.

DETAILS
Artist
Paul Klee
Date
1934
Medium
Oil on canvas, on board
Location
Art Institute of Chicago
ART MOVEMENTS
LOOK CLOSER

What to Notice

Three details hide in plain sight. Here’s where to look.

In the Magic Mirror
01

The single snaking line that forms three faces at once.

02

The two tear-shaped eyes that gaze out from the central face.

03

The lone, isolated black heart positioned below the faces.

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THE ARTIST

Paul Klee

1879–1940 · Kingdom of Prussia

Paul Klee was a Swiss-born German artist. His highly individual style was influenced by movements in art that included expressionism, cubism, and surrealism.

Read Klee’s full story
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EXPLORE THE MOVEMENT

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More works to explore

Beyond Klee and Expressionism: works from the same years, and from the other movements In the Magic Mirror belongs to.

Untitled (Desert Landscape) Same movement · Surrealism Untitled (Desert Landscape) Salvador Dalí · 1934 · Art Institute of Chicago Lozenge Composition with Yellow, Black, Blue, Red, and Gray Same era · 1910s–1940s Lozenge Composition with Yellow, Black, Blue, Red, and Gray Piet Mondrian · 1921 · Art Institute of Chicago The Eye Same movement · Surrealism The Eye René Magritte · 1932 · Art Institute of Chicago That Which I Should Have Done I Did Not Do (The Door) Same era · 1910s–1940s That Which I Should Have Done I Did Not Do (The Door) Ivan Puni · 1931 · Art Institute of Chicago Dada Gauguin Same movement · Surrealism Dada Gauguin Max Ernst · 1920 · Art Institute of Chicago American Gothic Same era · 1910s–1940s American Gothic Okada Saburosuke · 1930 · Art Institute of Chicago Figure with Meat Same movement · Surrealism Figure with Meat Francis Bacon · 1954 · Art Institute of Chicago Straße mit Passanten bei Nachtbeleuchtung Same era · 1910s–1940s Straße mit Passanten bei Nachtbeleuchtung Ernst Ludwig Kirchner · 1927 · Museum Frieder Burda
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