“Stop and observe the raw intensity of this figure, whose raised arms and twisted posture reveal the emotional depth characteristic of Schiele's Expressionist drawings. It’s a powerful study of the human form, rendered with striking directness.”
In this graphite drawing, a seminude figure raises her arms, her body twisting with an almost contorted energy. The lines are raw and direct, capturing the tension in her shoulders and the curve of her spine. Schiele’s distinctive expressive style, a hallmark of Expressionism, is evident in the way the figure’s form seems to emerge from the page with a stark immediacy. The sparse background emphasizes the figure's isolation, drawing all attention to her vulnerable, exposed state. Created in 1914, this work reflects the intense focus on human psychology and the often unsettling aspects of the body that characterized much of the art of this period. The drawing is a powerful example of how Schiele explored the human form, not as an idealized object, but as a vessel of complex emotions and physical sensations.
- Artist
- Egon Schiele
- Date
- 1914
- Medium
- Graphite on paper
- Location
- The Metropolitan Museum of Art
- Dimensions
- 19 1/8 × 12 1/8 in. (48.6 × 30.8 cm)
- Collection
- Modern and Contemporary Art
- Credit line
- Bequest of Scofield Thayer, 1982
What to Notice
Five details hide in plain sight. Here’s where to look.

The angularity of the elbows and shoulders
The delicate shading that defines the rib cage
The subtle curve of the head, tilted away from the viewer
The expressive, almost jagged quality of the outline
1 more detail is waiting.
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Egon Schiele
1890–1918 · CisleithaniaEgon Schiele, an Austrian Expressionist, captured raw human emotion and twisted forms, often in stark self-portraits.
Further Works by Schiele
Crouching Nude in Shoes and Black Stockings, Back View
1912 · The Metropolitan Museum of Art
Standing Nude with Orange Drapery (recto): Study of Nude with Arms Raised (verso)
1914 · The Metropolitan Museum of Art
Street Cart
1914 · The Metropolitan Museum of Art
Seated Woman, Back View
1917 · The Metropolitan Museum of Art
Standing Girl, Back View
1908 · The Metropolitan Museum of Art
Observed in a Dream
1911 · The Metropolitan Museum of Art
Seated Woman in Chemise
1914 · The Metropolitan Museum of Art
Woman Buttoning Her Shoes (recto); Study for Reclining Nude with Arms Raised (verso)
1915 · The Metropolitan Museum of Art
More from Expressionism
More works to explore
Beyond Schiele and Expressionism: works from the same years, and from the other movements Seminude with Arms Raised belongs to.
Same movement · Vienna Secession
Maude Adams (1872–1953) as Joan of Arc
Alphonse Mucha · 1909 · The Metropolitan Museum of Art
Same era · 1890s–1920s
Lozenge Composition with Yellow, Black, Blue, Red, and Gray
Piet Mondrian · 1921 · Art Institute of Chicago
Same movement · Die Brucke
Frauenkopf vor Sonnenblumen
Ernst Ludwig Kirchner · 1906 · Museum Frieder Burda
Same era · 1890s–1920s
Street Scene (Friedrichstraße Berlin)
Ernst Ludwig Kirchner · 1914 · Staatsgalerie Stuttgart
Same movement · Der Blaue Reiter
Still Life with Crayfish
Mikhail Larionov · 1900 · Museum Ludwig
Same era · 1890s–1920s
Bull's Head
Mikhail Larionov · 1913 · Tretyakov Gallery
Same movement · Jugendstil
Portrait of a Lady in a High Hat
Gustav Klimt · 1882 · Art Institute of Chicago
Same era · 1890s–1920s
Memories of the Past
Ivan Puni · 1927 · Art Institute of Chicago
Same era · 1890s–1920s
The Magic Foot-ball, 'I thought you were wrong,' he said in triumph. 'You said it was nine! Stupid!'
Norman Rockwell · 1914 · Norman Rockwell Museum
Same era · 1890s–1920s
Irises
Claude Monet · 1915 · National Gallery
Same era · 1890s–1920s
Man with a Pipe
Pablo Picasso · 1915 · Art Institute of Chicago
Same era · 1890s–1920s
Sirmione
John Singer Sargent · 1913 · The Metropolitan Museum of Art
Same era · 1890s–1920s
Still Life with Glass, Dice, Newspaper and Playing Card
Georges Braque · 1913 · Art Institute of Chicago
Same era · 1890s–1920s
Apples
Henri Matisse · 1916 · Art Institute of Chicago
Same era · 1890s–1920s
Dada Gauguin
Max Ernst · 1920 · Art Institute of Chicago
Same era · 1890s–1920s
Schoolhouse
Paul Klee · 1920 · Art Institute of Chicago




