Resting face
Look at her face, tilted and propped on her hand. The greenish skin tones and the gaze directed off to the side give her a pensive, quiet look.

“Stop to appreciate this vivid portrait of Madame Ginoux, a woman from Arles, captured with Van Gogh's signature bold colors and expressive brushwork, revealing a moment of quiet contemplation.”
In this striking portrait, Madame Ginoux, a woman Van Gogh knew from the café he frequented in Arles, is depicted with a quiet intensity. Her face, framed by dark hair and a patterned coif, is rendered with the bold, expressive brushwork characteristic of his Arles period. She sits at a table, her hands clasped around a book, suggesting a moment of contemplation or perhaps patience. The vibrant colors, particularly the deep reds and greens, create a rich backdrop that enhances her presence without overwhelming the viewer. This painting is one of several portraits Van Gogh made of Madame Ginoux, capturing her distinct features and serene demeanor through his unique artistic lens.
Five details hide in plain sight. Pick one and we’ll show you exactly where to look.
Look at her face, tilted and propped on her hand. The greenish skin tones and the gaze directed off to the side give her a pensive, quiet look.
Scan the yellow background, built from short, stubby dabs of thick paint. The surface looks almost woven and vibrates behind her dark figure.
The white-green scarf is laid on in heavy, ridged strokes that catch the light. A small pink embroidered flower sits near its center.
At lower left, a stack of books lies open, their pages painted in minty green and cream. A reader's quiet world seems close at hand.
The orange book on the table and the orange chair back at right echo each other across the picture, warm accents against the yellow and green.
The full narration walks you through L'Arlésienne: Madame Joseph-Michel Ginoux (Marie Julien, 1848–1911) — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Vincent van Gogh, whose vibrant brushwork and bold colors transformed landscapes and portraits, created 2,100 artworks in just over a decade.
Olive Trees
1853 · The Metropolitan Museum of Art
The Potato Peeler (reverse: Self-Portrait with a Straw Hat)
1885 · The Metropolitan Museum of Art
Self-Portrait with a Straw Hat (obverse: The Potato Peeler)
1887 · The Metropolitan Museum of Art
Sunflowers
1887 · The Metropolitan Museum of Art
Madame Roulin and Her Baby
1888 · The Metropolitan Museum of Art
Corridor in the Asylum
1889 · The Metropolitan Museum of Art
Wheat Field with Cypresses
1889 · The Metropolitan Museum of Art
A Peasant Woman Digging in Front of Her Cottage
1880 · Art Institute of Chicago
Beyond van Gogh and Expressionism: works from the same years, and from the other movements L'Arlésienne: Madame Joseph-Michel Ginoux (Marie Julien, 1848–1911) belongs to.
Same movement · Post-Impressionism
Albert (René) Grenier (1858–1925)
Henri de Toulouse-Lautrec · 1887 · The Metropolitan Museum of Art
Same era · 1870s–1900s
A Sunday on La Grande Jatte — 1884
Okada Saburosuke · 1884 · Art Institute of Chicago
Same movement · Post-Impressionism
The Seine at Pont de Grenelle
Paul Gauguin · 1875 · Wallraf–Richartz Museum
Same era · 1870s–1900s
Madame Léon Clapisson
Léon-Victor Dupré · 1883 · Art Institute of Chicago
Same movement · Post-Impressionism
Carmelina
Henri Matisse · 1903 · Museum of Fine Arts Boston
Same era · 1870s–1900s
Paris Street; Rainy Day
Kawabata Gyokushō · 1877 · Art Institute of Chicago
Same movement · Post-Impressionism
The Old Guitarist
Pablo Picasso · 1903 · Art Institute of Chicago
Same era · 1870s–1900s
Still Life with Crayfish
Mikhail Larionov · 1900 · Museum Ludwig
Same movement · Post-Impressionism
Gustave Boyer (b. 1840) in a Straw Hat
Paul Cézanne · 1870 · The Metropolitan Museum of Art
Same era · 1870s–1900s
Landscape from Arles
Paul Gauguin · 1888 · Nationalmuseum
Same movement · Post-Impressionism
Lozenge Composition with Yellow, Black, Blue, Red, and Gray
Piet Mondrian · 1921 · Art Institute of Chicago
Same era · 1870s–1900s
Madame Cézanne (Hortense Fiquet, 1850–1922) in a Red Dress
Paul Cézanne · 1888 · The Metropolitan Museum of Art
Same era · 1870s–1900s
Woman in the Garden of Monsieur Forest
Henri de Toulouse-Lautrec · 1889 · The Metropolitan Museum of Art
Same era · 1870s–1900s
Cows Drinking at a Pool
William Hart · 1886 · Museum of Fine Arts Boston
Same era · 1870s–1900s
Rocks at Port-Goulphar, Belle-Île
Claude Monet · 1886 · Art Institute of Chicago
Same era · 1870s–1900s
Street in Moret
Alfred Sisley · 1890 · Art Institute of Chicago
Same era · 1870s–1900s
Two Girls Reading in a Garden
Pierre-Auguste Renoir · 1890
Same era · 1870s–1900s
Forêt de Compiègne
Berthe Morisot · 1885 · Art Institute of Chicago