“This unsettling painting, created on the cusp of World War II, conjures a prophetic vision of a world overrun by strange, symbolic monsters, reflecting a deep anxiety over impending conflict.”
A vast, desolate landscape unfurls under a sky tinged with an ominous glow, populated by a collection of bizarre figures. Salvador Dalí painted this canvas in 1937, just months before the political union of Austria and Germany, a period of immense anxiety that he believed gave the work a prophetic character. The scene is rife with unsettling elements, from the distant fire to the strange creatures that inhabit the foreground. In the lower right, two figures, identified by Dalí as himself and his wife Gala, sit, seemingly oblivious to the surreal chaos surrounding them. This painting, with its unsettling mood and symbolic imagery, reflects the artist's profound concern during a time when his native Catalonia was embroiled in the Spanish Civil War, suggesting a world where monsters, both literal and metaphorical, seemed to be taking hold.
- Artist
- Salvador Dalí
- Date
- 1937
- Medium
- Oil on canvas
- Location
- Art Institute of Chicago
- Dimensions
- 51.4 × 78.4 cm (20 1/4 × 30 7/8 in.)
- Collection
- Modern Art
- Culture
- Spain
- Credit line
- Joseph Winterbotham Collection
What to Notice
Five details hide in plain sight. Here’s where to look.

The flaming giraffe in the distance, a masculine apocalyptic monster.
The horse-women, maternal river monsters, emerging from the water.
The cat-angel, a divine heterosexual monster, with a flowing ribbon.
The sibylline figure with an hourglass and a butterfly, symbols of death.
1 more detail is waiting.
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Salvador Dalí
1904–1989 · SpainDalí painted melting clocks and dream logic with the precision of an Old Master — then became the most famous eccentric alive.
Further Works by Dalí
Untitled (Desert Landscape)
1934 · Art Institute of Chicago
A Chemist Lifting with Extreme Precaution the Cuticle of a Grand Piano
1936 · Art Institute of Chicago
Untitled (Dream of Venus) formerly Visions of Eternity
1939 · Art Institute of Chicago
Gala
1931 · Dalí Theatre and Museum
Portrait of Gala with Two Lamb Chops in Equilibrium upon Her Shoulder
1934 · Art Institute of Chicago
City of Drawers
1936 · Art Institute of Chicago
Venus de Milo with Drawers
1936 · Art Institute of Chicago
The Image Disappears
1938 · Art Institute of Chicago
More from Surrealism
More works to explore
Beyond Dalí and Surrealism: works from the same years.
Same era · 1920s–1950s
Deux personnages
Pierre Alechinsky · 1950
Same era · 1920s–1950s
Divided and Divided
Ivan Puni · 1941 · Art Institute of Chicago
Same era · 1920s–1950s
Nighthawks
Okada Saburosuke · 1942 · Art Institute of Chicago
Same era · 1920s–1950s
The Indestructibles
Philip Evergood · 1946 · Art Institute of Chicago
Same era · 1920s–1950s
Straße mit Passanten bei Nachtbeleuchtung
Ernst Ludwig Kirchner · 1927 · Museum Frieder Burda
Same era · 1920s–1950s
On the Threshold of Liberty
René Magritte · 1937 · Art Institute of Chicago
Same era · 1920s–1950s
Women Harvesting
Paul Klee · 1937 · Art Institute of Chicago
Same era · 1920s–1950s
Still Life with Fruits and Stringed Instrument
Georges Braque · 1938 · Art Institute of Chicago
Same era · 1920s–1950s
White Crucifixion
Marc Chagall · 1938 · Art Institute of Chicago
Same era · 1920s–1950s
Composition (No. 1) Gray-Red
Piet Mondrian · 1935 · Art Institute of Chicago
Same era · 1920s–1950s
Daisies
Henri Matisse · 1939 · Art Institute of Chicago
Same era · 1920s–1950s
Garden Airplane-Trap
Max Ernst · 1935 · Art Institute of Chicago




