Standing Nude with Orange Drapery (recto): Study of Nude with Arms Raised (verso) by Egon Schiele

Standing Nude with Orange Drapery (recto): Study of Nude with Arms Raised (verso)

Egon Schiele · 1914

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“Stop to appreciate this intense watercolor, where a bold figure emerges from a swirl of orange, revealing the raw emotional power of Expressionism through its direct gaze and expressive lines.”

ABOUT THIS WORK

A lone figure stands before us in this striking watercolor, her body angled slightly, yet her gaze direct and unflinching. The orange drapery, loosely sketched and vibrant, seems to swirl around her, creating a dynamic contrast with the starkness of her form. Schiele uses a raw, expressive line to define the contours of her body, emphasizing the musculature and tension, particularly in her arms and shoulders. This isn't a classical ideal of beauty; instead, it's an intensely personal and psychological portrayal, characteristic of Expressionism, which sought to convey inner emotion rather than objective reality. The delicate washes of watercolor and gouache allow the paper's texture to show through, adding to the immediate, unpolished feel of the drawing, as if we are witnessing a private moment captured in haste.

DETAILS
Artist
Egon Schiele
Date
1914
Medium
Watercolor, gouache and graphite on paper
Location
The Metropolitan Museum of Art
Dimensions
18 3/8 × 12 in. (46.7 × 30.5 cm)
Collection
Modern and Contemporary Art
Credit line
Bequest of Scofield Thayer, 1982
ART MOVEMENTS
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What to Notice

Five details hide in plain sight. Here’s where to look.

Standing Nude with Orange Drapery (recto): Study of Nude with Arms Raised (verso)
01

The direct, almost confrontational gaze of the figure.

02

The way the orange drapery seems to float and envelop her.

03

The strong, angular lines defining her body and limbs.

04

Subtle graphite lines visible beneath the watercolor.

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THE ARTIST

Egon Schiele

1890–1918 · Cisleithania

Egon Schiele, an Austrian Expressionist, captured raw human emotion and twisted forms, often in stark self-portraits.

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Beyond Schiele and Expressionism: works from the same years, and from the other movements Standing Nude with Orange Drapery (recto): Study of Nude with Arms Raised (verso) belongs to.

Maude Adams (1872–1953) as Joan of Arc Same movement · Vienna Secession Maude Adams (1872–1953) as Joan of Arc Alphonse Mucha · 1909 · The Metropolitan Museum of Art Lozenge Composition with Yellow, Black, Blue, Red, and Gray Same era · 1890s–1920s Lozenge Composition with Yellow, Black, Blue, Red, and Gray Piet Mondrian · 1921 · Art Institute of Chicago Frauenkopf vor Sonnenblumen Same movement · Die Brucke Frauenkopf vor Sonnenblumen Ernst Ludwig Kirchner · 1906 · Museum Frieder Burda Street Scene (Friedrichstraße Berlin) Same era · 1890s–1920s Street Scene (Friedrichstraße Berlin) Ernst Ludwig Kirchner · 1914 · Staatsgalerie Stuttgart Still Life with Crayfish Same movement · Der Blaue Reiter Still Life with Crayfish Mikhail Larionov · 1900 · Museum Ludwig Bull's Head Same era · 1890s–1920s Bull's Head Mikhail Larionov · 1913 · Tretyakov Gallery Portrait of a Lady in a High Hat Same movement · Jugendstil Portrait of a Lady in a High Hat Gustav Klimt · 1882 · Art Institute of Chicago Memories of the Past Same era · 1890s–1920s Memories of the Past Ivan Puni · 1927 · Art Institute of Chicago
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