“Stop and look at this groundbreaking Cubist portrait of art dealer Daniel-Henry Kahnweiler. The artist shattered and reassembled his subject, inviting you to piece together the figure from multiple perspectives within a single frame.”
In this portrait, the art dealer Daniel-Henry Kahnweiler emerges from a network of shimmering, semi-transparent surfaces. His form is fractured into various planes and faceted shapes, presented from multiple viewpoints simultaneously. This highly abstract style represents a radical experiment with Cubism, a movement Kahnweiler himself championed. He sat for this portrait as many as thirty times, allowing for a deep exploration of form and perception. The muted palette of browns, grays, blacks, and whites emphasizes the complex geometry over color, while subtle attributes like a wave of hair, the knot of a tie, and a watch chain anchor the abstract forms to a recognizable human figure. Despite the visual deconstruction, a traditional pose of a seated man with hands clasped in his lap remains discernible beneath the fragmented surface, a testament to the artist's ability to balance innovation with representation.
- Artist
- Pablo Picasso
- Date
- 1910
- Medium
- Oil on canvas
- Location
- Art Institute of Chicago
- Dimensions
- 100.4 × 72.4 cm (39 9/16 × 28 9/16 in.)
- Collection
- Modern Art
- Culture
- Spain
- Credit line
- Gift of Mrs. Gilbert W. Chapman in memory of Charles B. Goodspeed
What to Notice
Five details hide in plain sight. Here’s where to look.

Look for the subtle wave of hair at the top of his head.
Notice the distinct knot of his tie amidst the fractured planes.
Spot the watch chain, a small detail that grounds the abstraction.
Observe how his hands are clasped in a traditional portrait pose.
1 more detail is waiting.
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Pablo Picasso
1881–1973 · SpainPablo Picasso, the Spanish painter who co-founded Cubism, revolutionized 20th-century art with a career spanning over 76 years.
Further Works by Picasso
The Old Guitarist
1903 · Art Institute of Chicago
Woman with a Helmet of Hair
1904 · Art Institute of Chicago
Half-Length Female Nude
1906 · Art Institute of Chicago
Nude with a Pitcher
1906 · Art Institute of Chicago
Man with a Pipe
1915 · Art Institute of Chicago
Abstraction: Background with Blue Cloudy Sky
1930 · Art Institute of Chicago
The Red Armchair
1931 · Art Institute of Chicago
Portrait of Sylvette David
1954 · Art Institute of Chicago
More from Post-Impressionism
Olive Trees
van Gogh · 1853 · The Metropolitan Museum of Art
Gustave Boyer (b. 1840) in a Straw Hat
Cézanne · 1870 · The Metropolitan Museum of Art
The Seine at Pont de Grenelle
Gauguin · 1875 · Wallraf–Richartz Museum
Albert (René) Grenier (1858–1925)
de Toulouse-Lautrec · 1887 · The Metropolitan Museum of Art
More works to explore
Beyond Picasso and Post-Impressionism: works from the same years, and from the other movements Daniel-Henry Kahnweiler belongs to.
Same movement · Cubism
Antwerp
Georges Braque · 1906 · Art Institute of Chicago
Same era · 1890s–1920s
Lozenge Composition with Yellow, Black, Blue, Red, and Gray
Piet Mondrian · 1921 · Art Institute of Chicago
Same movement · Surrealism
Death in the Garden (Legend)
Paul Klee · 1919 · Art Institute of Chicago
Same era · 1890s–1920s
Blue Girl in the Sun
Ernst Ludwig Kirchner · 1910
Same movement · Surrealism
Dada Gauguin
Max Ernst · 1920 · Art Institute of Chicago
Same era · 1890s–1920s
Streetcar
Mikhail Larionov · 1911 · Bashkir State Art Museum (Nesterov Museum)
Same movement · Surrealism
The Eye
René Magritte · 1932 · Art Institute of Chicago
Same era · 1890s–1920s
Bathers by a River
Henri Matisse · 1909 · Art Institute of Chicago
Same movement · Surrealism
Untitled (Desert Landscape)
Salvador Dalí · 1934 · Art Institute of Chicago
Same era · 1890s–1920s
Birth
Marc Chagall · 1911 · Art Institute of Chicago
Same movement · Cubism
Figure with Meat
Francis Bacon · 1954 · Art Institute of Chicago
Same era · 1890s–1920s
Little Harbor in Normandy
Georges Braque · 1909 · Art Institute of Chicago
Same era · 1890s–1920s
Maude Adams (1872–1953) as Joan of Arc
Alphonse Mucha · 1909 · The Metropolitan Museum of Art
Same era · 1890s–1920s
Crouching Nude in Shoes and Black Stockings, Back View
Egon Schiele · 1912 · The Metropolitan Museum of Art
Same era · 1890s–1920s
Consolation
Edvard Munch · 1907 · Munch Museum
Same era · 1890s–1920s
Sellar Alp, Dolomites
John Singer Sargent · 1913 · The Metropolitan Museum of Art
Same era · 1890s–1920s
The Magic Foot-ball, 'I thought you were wrong,' he said in triumph. 'You said it was nine! Stupid!'
Norman Rockwell · 1914 · Norman Rockwell Museum
Same era · 1890s–1920s
Irises
Claude Monet · 1915 · National Gallery
