“Stop to see how this small engraving powerfully captures a mood of profound solitude and longing, illustrating a Tennyson poem with intense detail. It’s a striking example of Pre-Raphaelite storytelling.”
In this small wood engraving, a lone woman, Mariana, sits hunched and contemplative, her gaze fixed on something beyond the frame. The scene is an illustration for Alfred Lord Tennyson's poem "The Palace of Art," which tells of a soul's isolation. Here, Rossetti captures the poem's mood of profound solitude and longing. The dense, almost claustrophobic composition, with its heavy drapery and the woman’s inward focus, emphasizes her emotional state. This work reflects the Pre-Raphaelite Brotherhood's interest in literary subjects and their commitment to vivid, detailed storytelling, even in a small format. The intricate lines and deep shadows, typical of wood engraving, enhance the dramatic tension, drawing the viewer into Mariana’s quiet despair. It’s a powerful portrayal of human introspection, rendered with remarkable intensity.
- Artist
- Dante Gabriel Rossetti
- Date
- 1857
- Medium
- Wood engraving
- Location
- The Metropolitan Museum of Art
- Dimensions
- Image: 3 11/16 × 3 1/8 in. (9.4 × 8 cm)
- Collection
- Drawings and Prints
- Credit line
- Anonymous Gift, 1925
What to Notice
Four details hide in plain sight. Here’s where to look.

The way Mariana’s head rests heavily on her hand, conveying deep thought.
The rich, patterned fabric of her dress and the surrounding drapery.
The single, delicate flower resting on the table beside her.
The window at the upper right, hinting at a world beyond her confinement.
Stand in front of it and listen
The full narration walks you through Mariana in the South (Illustration for "The Palace of Art" in Tennyson's Poems, New York, 1903) — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Dante Gabriel Rossetti
1828–1882 · United Kingdom of Great Britain and IrelandDante Gabriel Rossetti, a founding member of the Pre-Raphaelite Brotherhood, blended poetry and painting to create evocative, symbolic works like "Beata Beatrix."
Further Works by Rossetti
Beata Beatrix
1877 · Birmingham Museums Trust
Faust: Part 1. Last Scene
1846 · The Metropolitan Museum of Art
Sir Galahad (from Tennyson's Poems, New York, 1903)
1857 · The Metropolitan Museum of Art
St. Cecily / Cecilia (Illustration for The Palace of Art in Tennyson's Poems, New York, 1903)
1857 · The Metropolitan Museum of Art
The Lady of Shalott (from Tennyson's Poems, New York, 1903)
1857 · The Metropolitan Museum of Art
Buy from Us with a Golden Curl (frontispiece to "Goblin Market and other Poems" by Christina Rossetti)
1862 · The Metropolitan Museum of Art
Design for Old Testament Window
1865 · The Metropolitan Museum of Art
Jane Morris: Study for "Mariana"
1868 · The Metropolitan Museum of Art
More from Symbolism
More works to explore
Beyond Rossetti and Symbolism: works from the same years, and from the other movements Mariana in the South (Illustration for "The Palace of Art" in Tennyson's Poems, New York, 1903) belongs to.
Same movement · Arts and Crafts movement
The Backgammon Players
Philip Webb · 1861 · The Metropolitan Museum of Art
Same era · 1840s–1870s
The Cottage by the Roadside, Stormy Sky
Léon-Victor Dupré · 1855 · Art Institute of Chicago
Same movement · Aestheticism
Hagar and Ishmael, from "Dalziels' Bible Gallery"
Simeon Solomon · 1863 · The Metropolitan Museum of Art
Same era · 1840s–1870s
The Sheepshearers
Jean-François Millet · 1857 · Art Institute of Chicago
Same movement · Arts and Crafts movement
Trellis
William Morris · 1864 · The Metropolitan Museum of Art
Same era · 1840s–1870s
Lion Hunt
Eugène Delacroix · 1858 · Museum of Fine Arts Boston
Same movement · Aestheticism
Fear
Odilon Redon · 1866 · Cleveland Museum of Art
Same era · 1840s–1870s
Woman in a Riding Habit (L'Amazone)
Gustave Courbet · 1856 · Metropolitan Museum of Art
Same era · 1840s–1870s
Peace and Plenty
William Hart · 1855 · New Britain Museum of American Art
Same era · 1840s–1870s
Young Spartan Girls Challenging Boys
Edgar Degas · 1860 · Art Institute of Chicago
Same era · 1840s–1870s
Joséphine-Éléonore-Marie-Pauline de Galard de Brassac de Béarn (1825–1860), Princesse de Broglie
Jean-Auguste-Dominique Ingres · 1853 · Metropolitan Museum of Art
Same era · 1840s–1870s
Olive Trees
Vincent van Gogh · 1853 · The Metropolitan Museum of Art
Same era · 1840s–1870s
An Arab Warrior
Mariano Fortuny Marsal · 1862 · Hispanic Society of America
Same era · 1840s–1870s
Alfred Sisley
Pierre-Auguste Renoir · 1864 · Foundation E.G. Bührle Collection
Same era · 1840s–1870s
Sea View, Calm Weather (Vue de mer, temps calme)
Édouard Manet · 1864 · Art Institute of Chicago
Same era · 1840s–1870s
The Banks of the Marne in Winter
Camille Pissarro · 1866 · Art Institute of Chicago




