The baby's wide eyes
Look at the baby's dark, round eyes and slightly furrowed brow. The stare feels alert and a little wary, not like a sweet, sleepy infant.

“This tender portrait of Madame Roulin and her baby showcases the artist's expressive brushwork and deep connection to his subjects, capturing a moment of maternal intimacy with remarkable warmth and vividness.”
In this intimate portrait, a woman with a calm, almost wistful expression holds a baby swaddled in white. The soft, swirling brushstrokes that define the figures and background create a sense of movement and warmth. This painting captures Augustine Roulin, the wife of postman Joseph Roulin, and their infant daughter Marcelle, who was around three months old at the time. Van Gogh met Joseph Roulin after moving to Arles, and the family became close acquaintances, inspiring a series of portraits often referred to as "The Roulin Family." The vigorously painted surface, with its thick application of paint, emphasizes the tender bond between mother and child, making this a deeply personal and emotionally resonant work.
Five details hide in plain sight. Pick one and we’ll show you exactly where to look.
Look at the baby's dark, round eyes and slightly furrowed brow. The stare feels alert and a little wary, not like a sweet, sleepy infant.
Look at the dark lines around the baby's bonnet and face. The firm outlines separate the pale head from the yellow ground and give it a graphic punch.
Two large ochre hands hold the baby near the bottom. Their heavy, simplified fingers read as firm support, in contrast to the baby's small pink hands.
At the upper right, the mother's head is bowed and turned away, her face drawn in green and yellow strokes. She is only a presence, so the baby takes center stage.
The yellow wall is built from short, stiff dabs of paint that stand up from the canvas. It gives the flat color a restless, tactile energy.
The full narration walks you through Madame Roulin and Her Baby — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Vincent van Gogh, whose vibrant brushwork and bold colors transformed landscapes and portraits, created 2,100 artworks in just over a decade.
Olive Trees
1853 · The Metropolitan Museum of Art
The Potato Peeler (reverse: Self-Portrait with a Straw Hat)
1885 · The Metropolitan Museum of Art
Self-Portrait with a Straw Hat (obverse: The Potato Peeler)
1887 · The Metropolitan Museum of Art
Sunflowers
1887 · The Metropolitan Museum of Art
L'Arlésienne: Madame Joseph-Michel Ginoux (Marie Julien, 1848–1911)
1888 · The Metropolitan Museum of Art
Corridor in the Asylum
1889 · The Metropolitan Museum of Art
Wheat Field with Cypresses
1889 · The Metropolitan Museum of Art
A Peasant Woman Digging in Front of Her Cottage
1880 · Art Institute of Chicago
Beyond van Gogh and Expressionism: works from the same years, and from the other movements Madame Roulin and Her Baby belongs to.
Same movement · Post-Impressionism
Albert (René) Grenier (1858–1925)
Henri de Toulouse-Lautrec · 1887 · The Metropolitan Museum of Art
Same era · 1870s–1900s
A Sunday on La Grande Jatte — 1884
Okada Saburosuke · 1884 · Art Institute of Chicago
Same movement · Post-Impressionism
The Seine at Pont de Grenelle
Paul Gauguin · 1875 · Wallraf–Richartz Museum
Same era · 1870s–1900s
Madame Léon Clapisson
Léon-Victor Dupré · 1883 · Art Institute of Chicago
Same movement · Post-Impressionism
Carmelina
Henri Matisse · 1903 · Museum of Fine Arts Boston
Same era · 1870s–1900s
Paris Street; Rainy Day
Kawabata Gyokushō · 1877 · Art Institute of Chicago
Same movement · Post-Impressionism
The Old Guitarist
Pablo Picasso · 1903 · Art Institute of Chicago
Same era · 1870s–1900s
Still Life with Crayfish
Mikhail Larionov · 1900 · Museum Ludwig
Same movement · Post-Impressionism
Gustave Boyer (b. 1840) in a Straw Hat
Paul Cézanne · 1870 · The Metropolitan Museum of Art
Same era · 1870s–1900s
Landscape from Arles
Paul Gauguin · 1888 · Nationalmuseum
Same movement · Post-Impressionism
Lozenge Composition with Yellow, Black, Blue, Red, and Gray
Piet Mondrian · 1921 · Art Institute of Chicago
Same era · 1870s–1900s
Madame Cézanne (Hortense Fiquet, 1850–1922) in a Red Dress
Paul Cézanne · 1888 · The Metropolitan Museum of Art
Same era · 1870s–1900s
Woman in the Garden of Monsieur Forest
Henri de Toulouse-Lautrec · 1889 · The Metropolitan Museum of Art
Same era · 1870s–1900s
Cows Drinking at a Pool
William Hart · 1886 · Museum of Fine Arts Boston
Same era · 1870s–1900s
Rocks at Port-Goulphar, Belle-Île
Claude Monet · 1886 · Art Institute of Chicago
Same era · 1870s–1900s
Street in Moret
Alfred Sisley · 1890 · Art Institute of Chicago
Same era · 1870s–1900s
Two Girls Reading in a Garden
Pierre-Auguste Renoir · 1890
Same era · 1870s–1900s
Forêt de Compiègne
Berthe Morisot · 1885 · Art Institute of Chicago