Breton Bather by Paul Gauguin

Breton Bather

Paul Gauguin · 1886

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“Stop and observe this intimate charcoal and pastel study of a Breton bather. Its quiet mood and the visible planning lines offer a glimpse into the artist's process and a moment of serene contemplation.”

ABOUT THIS WORK

A lone figure, a Breton bather, sits on the bank of a stream, her back to us as she prepares to enter the cool water. The charcoal and pastel medium gives the scene a soft, almost dreamlike quality, with the muted tones of the landscape reflecting the quiet solitude of the moment. Her form, partially outlined in graphite, suggests a sense of anticipation, while the squared lines visible across the paper hint at the artist's methodical approach to composition. This study, created in 1886, captures a simple, everyday act, yet it imbues it with a certain dignity and introspection, characteristic of the period's interest in rural life and unadorned human experience. The work’s intimate scale draws the viewer into the bather's private world, making us silent observers of her contemplation.

DETAILS
Artist
Paul Gauguin
Date
1886
Medium
Charcoal and pastel, with touches of brush and brown ink, on ivory laid paper (discolored to tan), partially outlined in graphite and squared in black fabricated chalk, with yellow paint residue on verso
Location
Art Institute of Chicago
Dimensions
58.5 × 35 cm (23 1/16 × 13 13/16 in.)
Collection
Prints and Drawings
Culture
France
Credit line
Gift of Mrs. Charles B. Goodspeed
ART MOVEMENTS
LOOK CLOSER

What to Notice

Five details hide in plain sight. Here’s where to look.

Breton Bather
01

The subtle blush of pastel on the bather's skin.

02

The faint grid lines used to plan the composition.

03

The way the charcoal defines the folds of her dress.

04

The texture of the ivory laid paper, now discolored to tan.

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THE ARTIST

Paul Gauguin

1848–1903 · France

Paul Gauguin, the French Post-Impressionist, abandoned a stockbroker's life for art, famously seeking 'refuge from Western civilization' in Tahiti.

Read Gauguin’s full story
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Beyond Gauguin and Symbolism: works from the same years, and from the other movements Breton Bather belongs to.

Equestrienne (At the Cirque Fernando) Same movement · Post-Impressionism Equestrienne (At the Cirque Fernando) Henri de Toulouse-Lautrec · 1887 · Art Institute of Chicago A Woman Walking in a Garden Same era · 1870s–1900s A Woman Walking in a Garden Vincent van Gogh · 1887 · Frans Buffa & sons After the Bullfight Same movement · Impressionism After the Bullfight Mary Cassatt · 1873 · Art Institute of Chicago A Sunday on La Grande Jatte — 1884 Same era · 1870s–1900s A Sunday on La Grande Jatte — 1884 Okada Saburosuke · 1884 · Art Institute of Chicago A Turn in the Road Same movement · Impressionism A Turn in the Road Alfred Sisley · 1873 · Art Institute of Chicago Madame Léon Clapisson Same era · 1870s–1900s Madame Léon Clapisson Léon-Victor Dupré · 1883 · Art Institute of Chicago Gustave Boyer (b. 1840) in a Straw Hat Same movement · Post-Impressionism Gustave Boyer (b. 1840) in a Straw Hat Paul Cézanne · 1870 · The Metropolitan Museum of Art Paris Street; Rainy Day Same era · 1870s–1900s Paris Street; Rainy Day Kawabata Gyokushō · 1877 · Art Institute of Chicago
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