“Stop to appreciate this intense watercolor, where a bold figure emerges from a swirl of orange, revealing the raw emotional power of Expressionism through its direct gaze and expressive lines.”
A lone figure stands before us in this striking watercolor, her body angled slightly, yet her gaze direct and unflinching. The orange drapery, loosely sketched and vibrant, seems to swirl around her, creating a dynamic contrast with the starkness of her form. Schiele uses a raw, expressive line to define the contours of her body, emphasizing the musculature and tension, particularly in her arms and shoulders. This isn't a classical ideal of beauty; instead, it's an intensely personal and psychological portrayal, characteristic of Expressionism, which sought to convey inner emotion rather than objective reality. The delicate washes of watercolor and gouache allow the paper's texture to show through, adding to the immediate, unpolished feel of the drawing, as if we are witnessing a private moment captured in haste.
- Artist
- Egon Schiele
- Date
- 1914
- Medium
- Watercolor, gouache and graphite on paper
- Location
- The Metropolitan Museum of Art
- Dimensions
- 18 3/8 × 12 in. (46.7 × 30.5 cm)
- Collection
- Modern and Contemporary Art
- Credit line
- Bequest of Scofield Thayer, 1982
What to Notice
Five details hide in plain sight. Here’s where to look.

The direct, almost confrontational gaze of the figure.
The way the orange drapery seems to float and envelop her.
The strong, angular lines defining her body and limbs.
Subtle graphite lines visible beneath the watercolor.
1 more detail is waiting.
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The full narration walks you through Standing Nude with Orange Drapery (recto): Study of Nude with Arms Raised (verso) — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Egon Schiele
1890–1918 · CisleithaniaEgon Schiele, an Austrian Expressionist, captured raw human emotion and twisted forms, often in stark self-portraits.
Further Works by Schiele
Crouching Nude in Shoes and Black Stockings, Back View
1912 · The Metropolitan Museum of Art
Street Cart
1914 · The Metropolitan Museum of Art
Seated Woman, Back View
1917 · The Metropolitan Museum of Art
Standing Girl, Back View
1908 · The Metropolitan Museum of Art
Observed in a Dream
1911 · The Metropolitan Museum of Art
Seated Woman in Chemise
1914 · The Metropolitan Museum of Art
Seminude with Arms Raised
1914 · The Metropolitan Museum of Art
Woman Buttoning Her Shoes (recto); Study for Reclining Nude with Arms Raised (verso)
1915 · The Metropolitan Museum of Art
More from Expressionism
More works to explore
Beyond Schiele and Expressionism: works from the same years, and from the other movements Standing Nude with Orange Drapery (recto): Study of Nude with Arms Raised (verso) belongs to.
Same movement · Vienna Secession
Maude Adams (1872–1953) as Joan of Arc
Alphonse Mucha · 1909 · The Metropolitan Museum of Art
Same era · 1890s–1920s
Lozenge Composition with Yellow, Black, Blue, Red, and Gray
Piet Mondrian · 1921 · Art Institute of Chicago
Same movement · Die Brucke
Frauenkopf vor Sonnenblumen
Ernst Ludwig Kirchner · 1906 · Museum Frieder Burda
Same era · 1890s–1920s
Street Scene (Friedrichstraße Berlin)
Ernst Ludwig Kirchner · 1914 · Staatsgalerie Stuttgart
Same movement · Der Blaue Reiter
Still Life with Crayfish
Mikhail Larionov · 1900 · Museum Ludwig
Same era · 1890s–1920s
Bull's Head
Mikhail Larionov · 1913 · Tretyakov Gallery
Same movement · Jugendstil
Portrait of a Lady in a High Hat
Gustav Klimt · 1882 · Art Institute of Chicago
Same era · 1890s–1920s
Memories of the Past
Ivan Puni · 1927 · Art Institute of Chicago
Same era · 1890s–1920s
The Magic Foot-ball, 'I thought you were wrong,' he said in triumph. 'You said it was nine! Stupid!'
Norman Rockwell · 1914 · Norman Rockwell Museum
Same era · 1890s–1920s
Irises
Claude Monet · 1915 · National Gallery
Same era · 1890s–1920s
Man with a Pipe
Pablo Picasso · 1915 · Art Institute of Chicago
Same era · 1890s–1920s
Sirmione
John Singer Sargent · 1913 · The Metropolitan Museum of Art
Same era · 1890s–1920s
Still Life with Glass, Dice, Newspaper and Playing Card
Georges Braque · 1913 · Art Institute of Chicago
Same era · 1890s–1920s
Apples
Henri Matisse · 1916 · Art Institute of Chicago
Same era · 1890s–1920s
Dada Gauguin
Max Ernst · 1920 · Art Institute of Chicago
Same era · 1890s–1920s
Schoolhouse
Paul Klee · 1920 · Art Institute of Chicago




