“This painting immortalizes actress Maude Adams as Joan of Arc, blending theatrical drama with Art Nouveau elegance to create a powerful image of faith and resolve.”
In this striking portrait, actress Maude Adams embodies Joan of Arc, her gaze directed upwards with a mix of defiance and spiritual resolve. The oil on canvas, created in 1909, captures Adams in a theatrical pose, her hands clasped, surrounded by a halo-like glow and stylized cherry blossoms. This work blends the dramatic flair of the stage with the decorative elegance of the Art Nouveau movement, which Alphonse Mucha helped define. The composition emphasizes Joan's purity and divine connection, presenting her not just as a historical figure, but as a symbol of faith and strength. The painting serves as a powerful historiated portrait, elevating the actress to the status of the legendary saint she portrays.
- Artist
- Alphonse Mucha
- Date
- 1909
- Medium
- Oil on canvas
- Location
- The Metropolitan Museum of Art
- Dimensions
- 82 1/4 x 30 in. (208.9 x 76.2 cm)
- Collection
- European Paintings
- Credit line
- Gift of A. J. Kobler, 1920
What to Notice
Five details hide in plain sight. Here’s where to look.

The delicate cherry blossoms framing Joan's head, suggesting purity and spring.
The intricate fleur-de-lis patterns on her armor and the fabric behind her.
The dramatic lighting, creating a halo effect around Joan's head.
The subtle texture of the oil paint, visible in the folds of her shawl.
1 more detail is waiting.
See all 5 in Art Whisper →Stand in front of it and listen
The full narration walks you through Maude Adams (1872–1953) as Joan of Arc — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Alphonse Mucha
Alphonse Mucha, the Czech master of Art Nouveau, transformed theatrical posters and advertisements into lush, iconic works featuring graceful female figures.
More from Jugendstil
More works to explore
Beyond Mucha and Jugendstil: works from the same years, and from the other movements Maude Adams (1872–1953) as Joan of Arc belongs to.
Same movement · Vienna Secession
Street Cart
Egon Schiele · 1914 · The Metropolitan Museum of Art
Same era · 1890s–1920s
Lozenge Composition with Yellow, Black, Blue, Red, and Gray
Piet Mondrian · 1921 · Art Institute of Chicago
Same movement · Vienna Secession
Reclining Nude with Outstretched Left Arm
Gustav Klimt · 1903 · The Metropolitan Museum of Art
Same era · 1890s–1920s
Wrestlers in a Circus
Ernst Ludwig Kirchner · 1909 · Cleveland Museum of Art
Same era · 1890s–1920s
Streetcar
Mikhail Larionov · 1911 · Bashkir State Art Museum (Nesterov Museum)
Same era · 1890s–1920s
Bathers by a River
Henri Matisse · 1909 · Art Institute of Chicago
Same era · 1890s–1920s
Little Harbor in Normandy
Georges Braque · 1909 · Art Institute of Chicago
Same era · 1890s–1920s
Daniel-Henry Kahnweiler
Pablo Picasso · 1910 · Art Institute of Chicago
Same era · 1890s–1920s
Birth
Marc Chagall · 1911 · Art Institute of Chicago
Same era · 1890s–1920s
Consolation
Edvard Munch · 1907 · Munch Museum
Same era · 1890s–1920s
Sirmione
John Singer Sargent · 1913 · The Metropolitan Museum of Art
Same era · 1890s–1920s
Mont Sainte-Victoire
Paul Cézanne · 1904 · Detroit Institute of Arts
Same era · 1890s–1920s
Standing Nude with Orange Drapery (recto): Study of Nude with Arms Raised (verso)
Egon Schiele · 1914 · The Metropolitan Museum of Art
Same era · 1890s–1920s
The Magic Foot-ball, 'I thought you were wrong,' he said in triumph. 'You said it was nine! Stupid!'
Norman Rockwell · 1914 · Norman Rockwell Museum


