“Stop and look at how Paul Klee uses simplified forms and a muted palette to create a harmonious, almost spiritual scene of women harvesting. The unique texture of pastel on burlap adds to its dreamlike quality.”
In this 1937 work, a cluster of stylized figures, perhaps three or four, appear to be engaged in harvesting, their forms simplified into a series of geometric shapes and lines. The palette is muted, dominated by earthy browns, soft greens, and a hazy blue that suggests a late afternoon sky. The pastel medium on canvas, mounted on burlap, gives the surface a soft, almost chalky texture, contributing to the dreamlike quality of the scene. The figures, with their small heads and elongated bodies, seem to merge with the landscape, creating a sense of unity between humanity and nature. This piece, created just a few years before the artist's death, reflects a late period of his career, where forms often became more simplified and symbolic.
- Artist
- Paul Klee
- Date
- 1937
- Medium
- Pastel on canvas, on burlap
- Location
- Art Institute of Chicago
What to Notice
Five details hide in plain sight. Here’s where to look.

The way the figures' bodies are composed of overlapping, colored planes.
The visible texture of the burlap beneath the pastel, especially in the lighter areas.
The small, almost bird-like heads of the harvesters.
The subtle variations in the green and brown fields, suggesting depth.
1 more detail is waiting.
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Paul Klee
1879–1940 · Kingdom of PrussiaPaul Klee was a Swiss-born German artist. His highly individual style was influenced by movements in art that included expressionism, cubism, and surrealism.
Further Works by Klee
Death in the Garden (Legend)
1919 · Art Institute of Chicago
Schoolhouse
1920 · Art Institute of Chicago
Asiatic God
1924 · Art Institute of Chicago
Still Life with Fragments
1925 · Art Institute of Chicago
Fleeing Ghost
1929 · Art Institute of Chicago
Strange Glance
1930 · Art Institute of Chicago
Sunset
1930 · Art Institute of Chicago
In the Magic Mirror
1934 · Art Institute of Chicago
More from Expressionism
More works to explore
Beyond Klee and Expressionism: works from the same years, and from the other movements Women Harvesting belongs to.
Same movement · Surrealism
Untitled (Desert Landscape)
Salvador Dalí · 1934 · Art Institute of Chicago
Same era · 1920s–1950s
Deux personnages
Pierre Alechinsky · 1950
Same movement · Surrealism
The Eye
René Magritte · 1932 · Art Institute of Chicago
Same era · 1920s–1950s
Divided and Divided
Ivan Puni · 1941 · Art Institute of Chicago
Same movement · Surrealism
Dada Gauguin
Max Ernst · 1920 · Art Institute of Chicago
Same era · 1920s–1950s
Nighthawks
Okada Saburosuke · 1942 · Art Institute of Chicago
Same movement · Surrealism
Figure with Meat
Francis Bacon · 1954 · Art Institute of Chicago
Same era · 1920s–1950s
The Indestructibles
Philip Evergood · 1946 · Art Institute of Chicago
Same movement · Surrealism
The Old Guitarist
Pablo Picasso · 1903 · Art Institute of Chicago
Same era · 1920s–1950s
Straße mit Passanten bei Nachtbeleuchtung
Ernst Ludwig Kirchner · 1927 · Museum Frieder Burda
Same era · 1920s–1950s
Inventions of the Monsters
Salvador Dalí · 1937 · Art Institute of Chicago
Same era · 1920s–1950s
On the Threshold of Liberty
René Magritte · 1937 · Art Institute of Chicago
Same era · 1920s–1950s
Still Life with Fruits and Stringed Instrument
Georges Braque · 1938 · Art Institute of Chicago
Same era · 1920s–1950s
White Crucifixion
Marc Chagall · 1938 · Art Institute of Chicago
Same era · 1920s–1950s
Composition (No. 1) Gray-Red
Piet Mondrian · 1935 · Art Institute of Chicago
Same era · 1920s–1950s
Garden Airplane-Trap
Max Ernst · 1935 · Art Institute of Chicago
Same era · 1920s–1950s
Girl in Yellow and Blue with Guitar
Henri Matisse · 1939 · Art Institute of Chicago




