The Lady of Shalott (from Tennyson's Poems, New York, 1903) by Dante Gabriel Rossetti

The Lady of Shalott (from Tennyson's Poems, New York, 1903)

Dante Gabriel Rossetti · 1857

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“This detailed wood engraving captures the dramatic moment of the Lady of Shalott turning from her cursed loom, a vivid illustration of Tennyson's poem and a prime example of Pre-Raphaelite storytelling.”

ABOUT THIS WORK

In this intricate wood engraving, a woman with long, flowing hair gazes out from a window, her back to us as she works at a loom. This image illustrates Alfred, Lord Tennyson's famous poem, "The Lady of Shalott," a tale of a cursed woman who must weave without looking directly at the outside world. Here, the moment of crisis is captured: the Lady has just turned from her work, the threads of her tapestry flying into disarray. Her gaze is fixed on the world beyond, a world she can only see reflected in a mirror. The density of the lines in the engraving, from the folds of her dress to the swirling patterns on the loom, creates a sense of the claustrophobic interior and the dramatic tension of her decision. The scene embodies a key theme of the Pre-Raphaelite Brotherhood, a movement founded by the artist, which often depicted literary subjects with rich detail and emotional depth.

DETAILS
Artist
Dante Gabriel Rossetti
Date
1857
Medium
Wood engraving
Location
The Metropolitan Museum of Art
Dimensions
Image: 3 11/16 × 3 1/8 in. (9.3 × 8 cm)
Collection
Drawings and Prints
Credit line
Anonymous Gift, 1925
ART MOVEMENTS
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What to Notice

Five details hide in plain sight. Here’s where to look.

The Lady of Shalott (from Tennyson's Poems, New York, 1903)
01

The Lady's reflection in the large, round mirror behind her.

02

The intricate, medieval patterns woven into the tapestry on her loom.

03

The boat outside the window, visible through the archway.

04

The disrupted threads of the loom, signaling her sudden turn.

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THE ARTIST

Dante Gabriel Rossetti

1828–1882 · United Kingdom of Great Britain and Ireland

Dante Gabriel Rossetti, a founding member of the Pre-Raphaelite Brotherhood, blended poetry and painting to create evocative, symbolic works like "Beata Beatrix."

Read Rossetti’s full story
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Beyond Rossetti and Symbolism: works from the same years, and from the other movements The Lady of Shalott (from Tennyson's Poems, New York, 1903) belongs to.

The Backgammon Players Same movement · Arts and Crafts movement The Backgammon Players Philip Webb · 1861 · The Metropolitan Museum of Art The Cottage by the Roadside, Stormy Sky Same era · 1840s–1870s The Cottage by the Roadside, Stormy Sky Léon-Victor Dupré · 1855 · Art Institute of Chicago Hagar and Ishmael, from "Dalziels' Bible Gallery" Same movement · Aestheticism Hagar and Ishmael, from "Dalziels' Bible Gallery" Simeon Solomon · 1863 · The Metropolitan Museum of Art The Sheepshearers Same era · 1840s–1870s The Sheepshearers Jean-François Millet · 1857 · Art Institute of Chicago Trellis Same movement · Arts and Crafts movement Trellis William Morris · 1864 · The Metropolitan Museum of Art Lion Hunt Same era · 1840s–1870s Lion Hunt Eugène Delacroix · 1858 · Museum of Fine Arts Boston Fear Same movement · Aestheticism Fear Odilon Redon · 1866 · Cleveland Museum of Art Woman in a Riding Habit (L'Amazone) Same era · 1840s–1870s Woman in a Riding Habit (L'Amazone) Gustave Courbet · 1856 · Metropolitan Museum of Art
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