“This detailed wood engraving captures the dramatic moment of the Lady of Shalott turning from her cursed loom, a vivid illustration of Tennyson's poem and a prime example of Pre-Raphaelite storytelling.”
In this intricate wood engraving, a woman with long, flowing hair gazes out from a window, her back to us as she works at a loom. This image illustrates Alfred, Lord Tennyson's famous poem, "The Lady of Shalott," a tale of a cursed woman who must weave without looking directly at the outside world. Here, the moment of crisis is captured: the Lady has just turned from her work, the threads of her tapestry flying into disarray. Her gaze is fixed on the world beyond, a world she can only see reflected in a mirror. The density of the lines in the engraving, from the folds of her dress to the swirling patterns on the loom, creates a sense of the claustrophobic interior and the dramatic tension of her decision. The scene embodies a key theme of the Pre-Raphaelite Brotherhood, a movement founded by the artist, which often depicted literary subjects with rich detail and emotional depth.
- Artist
- Dante Gabriel Rossetti
- Date
- 1857
- Medium
- Wood engraving
- Location
- The Metropolitan Museum of Art
- Dimensions
- Image: 3 11/16 × 3 1/8 in. (9.3 × 8 cm)
- Collection
- Drawings and Prints
- Credit line
- Anonymous Gift, 1925
What to Notice
Five details hide in plain sight. Here’s where to look.

The Lady's reflection in the large, round mirror behind her.
The intricate, medieval patterns woven into the tapestry on her loom.
The boat outside the window, visible through the archway.
The disrupted threads of the loom, signaling her sudden turn.
1 more detail is waiting.
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The full narration walks you through The Lady of Shalott (from Tennyson's Poems, New York, 1903) — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Dante Gabriel Rossetti
1828–1882 · United Kingdom of Great Britain and IrelandDante Gabriel Rossetti, a founding member of the Pre-Raphaelite Brotherhood, blended poetry and painting to create evocative, symbolic works like "Beata Beatrix."
Further Works by Rossetti
Beata Beatrix
1877 · Birmingham Museums Trust
Faust: Part 1. Last Scene
1846 · The Metropolitan Museum of Art
Mariana in the South (Illustration for "The Palace of Art" in Tennyson's Poems, New York, 1903)
1857 · The Metropolitan Museum of Art
Sir Galahad (from Tennyson's Poems, New York, 1903)
1857 · The Metropolitan Museum of Art
St. Cecily / Cecilia (Illustration for The Palace of Art in Tennyson's Poems, New York, 1903)
1857 · The Metropolitan Museum of Art
Buy from Us with a Golden Curl (frontispiece to "Goblin Market and other Poems" by Christina Rossetti)
1862 · The Metropolitan Museum of Art
Design for Old Testament Window
1865 · The Metropolitan Museum of Art
Jane Morris: Study for "Mariana"
1868 · The Metropolitan Museum of Art
More from Symbolism
More works to explore
Beyond Rossetti and Symbolism: works from the same years, and from the other movements The Lady of Shalott (from Tennyson's Poems, New York, 1903) belongs to.
Same movement · Arts and Crafts movement
The Backgammon Players
Philip Webb · 1861 · The Metropolitan Museum of Art
Same era · 1840s–1870s
The Cottage by the Roadside, Stormy Sky
Léon-Victor Dupré · 1855 · Art Institute of Chicago
Same movement · Aestheticism
Hagar and Ishmael, from "Dalziels' Bible Gallery"
Simeon Solomon · 1863 · The Metropolitan Museum of Art
Same era · 1840s–1870s
The Sheepshearers
Jean-François Millet · 1857 · Art Institute of Chicago
Same movement · Arts and Crafts movement
Trellis
William Morris · 1864 · The Metropolitan Museum of Art
Same era · 1840s–1870s
Lion Hunt
Eugène Delacroix · 1858 · Museum of Fine Arts Boston
Same movement · Aestheticism
Fear
Odilon Redon · 1866 · Cleveland Museum of Art
Same era · 1840s–1870s
Woman in a Riding Habit (L'Amazone)
Gustave Courbet · 1856 · Metropolitan Museum of Art
Same era · 1840s–1870s
Peace and Plenty
William Hart · 1855 · New Britain Museum of American Art
Same era · 1840s–1870s
Young Spartan Girls Challenging Boys
Edgar Degas · 1860 · Art Institute of Chicago
Same era · 1840s–1870s
Joséphine-Éléonore-Marie-Pauline de Galard de Brassac de Béarn (1825–1860), Princesse de Broglie
Jean-Auguste-Dominique Ingres · 1853 · Metropolitan Museum of Art
Same era · 1840s–1870s
Olive Trees
Vincent van Gogh · 1853 · The Metropolitan Museum of Art
Same era · 1840s–1870s
An Arab Warrior
Mariano Fortuny Marsal · 1862 · Hispanic Society of America
Same era · 1840s–1870s
Alfred Sisley
Pierre-Auguste Renoir · 1864 · Foundation E.G. Bührle Collection
Same era · 1840s–1870s
Sea View, Calm Weather (Vue de mer, temps calme)
Édouard Manet · 1864 · Art Institute of Chicago
Same era · 1840s–1870s
The Banks of the Marne in Winter
Camille Pissarro · 1866 · Art Institute of Chicago




