“Stop to appreciate this early Picasso, a pivotal work from 1906 where he sculpts the human form with bold simplicity, signaling a dramatic shift in his artistic vision.”
A solitary figure sits, her back to us, turning her head to gaze over her shoulder. This nude, rendered in warm, earthy tones, seems to emerge from a background of almost identical color, creating a sense of intimacy and isolation. The pose, with her arm reaching behind, subtly echoes classical sculptures, yet her angular features and simplified form hint at a new direction for art. Painted in 1906, this work comes from a period when the artist was exploring the human figure with increasing boldness, moving away from the melancholic palette of his earlier years towards a more robust, sculptural approach. The pitcher on the small table beside her is a simple domestic detail, grounding the timeless figure in an everyday moment, even as her monumental presence suggests something more profound.
- Artist
- Pablo Picasso
- Date
- 1906
- Medium
- Oil on canvas
- Location
- Art Institute of Chicago
- Dimensions
- 100.6 × 81 cm (39 5/8 × 31 7/8 in.)
What to Notice
Five details hide in plain sight. Here’s where to look.

The way the figure's body almost blends into the background.
Her stylized, almost mask-like face and long neck.
The subtle blue outline defining her left arm and back.
The small, dark pitcher on the table beside her.
1 more detail is waiting.
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Pablo Picasso
1881–1973 · SpainPablo Picasso, the Spanish painter who co-founded Cubism, revolutionized 20th-century art with a career spanning over 76 years.
Further Works by Picasso
The Old Guitarist
1903 · Art Institute of Chicago
Woman with a Helmet of Hair
1904 · Art Institute of Chicago
Half-Length Female Nude
1906 · Art Institute of Chicago
Daniel-Henry Kahnweiler
1910 · Art Institute of Chicago
Man with a Pipe
1915 · Art Institute of Chicago
Abstraction: Background with Blue Cloudy Sky
1930 · Art Institute of Chicago
The Red Armchair
1931 · Art Institute of Chicago
Portrait of Sylvette David
1954 · Art Institute of Chicago
More from Post-Impressionism
Olive Trees
van Gogh · 1853 · The Metropolitan Museum of Art
Gustave Boyer (b. 1840) in a Straw Hat
Cézanne · 1870 · The Metropolitan Museum of Art
The Seine at Pont de Grenelle
Gauguin · 1875 · Wallraf–Richartz Museum
Albert (René) Grenier (1858–1925)
de Toulouse-Lautrec · 1887 · The Metropolitan Museum of Art
More works to explore
Beyond Picasso and Post-Impressionism: works from the same years, and from the other movements Nude with a Pitcher belongs to.
Same movement · Cubism
Antwerp
Georges Braque · 1906 · Art Institute of Chicago
Same era · 1890s–1920s
Lozenge Composition with Yellow, Black, Blue, Red, and Gray
Piet Mondrian · 1921 · Art Institute of Chicago
Same movement · Surrealism
Death in the Garden (Legend)
Paul Klee · 1919 · Art Institute of Chicago
Same era · 1890s–1920s
Frauenkopf vor Sonnenblumen
Ernst Ludwig Kirchner · 1906 · Museum Frieder Burda
Same movement · Surrealism
Dada Gauguin
Max Ernst · 1920 · Art Institute of Chicago
Same era · 1890s–1920s
Barber
Mikhail Larionov · 1907 · Russian Museum
Same movement · Surrealism
The Eye
René Magritte · 1932 · Art Institute of Chicago
Same era · 1890s–1920s
Landscape at L'Estaque
Georges Braque · 1906 · Art Institute of Chicago
Same movement · Surrealism
Untitled (Desert Landscape)
Salvador Dalí · 1934 · Art Institute of Chicago
Same era · 1890s–1920s
Still Life with Geranium
Henri Matisse · 1906 · Art Institute of Chicago
Same movement · Cubism
Figure with Meat
Francis Bacon · 1954 · Art Institute of Chicago
Same era · 1890s–1920s
Consolation
Edvard Munch · 1907 · Munch Museum
Same era · 1890s–1920s
Mont Sainte-Victoire
Paul Cézanne · 1904 · Detroit Institute of Arts
Same era · 1890s–1920s
Maude Adams (1872–1953) as Joan of Arc
Alphonse Mucha · 1909 · The Metropolitan Museum of Art
Same era · 1890s–1920s
Composition with Figures and a Horse
Paul Gauguin · 1902 · Nationalmuseum
Same era · 1890s–1920s
Birth
Marc Chagall · 1911 · Art Institute of Chicago
Same era · 1890s–1920s
Charing Cross Bridge, London
Claude Monet · 1901 · Art Institute of Chicago
Same era · 1890s–1920s
Crouching Nude in Shoes and Black Stockings, Back View
Egon Schiele · 1912 · The Metropolitan Museum of Art
