Corridor in the Asylum by Vincent van Gogh

Corridor in the Asylum

Vincent van Gogh · 1889

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“Step into a haunting corridor from a 19th-century asylum, a rare drawing that offers a deeply personal and immediate look at institutional life through the artist's own eyes.”

ABOUT THIS WORK

This drawing, created while the artist was a patient at the asylum in Saint-Rémy, offers a stark glimpse into the institutional life of the time. We see a long, narrow corridor, rendered with a deep, almost dizzying perspective that pulls the eye towards the vanishing point. The figures, depicted with a raw, immediate quality, are not individuals but rather types, their faces indistinct, emphasizing their shared condition within this confined space. The work is made with oil color and essence over black chalk on pink laid paper, an unusual combination that lends a certain fragility and immediacy to the scene. The pink paper itself subtly influences the overall tone, perhaps hinting at the tender, vulnerable state of those within the asylum walls. It captures the repetitive, almost ritualistic nature of daily life in such an environment, a poignant reflection of the artist's own experience.

DETAILS
Artist
Vincent van Gogh
Date
1889
Medium
Oil color and essence over black chalk on pink laid ("Ingres") paper
Location
The Metropolitan Museum of Art
Dimensions
25 5/8 x 19 5/16in. (65.1 x 49.1cm)
Collection
Drawings and Prints
Credit line
Bequest of Abby Aldrich Rockefeller, 1948
ART MOVEMENTS
LOOK CLOSER

What to Notice

Five details hide in plain sight. Pick one and we’ll show you exactly where to look.

Corridor in the Asylum

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01Whole painting

A tunnel of arches

Arches shrink one after another toward a bright doorway far away. The repeating curves pull your eye down the hall and make it feel endless.

02

The lone walker

Find the small dark figure midway down the corridor. He is the only sign of life, and his size makes the hall feel long and empty.

1 of 4 on the painting
03

Dashes on the floor

The red-brown floor is built from short, horizontal dabs of orange, red and pink. The broken strokes make the tiles seem to shimmer and add movement to the foreground.

2 of 4 on the painting
04

Thick dark outlines

Bold blue-violet and red-brown lines trace the arches and columns almost like a drawing. They flatten the space a little and give the hall a wobbly, restless energy.

3 of 4 on the painting
05

Swirling foreground shape

In the lower right, a rounded form curls in loose blue and cream strokes. Its soft, looping shape stands out against the orderly, repeating arches.

4 of 4 on the painting
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THE ARTIST

Vincent van Gogh

1853–1890 · Kingdom of the Netherlands

Vincent van Gogh, whose vibrant brushwork and bold colors transformed landscapes and portraits, created 2,100 artworks in just over a decade.

Read van Gogh’s full story
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Beyond van Gogh and Expressionism: works from the same years, and from the other movements Corridor in the Asylum belongs to.

Albert (René) Grenier (1858–1925) Same movement · Post-Impressionism Albert (René) Grenier (1858–1925) Henri de Toulouse-Lautrec · 1887 · The Metropolitan Museum of Art A Sunday on La Grande Jatte — 1884 Same era · 1870s–1900s A Sunday on La Grande Jatte — 1884 Okada Saburosuke · 1884 · Art Institute of Chicago Carmelina Same movement · Post-Impressionism Carmelina Henri Matisse · 1903 · Museum of Fine Arts Boston Madame Léon Clapisson Same era · 1870s–1900s Madame Léon Clapisson Léon-Victor Dupré · 1883 · Art Institute of Chicago The Old Guitarist Same movement · Post-Impressionism The Old Guitarist Pablo Picasso · 1903 · Art Institute of Chicago Still Life with Crayfish Same era · 1870s–1900s Still Life with Crayfish Mikhail Larionov · 1900 · Museum Ludwig The Seine at Pont de Grenelle Same movement · Post-Impressionism The Seine at Pont de Grenelle Paul Gauguin · 1875 · Wallraf–Richartz Museum Paris Street; Rainy Day Same era · 1870s–1900s Paris Street; Rainy Day Kawabata Gyokushō · 1877 · Art Institute of Chicago
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