“Stop and look at how this painting uses black as a source of light, not shadow. The artist created this still life during World War I, exploring abstraction and vibrant color to sustain the tradition of French painting.”
A vibrant bowl of apples anchors this still life, set against a background of luminous black. The scene is bathed in warm tones from a hidden light source, offset by a striking swath of green. Painted in 1916, at a time when many artists were grappling with the devastation of World War I, this work reflects a period of intense experimentation for the artist. He painted this still life twice, with this version being the more abstract. He challenged himself to use black not as a color of darkness, but as a source of light, pushing the boundaries of traditional painting while contributing to the ongoing tradition of French art.
- Artist
- Henri Matisse
- Date
- 1916
- Medium
- Oil on canvas
- Location
- Art Institute of Chicago
- Dimensions
- 116.5 × 89.5 cm (45 7/8 × 35 3/16 in.)
- Collection
- Modern Art
- Culture
- France
- Credit line
- Gift of Florene May Schoenborn and Samuel A. Marx
What to Notice
Four details hide in plain sight. Here’s where to look.

The way the black background seems to glow, not recede.
The bold green stripe that cuts across the warm tones.
The simplified, almost geometric forms of the apples and bowl.
The subtle variations in the red and yellow of the fruit.
Stand in front of it and listen
The full narration walks you through Apples — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Henri Matisse
1869–1954 · FranceHenri Matisse, a master of color and form, moved from law to art after an appendicitis recovery, becoming a defining figure of 20th-century modern art.
Further Works by Matisse
Still Life with Geranium
1906 · Art Institute of Chicago
Bathers by a River
1909 · Art Institute of Chicago
Laurette with a Cup of Coffee
1916 · Art Institute of Chicago
Interior at Nice
1919 · Art Institute of Chicago
Woman before an Aquarium
1921 · Art Institute of Chicago
Woman on Rose Divan
1921 · Art Institute of Chicago
Lemons on a Pewter Plate
1926 · Art Institute of Chicago
Daisies
1939 · Art Institute of Chicago
More from Post-Impressionism
Olive Trees
van Gogh · 1853 · The Metropolitan Museum of Art
Gustave Boyer (b. 1840) in a Straw Hat
Cézanne · 1870 · The Metropolitan Museum of Art
The Seine at Pont de Grenelle
Gauguin · 1875 · Wallraf–Richartz Museum
Albert (René) Grenier (1858–1925)
de Toulouse-Lautrec · 1887 · The Metropolitan Museum of Art
More works to explore
Beyond Matisse and Post-Impressionism: works from the same years, and from the other movements Apples belongs to.
Same movement · Fauvism
Landscape at L'Estaque
Georges Braque · 1906 · Art Institute of Chicago
Same era · 1900s–1930s
Lozenge Composition with Yellow, Black, Blue, Red, and Gray
Piet Mondrian · 1921 · Art Institute of Chicago
Same movement · Impressionism
Still Life: Wood Tankard and Metal Pitcher
Paul Gauguin · 1880 · Art Institute of Chicago
Same era · 1900s–1930s
The Red Tower in Halle
Ernst Ludwig Kirchner · 1915 · Museum Folkwang
Same movement · Impressionism
After the Bullfight
Mary Cassatt · 1873 · Art Institute of Chicago
Same era · 1900s–1930s
Bull's Head
Mikhail Larionov · 1913 · Tretyakov Gallery
Same movement · Impressionism
A Turn in the Road
Alfred Sisley · 1873 · Art Institute of Chicago
Same era · 1900s–1930s
The Lineman
Ivan Puni · 1927 · Art Institute of Chicago
Same movement · Impressionism
The Pink Dress (Albertie-Marguerite Carré, later Madame Ferdinand-Henri Himmes, 1854–1935)
Berthe Morisot · 1870 · Metropolitan Museum of Art
Same era · 1900s–1930s
American Gothic
Okada Saburosuke · 1930 · Art Institute of Chicago
Same movement · Impressionism
The Beach at Sainte-Adresse
Claude Monet · 1867 · Art Institute of Chicago
Same era · 1900s–1930s
Boy with Baby Carriage
Norman Rockwell · 1916 · Norman Rockwell Museum
Same movement · Neo-Impressionism
The Banks of the Marne in Winter
Camille Pissarro · 1866 · Art Institute of Chicago
Same era · 1900s–1930s
Irises
Claude Monet · 1915 · National Gallery
Same movement · Impressionism
Alfred Sisley
Pierre-Auguste Renoir · 1864 · Foundation E.G. Bührle Collection
Same era · 1900s–1930s
Man and Trees, Florida
John Singer Sargent · 1917 · The Metropolitan Museum of Art
Same movement · Impressionism
Fish (Still Life)
Édouard Manet · 1864 · Art Institute of Chicago
Same era · 1900s–1930s
Man with a Pipe
Pablo Picasso · 1915 · Art Institute of Chicago
Same movement · Impressionism
Young Spartan Girls Challenging Boys
Edgar Degas · 1860 · Art Institute of Chicago
Same era · 1900s–1930s
Seated Woman, Back View
Egon Schiele · 1917 · The Metropolitan Museum of Art
Same era · 1900s–1930s
Death in the Garden (Legend)
Paul Klee · 1919 · Art Institute of Chicago
Same era · 1900s–1930s
Still Life with Glass, Dice, Newspaper and Playing Card
Georges Braque · 1913 · Art Institute of Chicago
