“This charcoal drawing captures an intimate, everyday moment with raw intensity, inviting you to witness a private act of concentration and vulnerability through its expressive lines and form.”
A woman sits hunched, her gaze directed downwards as she fastens the buttons on her shoe. Her body, rendered with stark charcoal lines, twists inward, creating a sense of quiet concentration and vulnerability. The artist uses the raw texture of the paper and the directness of charcoal to emphasize the figure's angularity and the intimate nature of the gesture. This drawing, created in 1915, captures a moment of everyday activity, yet imbues it with a psychological intensity characteristic of Expressionism. The figure’s exposed leg and the somewhat contorted pose suggest a deep engagement with the physical act, drawing the viewer into her private world. The simplicity of the medium allows for a focus on form and emotion, revealing the expressive potential of the human figure even in repose.
- Artist
- Egon Schiele
- Date
- 1915
- Medium
- Charcoal on paper
- Location
- The Metropolitan Museum of Art
- Dimensions
- 19 x 12 1/2 in. (48.3 x 31.8 cm)
- Collection
- Modern and Contemporary Art
- Credit line
- Bequest of Scofield Thayer, 1982
What to Notice
Four details hide in plain sight. Here’s where to look.

Observe the sharp angles of her elbows and knees.
Notice how the charcoal lines define the folds of her dress.
See the delicate rendering of her fingers on the shoe buttons.
The way her head is tilted, completely absorbed in the task.
Stand in front of it and listen
The full narration walks you through Woman Buttoning Her Shoes (recto); Study for Reclining Nude with Arms Raised (verso) — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Egon Schiele
1890–1918 · CisleithaniaEgon Schiele, an Austrian Expressionist, captured raw human emotion and twisted forms, often in stark self-portraits.
Further Works by Schiele
Crouching Nude in Shoes and Black Stockings, Back View
1912 · The Metropolitan Museum of Art
Standing Nude with Orange Drapery (recto): Study of Nude with Arms Raised (verso)
1914 · The Metropolitan Museum of Art
Street Cart
1914 · The Metropolitan Museum of Art
Seated Woman, Back View
1917 · The Metropolitan Museum of Art
Standing Girl, Back View
1908 · The Metropolitan Museum of Art
Observed in a Dream
1911 · The Metropolitan Museum of Art
Seated Woman in Chemise
1914 · The Metropolitan Museum of Art
Seminude with Arms Raised
1914 · The Metropolitan Museum of Art
More from Expressionism
More works to explore
Beyond Schiele and Expressionism: works from the same years, and from the other movements Woman Buttoning Her Shoes (recto); Study for Reclining Nude with Arms Raised (verso) belongs to.
Same movement · Vienna Secession
Maude Adams (1872–1953) as Joan of Arc
Alphonse Mucha · 1909 · The Metropolitan Museum of Art
Same era · 1900s–1930s
Lozenge Composition with Yellow, Black, Blue, Red, and Gray
Piet Mondrian · 1921 · Art Institute of Chicago
Same movement · Die Brucke
Frauenkopf vor Sonnenblumen
Ernst Ludwig Kirchner · 1906 · Museum Frieder Burda
Same era · 1900s–1930s
The Red Tower in Halle
Ernst Ludwig Kirchner · 1915 · Museum Folkwang
Same movement · Der Blaue Reiter
Still Life with Crayfish
Mikhail Larionov · 1900 · Museum Ludwig
Same era · 1900s–1930s
Bull's Head
Mikhail Larionov · 1913 · Tretyakov Gallery
Same movement · Jugendstil
Portrait of a Lady in a High Hat
Gustav Klimt · 1882 · Art Institute of Chicago
Same era · 1900s–1930s
Memories of the Past
Ivan Puni · 1927 · Art Institute of Chicago
Same era · 1900s–1930s
American Gothic
Okada Saburosuke · 1930 · Art Institute of Chicago
Same era · 1900s–1930s
Irises
Claude Monet · 1915 · National Gallery
Same era · 1900s–1930s
Man with a Pipe
Pablo Picasso · 1915 · Art Institute of Chicago
Same era · 1900s–1930s
Apples
Henri Matisse · 1916 · Art Institute of Chicago
Same era · 1900s–1930s
The Magic Foot-ball, 'I thought you were wrong,' he said in triumph. 'You said it was nine! Stupid!'
Norman Rockwell · 1914 · Norman Rockwell Museum
Same era · 1900s–1930s
Man and Trees, Florida
John Singer Sargent · 1917 · The Metropolitan Museum of Art
Same era · 1900s–1930s
Still Life with Glass, Dice, Newspaper and Playing Card
Georges Braque · 1913 · Art Institute of Chicago
Same era · 1900s–1930s
Dada Gauguin
Max Ernst · 1920 · Art Institute of Chicago




