Seated Woman, Back View by Egon Schiele

Seated Woman, Back View

Egon Schiele · 1917

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“Observe the raw, expressive lines and delicate washes that define this seated figure. It's a powerful example of Expressionism, focusing on the sitter's inner world through her posture and the artist's distinctive style.”

ABOUT THIS WORK

A woman sits with her back to us, her head turned slightly to the side, revealing a glimpse of her profile. Her body is rendered with Schiele's characteristic expressive line, appearing slender and almost fragile. The delicate watercolor and gouache washes create a sense of translucency, particularly in the way the light seems to catch the contours of her back and shoulders. Though the pose is simple, there's an underlying tension in the way her body is angled, suggesting a moment of quiet introspection or perhaps a subtle discomfort. This work, made in 1917, reflects the Expressionist movement's focus on inner psychological states rather than objective reality, inviting us to consider the emotional landscape of the sitter through her posture and the artist's distinctive style.

DETAILS
Artist
Egon Schiele
Date
1917
Medium
Watercolor, gouache, and graphite on paper
Location
The Metropolitan Museum of Art
Dimensions
18 1/8 x 11 3/4 in. (46.4 x 29.8 cm)
Collection
Modern and Contemporary Art
Credit line
Bequest of Scofield Thayer, 1982
ART MOVEMENTS
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What to Notice

Five details hide in plain sight. Pick one and we’ll show you exactly where to look.

Seated Woman, Back View

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01

Hair with golden band

The copper hair is pinned up and tied with a yellow band. Her face is turned away, so the hair and neck are what we see of her head.

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02

Striped blue jacket

Look at the blue jacket across her back. Streaks of green, violet and navy run down it, and the pooled paint gives the cloth a glossy sheen.

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03

Raised, curling hand

The right hand floats up with fingers bent, almost like a gesture left unfinished. Its pink-tinged skin stands out against the plain paper.

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04

Rainbow striped waistband

Just below the jacket, a band of cloth flashes orange, green, yellow and pink stripes. It is a small burst of bright color you could easily skip past.

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05Whole painting

Figure floating on paper

The woman fills the center while the bare tan paper surrounds her. With no chair or floor drawn, she seems to hover, and her twisted pose feels close and a little awkward.

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THE ARTIST

Egon Schiele

1890–1918 · Cisleithania

Egon Schiele, an Austrian Expressionist, captured raw human emotion and twisted forms, often in stark self-portraits.

Read Schiele’s full story
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EXPLORE THE MOVEMENT

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More works to explore

Beyond Schiele and Expressionism: works from the same years, and from the other movements Seated Woman, Back View belongs to.

Maude Adams (1872–1953) as Joan of Arc Same movement · Vienna Secession Maude Adams (1872–1953) as Joan of Arc Alphonse Mucha · 1909 · The Metropolitan Museum of Art Lozenge Composition with Yellow, Black, Blue, Red, and Gray Same era · 1900s–1930s Lozenge Composition with Yellow, Black, Blue, Red, and Gray Piet Mondrian · 1921 · Art Institute of Chicago Frauenkopf vor Sonnenblumen Same movement · Die Brucke Frauenkopf vor Sonnenblumen Ernst Ludwig Kirchner · 1906 · Museum Frieder Burda Railway Bridge on Löbtauer Strasse in Dresden Same era · 1900s–1930s Railway Bridge on Löbtauer Strasse in Dresden Ernst Ludwig Kirchner · 1918 · Galerie Neue Meister Still Life with Crayfish Same movement · Der Blaue Reiter Still Life with Crayfish Mikhail Larionov · 1900 · Museum Ludwig Bull's Head Same era · 1900s–1930s Bull's Head Mikhail Larionov · 1913 · Tretyakov Gallery Portrait of a Lady in a High Hat Same movement · Jugendstil Portrait of a Lady in a High Hat Gustav Klimt · 1882 · Art Institute of Chicago The Lineman Same era · 1900s–1930s The Lineman Ivan Puni · 1927 · Art Institute of Chicago
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