“This powerful wood engraving captures the raw emotion of Hagar and Ishmael's banishment, inviting you to feel their despair and vulnerability against a stark, unforgiving landscape.”
In this wood engraving, Hagar and her son Ishmael are cast out into the wilderness, a scene of profound desolation from the Book of Genesis. Hagar clutches Ishmael, her face a mask of sorrow and resignation as she gazes into the distance. The artist emphasizes the harshness of their exile through the spare, almost barren landscape. A lone, gnarled tree offers no comfort, its branches reaching like skeletal fingers. The delicate lines of the engraving create a sense of vulnerability for the figures against the vast, indifferent environment. This image was part of a larger project, Dalziels' Bible Gallery, which brought together prominent artists of the time to illustrate biblical narratives, showcasing the era's renewed interest in detailed, emotionally resonant religious art.
- Artist
- Simeon Solomon
- Date
- 1863
- Medium
- Wood engraving on India paper, mounted on thin card
- Location
- The Metropolitan Museum of Art
- Dimensions
- Image: 6 7/16 × 4 11/16 in. (16.4 × 11.9 cm) India sheet: 8 9/16 × 6 5/8 in. (21.7 × 16.9 cm) Mount: 16 7/16 in. × 12 15/16 in. (41.8 × 32.8 cm)
- Collection
- Drawings and Prints
- Credit line
- Anonymous Gift, 1926
What to Notice
Five details hide in plain sight. Here’s where to look.

Hagar's bare foot, almost blending with the parched earth.
The empty water bottle, signaling their desperate thirst.
Ishmael's face, hidden against his mother's shoulder.
The intricate patterns on Hagar's simple garment.
1 more detail is waiting.
See all 5 in Art Whisper →Stand in front of it and listen
The full narration walks you through Hagar and Ishmael, from "Dalziels' Bible Gallery" — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Further Works by Solomon
More from Aestheticism
More works to explore
Beyond Solomon and Aestheticism: works from the same years.
Same era · 1840s–1870s
The Backgammon Players
Philip Webb · 1861 · The Metropolitan Museum of Art
Same era · 1840s–1870s
Two Boats in a Storm
Léon-Victor Dupré · 1870 · Art Institute of Chicago
Same era · 1840s–1870s
Paris Street; Rainy Day
Kawabata Gyokushō · 1877 · Art Institute of Chicago
Same era · 1840s–1870s
Alfred Sisley
Pierre-Auguste Renoir · 1864 · Foundation E.G. Bührle Collection
Same era · 1840s–1870s
An Arab Warrior
Mariano Fortuny Marsal · 1862 · Hispanic Society of America
Same era · 1840s–1870s
Beggar with a Duffle Coat (Philosopher)
Édouard Manet · 1864 · Art Institute of Chicago
Same era · 1840s–1870s
Mount Madison from the Androscoggin River
William Hart · 1862
Same era · 1840s–1870s
Peasants Bringing Home a Calf Born in the Fields
Jean-François Millet · 1864 · Art Institute of Chicago
Same era · 1840s–1870s
Rêverie (Portrait of Gabrielle Borreau)
Gustave Courbet · 1862 · Art Institute of Chicago
Same era · 1840s–1870s
A Woman Seated beside a Vase of Flowers (Madame Paul Valpinçon?)
Edgar Degas · 1865 · The Metropolitan Museum of Art
Same era · 1840s–1870s
The Banks of the Marne in Winter
Camille Pissarro · 1866 · Art Institute of Chicago
Same era · 1840s–1870s
The Beach at Sainte-Adresse
Claude Monet · 1867 · Art Institute of Chicago



