“Stop to experience the raw, explosive energy of this bull's head, a key example of Mikhail Larionov's Rayonism, which broke apart forms into dynamic, colorful rays of light.”
A powerful, almost primal energy radiates from Mikhail Larionov's "Bull's Head." The animal's face, a riot of bold, clashing colors, seems to emerge from a swirling vortex of paint. Instead of naturalistic browns or blacks, we see a vibrant tapestry of blues, greens, yellows, and reds, applied with a raw, expressive force. This isn't a serene pastoral scene; it's a visceral encounter, pushing the boundaries of representation. Created in 1913, this painting exemplifies Rayonism, an avant-garde movement Larionov pioneered with Natalia Goncharova, which sought to capture the invisible "rays" of light reflecting off objects, fragmenting them into dynamic, intersecting lines and planes. The bull, a symbol of strength and vitality, is here transformed into a dynamic interplay of light and color, a testament to the artist's radical vision.
- Artist
- Mikhail Larionov
- Date
- 1913
- Medium
- Oil on canvas
- Location
- Tretyakov Gallery
What to Notice
Five details hide in plain sight. Here’s where to look.

The bull's right eye, a stark white circle against a dark blue patch.
Jagged, almost lightning-like strokes of yellow and green across the forehead.
The way the red and blue lines intersect, creating a sense of movement.
The textured application of paint, giving the surface a sculptural quality.
1 more detail is waiting.
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Mikhail Larionov
1881–1964 · Russian EmpirePioneered Rayonism in 1913, Russia's first abstract art movement, then designed for Diaghilev's legendary Ballets Russes.
Further Works by Larionov
Still Life with Crayfish
1900 · Museum Ludwig
Portrait of Natalia Goncharova
1903
Barber
1907 · Russian Museum
Female Passerby
1911 · Ulyanovsk Oblast Art Museum
Red and Blue Rayonism (Beach)
1911 · Museum Ludwig
Soldier on a Horse
1911 · Tate
Streetcar
1911 · Bashkir State Art Museum (Nesterov Museum)
Glass
1912 · Solomon R. Guggenheim Museum
More from Der Blaue Reiter
More works to explore
Beyond Larionov and Der Blaue Reiter: works from the same years.
Same era · 1890s–1920s
Lozenge Composition with Yellow, Black, Blue, Red, and Gray
Piet Mondrian · 1921 · Art Institute of Chicago
Same era · 1890s–1920s
Nackter Jüngling und Mädchen am Strand
Ernst Ludwig Kirchner · 1913 · Albertina
Same era · 1890s–1920s
Memories of the Past
Ivan Puni · 1927 · Art Institute of Chicago
Same era · 1890s–1920s
Sellar Alp, Dolomites
John Singer Sargent · 1913 · The Metropolitan Museum of Art
Same era · 1890s–1920s
Still Life with Glass, Dice, Newspaper and Playing Card
Georges Braque · 1913 · Art Institute of Chicago
Same era · 1890s–1920s
Street Cart
Egon Schiele · 1914 · The Metropolitan Museum of Art
Same era · 1890s–1920s
The Magic Foot-ball, 'I thought you were wrong,' he said in triumph. 'You said it was nine! Stupid!'
Norman Rockwell · 1914 · Norman Rockwell Museum
Same era · 1890s–1920s
Birth
Marc Chagall · 1911 · Art Institute of Chicago
Same era · 1890s–1920s
Irises
Claude Monet · 1915 · National Gallery
Same era · 1890s–1920s
Man with a Pipe
Pablo Picasso · 1915 · Art Institute of Chicago
Same era · 1890s–1920s
Apples
Henri Matisse · 1916 · Art Institute of Chicago
Same era · 1890s–1920s
Maude Adams (1872–1953) as Joan of Arc
Alphonse Mucha · 1909 · The Metropolitan Museum of Art

