Sir Galahad (from Tennyson's Poems, New York, 1903) by Dante Gabriel Rossetti

Sir Galahad (from Tennyson's Poems, New York, 1903)

Dante Gabriel Rossetti · 1857

Scroll

“This small, detailed engraving draws you into the solitary world of Sir Galahad, capturing a moment of profound spiritual quest amidst a meticulously rendered medieval forest. It's a key example of the Pre-Raphaelite fascination with Arthurian legend and inner contemplation.”

ABOUT THIS WORK

A lone knight, Sir Galahad, stands in a forest, his gaze directed upward and outward, suggesting a vision or a spiritual quest. This small wood engraving, created in 1857, captures a moment of quiet contemplation, far removed from the clang of battle. The intricate lines of the engraving define the folds of his armor and the textures of the surrounding nature, from the gnarled tree trunks to the delicate foliage. The scene evokes the romanticized medievalism that was a hallmark of the Pre-Raphaelite Brotherhood, a movement Rossetti co-founded. Here, the emphasis is on the inner life of the legendary figure, his purity and devotion, rather than heroic action. The composition draws the viewer into Galahad's reverie, inviting reflection on the timeless themes of faith and destiny.

DETAILS
Artist
Dante Gabriel Rossetti
Date
1857
Medium
Wood engraving
Location
The Metropolitan Museum of Art
Dimensions
Image: 3 11/16 × 3 1/16 in. (9.4 × 7.8 cm)
Collection
Drawings and Prints
Credit line
Anonymous Gift, 1925
ART MOVEMENTS
LOOK CLOSER

What to Notice

Five details hide in plain sight. Pick one and we’ll show you exactly where to look.

Sir Galahad (from Tennyson's Poems, New York, 1903)

← → step through · Esc to close
5 details are marked · pick a number
01

Galahad drinking

Look at the knight's cupped hand raised to his mouth, with a small vessel held just below it. Thin streams of water run down through the vessel's rim, a quiet, private moment.

1 of 5 on the painting
02

Sword emblem on tunic

On the white surcoat, a small sword topped with crowns is set in a tall vertical column. The emblem suggests a knight with a higher, spiritual purpose.

2 of 5 on the painting
03

Thorny branches

At left, bare, thorny branches are lashed together in a rough upright, cross-like form on the table. They may bring thoughts of suffering and sacrifice into this humble room.

3 of 5 on the painting
04

Faces in the shadows

Bottom left, a few pale faces in profile emerge from the dark below the table. They are easy to miss, and they read as onlookers or visions, adding a haunting presence.

4 of 5 on the painting
05

Crosshatched cloak

Look at the dark robe on the right, built from dense crossing lines. The engraver carved light and shadow into texture, with white left only for the tunic.

5 of 5 on the painting
AUDIO DEEP DIVE

Stand in front of it and listen

The full narration walks you through Sir Galahad (from Tennyson's Poems, New York, 1903) — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.

0:00Preview · 0:30Free preview · 0:30 Hear the full story in the app
THE ARTIST

Dante Gabriel Rossetti

1828–1882 · United Kingdom of Great Britain and Ireland

Dante Gabriel Rossetti, a founding member of the Pre-Raphaelite Brotherhood, blended poetry and painting to create evocative, symbolic works like "Beata Beatrix."

Read Rossetti’s full story
MORE FROM THIS ARTIST

Further Works by Rossetti

1 / 2
EXPLORE THE MOVEMENT

More from Symbolism

1 / 1
KEEP EXPLORING

More works to explore

Beyond Rossetti and Symbolism: works from the same years, and from the other movements Sir Galahad (from Tennyson's Poems, New York, 1903) belongs to.

The Backgammon Players Same movement · Arts and Crafts movement The Backgammon Players Philip Webb · 1861 · The Metropolitan Museum of Art The Cottage by the Roadside, Stormy Sky Same era · 1840s–1870s The Cottage by the Roadside, Stormy Sky Léon-Victor Dupré · 1855 · Art Institute of Chicago Hagar and Ishmael, from "Dalziels' Bible Gallery" Same movement · Aestheticism Hagar and Ishmael, from "Dalziels' Bible Gallery" Simeon Solomon · 1863 · The Metropolitan Museum of Art The Sheepshearers Same era · 1840s–1870s The Sheepshearers Jean-François Millet · 1857 · Art Institute of Chicago Trellis Same movement · Arts and Crafts movement Trellis William Morris · 1864 · The Metropolitan Museum of Art Lion Hunt Same era · 1840s–1870s Lion Hunt Eugène Delacroix · 1858 · Museum of Fine Arts Boston Fear Same movement · Aestheticism Fear Odilon Redon · 1866 · Cleveland Museum of Art Woman in a Riding Habit (L'Amazone) Same era · 1840s–1870s Woman in a Riding Habit (L'Amazone) Gustave Courbet · 1856 · Metropolitan Museum of Art
Hear Sir Galahad (from Tennyson's Poem…’s storyFree in the Art Whisper app Open