“Stop to see how John Singer Sargent captures the intense Florida sun and lush landscape. The nude figure, almost hidden, invites you to look closely at the interplay of light and shadow in this vivid watercolor.”
A lone figure stands almost camouflaged against a dense thicket of trees in this vibrant watercolor by John Singer Sargent. The man, depicted nude, is rendered with a swift, almost abstract quality, his form emerging from the dappled light and shadow. Sargent captures the intense Florida sun filtering through the foliage, creating a dynamic interplay of light and dark that seems to dissolve solid forms into pure sensation. The energetic brushwork, particularly in the trees, conveys the humid atmosphere and lushness of the subtropical landscape. This work, created in 1917, reflects a shift in the artist's focus towards more informal studies and landscapes, moving away from the grand portraiture that had defined much of his earlier career. It invites viewers to immerse themselves in the raw, untamed beauty of nature, rendered with remarkable immediacy.
- Artist
- John Singer Sargent
- Date
- 1917
- Medium
- Watercolor, gouache, and graphite on white wove paper
- Location
- The Metropolitan Museum of Art
- Dimensions
- 21 x 15 5/8 in. (53.3 x 39.7 cm)
- Collection
- The American Wing
- Culture
- American
- Credit line
- Gift of Mrs. Francis Ormond, 1950
What to Notice
Five details hide in plain sight. Here’s where to look.

The figure's almost translucent skin, created by layers of watercolor.
The way sunlight seems to hit the trees, almost blurring their edges.
The subtle graphite lines peeking through the paint, guiding the composition.
The vibrant greens and blues suggesting the warmth of the Florida climate.
1 more detail is waiting.
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John Singer Sargent
1856–1925 · United StatesThe man who painted 900 oils and 2,000 watercolors once caused a Paris scandal with a single bare shoulder.
Further Works by Sargent
Mountain View at Bormio (from Switzerland 1869 Sketchbook)
1869 · The Metropolitan Museum of Art
House and Courtyard
1895 · The Metropolitan Museum of Art
Sellar Alp, Dolomites
1913 · The Metropolitan Museum of Art
Sirmione
1913 · The Metropolitan Museum of Art
Entombment
1874 · The Metropolitan Museum of Art
Head of a Man
1874 · The Metropolitan Museum of Art
Fishermen with Nets
1875 · The Metropolitan Museum of Art
Woman with Basket
1875 · The Metropolitan Museum of Art
More from Tonalism
More works to explore
Beyond Sargent and Tonalism: works from the same years.
Same era · 1900s–1930s
Lozenge Composition with Yellow, Black, Blue, Red, and Gray
Piet Mondrian · 1921 · Art Institute of Chicago
Same era · 1900s–1930s
Railway Bridge on Löbtauer Strasse in Dresden
Ernst Ludwig Kirchner · 1918 · Galerie Neue Meister
Same era · 1900s–1930s
Bull's Head
Mikhail Larionov · 1913 · Tretyakov Gallery
Same era · 1900s–1930s
Memories of the Past
Ivan Puni · 1927 · Art Institute of Chicago
Same era · 1900s–1930s
American Gothic
Okada Saburosuke · 1930 · Art Institute of Chicago
Same era · 1900s–1930s
Seated Woman, Back View
Egon Schiele · 1917 · The Metropolitan Museum of Art
Same era · 1900s–1930s
Apples
Henri Matisse · 1916 · Art Institute of Chicago
Same era · 1900s–1930s
Boy with Baby Carriage
Norman Rockwell · 1916 · Norman Rockwell Museum
Same era · 1900s–1930s
Death in the Garden (Legend)
Paul Klee · 1919 · Art Institute of Chicago
Same era · 1900s–1930s
Irises
Claude Monet · 1915 · National Gallery
Same era · 1900s–1930s
Man with a Pipe
Pablo Picasso · 1915 · Art Institute of Chicago
Same era · 1900s–1930s
Dada Gauguin
Max Ernst · 1920 · Art Institute of Chicago

