Weeping Woman I by Pablo Picasso

Weeping Woman I

Pablo Picasso · 1937

Scroll

“This etching is a ferocious image of grief, part of a series created in the wake of *Guernica*, expressing the deep anguish of war through a powerfully distorted female figure.”

ABOUT THIS WORK

A woman's face is a contorted mask of anguish in this powerful print, one of a series exploring intense grief. Her features are fractured and reassembled, characteristic of the cubist style, yet they convey a raw, immediate emotion. Created in 1937, this work directly follows the artist's monumental anti-war painting Guernica, continuing his exploration of the horrors of conflict and human suffering. The artist drew inspiration from both contemporary events and historical religious imagery, notably modernizing the traditional theme of the Virgin Mary mourning her son. The sheer size of this etching, the largest plate he had attempted up to that point, and the seven different states he produced, underscore the profound significance he placed on capturing this image of sorrow.

DETAILS
Artist
Pablo Picasso
Date
1937
Medium
Drypoint, aquatint, and etching, with scraping, on copper in black on ivory laid paper
Location
Art Institute of Chicago
Dimensions
Plate: 69.5 × 49.7 cm (27 3/8 × 19 5/8 in.); Sheet: 77.4 × 56.8 cm (30 1/2 × 22 3/8 in.)
Collection
Prints and Drawings
Culture
Spain
Credit line
Through prior acquisition of the Martin A. Ryerson Collection with the assistance of the Noel and Florence Rothman Family and the Margaret Fisher Endowment
ART MOVEMENTS
LOOK CLOSER

What to Notice

Five details hide in plain sight. Pick one and we’ll show you exactly where to look.

Weeping Woman I

← → step through · Esc to close
5 details are marked · pick a number
01

Eyes with lashes

The two eyes sit at different heights, each a pale bulb ringed with spiky lashes. They stare out of a face that has been broken into flat, angular planes.

1 of 5 on the painting
02

Clenched teeth

Look at the open mouth, where jagged teeth and a tongue are drawn with hard, angular lines. The cry feels almost bitten into the face.

2 of 5 on the painting
03

Two long tear lines

Two long, straight, rod-like lines run down from the cheek toward the chin. They may stand for tears, but they look hard and sharp, almost like blades.

3 of 5 on the painting
04

The mesh handkerchief

On the right, a crosshatched cloth hangs from the face like a veil. Its dense mesh of lines makes a small gesture of mourning feel heavy and enclosing.

4 of 5 on the painting
05

Clawed hand

At the bottom left, a hand with long, stiff fingers presses against the chest. The awkward gesture echoes the distress in the face above.

5 of 5 on the painting
AUDIO DEEP DIVE

Stand in front of it and listen

The full narration walks you through Weeping Woman I — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.

0:00Preview · 0:30Free preview · 0:30 Hear the full story in the app
THE ARTIST

Pablo Picasso

1881–1973 · Spain

Pablo Picasso, the Spanish painter who co-founded Cubism, revolutionized 20th-century art with a career spanning over 76 years.

Read Picasso’s full story
MORE FROM THIS ARTIST

Further Works by Picasso

1 / 2
EXPLORE THE MOVEMENT

More from Post-Impressionism

1 / 1
KEEP EXPLORING

More works to explore

Beyond Picasso and Post-Impressionism: works from the same years, and from the other movements Weeping Woman I belongs to.

Untitled (Desert Landscape) Same movement · Surrealism Untitled (Desert Landscape) Salvador Dalí · 1934 · Art Institute of Chicago Deux personnages Same era · 1920s–1950s Deux personnages Pierre Alechinsky · 1950 The Eye Same movement · Surrealism The Eye René Magritte · 1932 · Art Institute of Chicago Divided and Divided Same era · 1920s–1950s Divided and Divided Ivan Puni · 1941 · Art Institute of Chicago Dada Gauguin Same movement · Surrealism Dada Gauguin Max Ernst · 1920 · Art Institute of Chicago Nighthawks Same era · 1920s–1950s Nighthawks Okada Saburosuke · 1942 · Art Institute of Chicago Figure with Meat Same movement · Cubism Figure with Meat Francis Bacon · 1954 · Art Institute of Chicago The Indestructibles Same era · 1920s–1950s The Indestructibles Philip Evergood · 1946 · Art Institute of Chicago
Hear Weeping Woman I’s storyFree in the Art Whisper app Open