“This early Van Gogh painting offers a rare glimpse into the quiet, somber world of a peasant woman at work, a subject he felt deeply connected to. It even hides a later self-portrait on its reverse side.”
A solitary woman sits hunched over, her hands busy peeling a potato into a simple bowl. The muted tones of her clothes and the humble interior emphasize the quiet dignity of her labor. Created in 1885, this painting comes from a period when the artist was deeply focused on depicting the lives of peasant laborers, a subject he explored through numerous drawings and oil paintings. He aimed to capture the raw reality and hardship of their existence, often using a dark, earthy palette before he moved to Paris and adopted brighter colors. The intimate scale of this canvas draws you close, inviting a moment of contemplation about everyday life and the unseen work that sustains it. This particular canvas has a fascinating secret: turn it over, and you would find a self-portrait on the reverse side, painted two years later, reflecting a shift in his style and subject matter.
- Artist
- Vincent van Gogh
- Date
- 1885
- Medium
- Oil on canvas
- Location
- The Metropolitan Museum of Art
- Dimensions
- 16 x 12 1/2 in. (40.6 x 31.8 cm)
- Collection
- European Paintings
- Credit line
- Bequest of Miss Adelaide Milton de Groot (1876-1967), 1967
What to Notice
Five details hide in plain sight. Here’s where to look.

The woman's gnarled hands, showing the wear of manual labor.
The simple, almost monochromatic palette of browns and grays.
The rough, visible brushstrokes that give texture to the scene.
The humble meal of potatoes, a staple food for peasants.
1 more detail is waiting.
See all 5 in Art Whisper →Stand in front of it and listen
The full narration walks you through The Potato Peeler (reverse: Self-Portrait with a Straw Hat) — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Vincent van Gogh
1853–1890 · Kingdom of the NetherlandsVincent van Gogh, whose vibrant brushwork and bold colors transformed landscapes and portraits, created 2,100 artworks in just over a decade.
Further Works by van Gogh
Olive Trees
1853 · The Metropolitan Museum of Art
Self-Portrait with a Straw Hat (obverse: The Potato Peeler)
1887 · The Metropolitan Museum of Art
Sunflowers
1887 · The Metropolitan Museum of Art
L'Arlésienne: Madame Joseph-Michel Ginoux (Marie Julien, 1848–1911)
1888 · The Metropolitan Museum of Art
Madame Roulin and Her Baby
1888 · The Metropolitan Museum of Art
Corridor in the Asylum
1889 · The Metropolitan Museum of Art
Wheat Field with Cypresses
1889 · The Metropolitan Museum of Art
A Peasant Woman Digging in Front of Her Cottage
1880 · Art Institute of Chicago
More from Expressionism
More works to explore
Beyond van Gogh and Expressionism: works from the same years, and from the other movements The Potato Peeler (reverse: Self-Portrait with a Straw Hat) belongs to.
Same movement · Post-Impressionism
Albert (René) Grenier (1858–1925)
Henri de Toulouse-Lautrec · 1887 · The Metropolitan Museum of Art
Same era · 1870s–1900s
A Sunday on La Grande Jatte — 1884
Okada Saburosuke · 1884 · Art Institute of Chicago
Same movement · Post-Impressionism
The Seine at Pont de Grenelle
Paul Gauguin · 1875 · Wallraf–Richartz Museum
Same era · 1870s–1900s
Madame Léon Clapisson
Léon-Victor Dupré · 1883 · Art Institute of Chicago
Same movement · Post-Impressionism
Gustave Boyer (b. 1840) in a Straw Hat
Paul Cézanne · 1870 · The Metropolitan Museum of Art
Same era · 1870s–1900s
Paris Street; Rainy Day
Kawabata Gyokushō · 1877 · Art Institute of Chicago
Same movement · Post-Impressionism
Carmelina
Henri Matisse · 1903 · Museum of Fine Arts Boston
Same era · 1870s–1900s
Still Life with Crayfish
Mikhail Larionov · 1900 · Museum Ludwig
Same movement · Post-Impressionism
The Old Guitarist
Pablo Picasso · 1903 · Art Institute of Chicago
Same era · 1870s–1900s
Evening Primroses in a Vase
Paul Gauguin · 1885
Same movement · Post-Impressionism
Lozenge Composition with Yellow, Black, Blue, Red, and Gray
Piet Mondrian · 1921 · Art Institute of Chicago
Same era · 1870s–1900s
Forêt de Compiègne
Berthe Morisot · 1885 · Art Institute of Chicago
Same era · 1870s–1900s
Studies of Pierre Renoir; His Mother, Aline Charigot; Nudes; and Landscape
Pierre-Auguste Renoir · 1885 · Art Institute of Chicago
Same era · 1870s–1900s
The Sick Child
Edvard Munch · 1885 · National Museum of Art, Architecture and Design
Same era · 1870s–1900s
Bordighera
Claude Monet · 1884 · Art Institute of Chicago
Same era · 1870s–1900s
Cows Drinking at a Pool
William Hart · 1886 · Museum of Fine Arts Boston
Same era · 1870s–1900s
Equestrienne (At the Cirque Fernando)
Henri de Toulouse-Lautrec · 1887 · Art Institute of Chicago
Same era · 1870s–1900s
Madame Cézanne (Hortense Fiquet, 1850–1922) in a Red Dress
Paul Cézanne · 1888 · The Metropolitan Museum of Art




