Olive Trees by Vincent van Gogh

Olive Trees

Vincent van Gogh · 1853

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“Stop and observe the intense, almost living quality of these olive trees, rendered with Van Gogh's signature expressive brushwork that makes the landscape hum with energy.”

ABOUT THIS WORK

Twisting, gnarled trunks and vibrant, restless foliage dominate this canvas, painted during a period of intense artistic output. The olive trees, a subject Van Gogh explored in a series, pulse with an almost human energy, their forms rendered with thick, expressive brushstrokes that capture the light and movement of the Provençal landscape. The ground beneath them is a riot of color, a mix of ochre, green, and blue, suggesting the earth's fertility and the warmth of the sun. Even the sky, often a placid backdrop, swirls with a dynamic rhythm, echoing the vitality of the trees below. This painting offers a profound vision of nature, imbued with a deep emotional resonance that goes beyond mere representation.

DETAILS
Artist
Vincent van Gogh
Date
1853
Medium
Oil on canvas
Location
The Metropolitan Museum of Art
Dimensions
28 5/8 x 36 1/4 in. (72.7 x 92.1 cm)
Collection
European Paintings
Credit line
The Walter H. and Leonore Annenberg Collection, Gift of Walter H. and Leonore Annenberg, 1998, Bequest of Walter H. Annenberg, 2002
ART MOVEMENTS
LOOK CLOSER

What to Notice

Five details hide in plain sight. Pick one and we’ll show you exactly where to look.

Olive Trees

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01

Swirling leaf strokes

In the big tree at left, leaves are tiny curved strokes of light and dark green. They swirl in clusters, so the foliage seems to move.

1 of 5 on the painting
02

Cut tree stump

The sawn green trunk in the center is a clear stopping point for the eye. Its flat cut top and heavy reddish outline set it apart from the twisting trees around it.

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03

Dotted sky

Look at the sky, built from thousands of short dabs in blue, pink and cream. The paint sits thick, so the air seems to shimmer.

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04

Purple shadows

Many of the shadows on the ground are painted purple, not gray. Their cool color plays against the orange and yellow soil and helps the sunlight feel strong.

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05

Combed field texture

The foreground earth is made of short, rhythmic strokes in orange, gold and brown. They run in rows like furrows and give the ground a woven feel.

5 of 5 on the painting
AUDIO DEEP DIVE

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THE ARTIST

Vincent van Gogh

1853–1890 · Kingdom of the Netherlands

Vincent van Gogh, whose vibrant brushwork and bold colors transformed landscapes and portraits, created 2,100 artworks in just over a decade.

Read van Gogh’s full story
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EXPLORE THE MOVEMENT

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More works to explore

Beyond van Gogh and Expressionism: works from the same years, and from the other movements Olive Trees belongs to.

Gustave Boyer (b. 1840) in a Straw Hat Same movement · Post-Impressionism Gustave Boyer (b. 1840) in a Straw Hat Paul Cézanne · 1870 · The Metropolitan Museum of Art The Cottage by the Roadside, Stormy Sky Same era · 1830s–1860s The Cottage by the Roadside, Stormy Sky Léon-Victor Dupré · 1855 · Art Institute of Chicago The Seine at Pont de Grenelle Same movement · Post-Impressionism The Seine at Pont de Grenelle Paul Gauguin · 1875 · Wallraf–Richartz Museum The Backgammon Players Same era · 1830s–1860s The Backgammon Players Philip Webb · 1861 · The Metropolitan Museum of Art Albert (René) Grenier (1858–1925) Same movement · Post-Impressionism Albert (René) Grenier (1858–1925) Henri de Toulouse-Lautrec · 1887 · The Metropolitan Museum of Art Joséphine-Éléonore-Marie-Pauline de Galard de Brassac de Béarn (1825–1860), Princesse de Broglie Same era · 1830s–1860s Joséphine-Éléonore-Marie-Pauline de Galard de Brassac de Béarn (1825–1860), Princesse de Broglie Jean-Auguste-Dominique Ingres · 1853 · Metropolitan Museum of Art Carmelina Same movement · Post-Impressionism Carmelina Henri Matisse · 1903 · Museum of Fine Arts Boston Wordsworth Manor Same era · 1830s–1860s Wordsworth Manor William Hart · 1852
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