“This powerful ink drawing captures the tragic climax of Goethe's "Faust: Part 1," revealing the artist's early talent for dramatic storytelling and emotional depth. Notice the raw intensity in Gretchen's face and the interplay of light and shadow.”
In this early drawing, Rossetti captures the dramatic final scene of Goethe's "Faust: Part 1." The composition is stark, focusing on the despair of Gretchen, who appears confined and distraught in prison, while the shadowy figure of Faust looms beside her. His hand reaches out, a gesture of desperate plea or perhaps an attempt to pull her from her fate. The loose, energetic lines of pen and ink, combined with the subtle brown washes, create a sense of urgency and emotional intensity. The limited palette emphasizes the somber mood, drawing the viewer into the tragic narrative. This work, created when Rossetti was just eighteen, predates the official formation of the Pre-Raphaelite Brotherhood, yet it already hints at the group's later interest in literary subjects and dramatic human emotion.
- Artist
- Dante Gabriel Rossetti
- Date
- 1846
- Medium
- Pen and brown ink, brush and brown wash over graphite, on tan paper
- Location
- The Metropolitan Museum of Art
- Dimensions
- Sheet: 10 7/8 × 8 9/16 in. (27.7 × 21.7 cm)
- Collection
- Drawings and Prints
- Credit line
- Gift of Etheleen and Allen Staley, 2013
What to Notice
Five details hide in plain sight. Here’s where to look.

Gretchen's wild hair and distraught expression, eyes wide with fear.
The dark, almost spectral outline of Mephistopheles in the background.
Faust's outstretched hand, a focal point of the emotional drama.
The heavy shadows and deep washes that create a sense of confinement.
1 more detail is waiting.
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Dante Gabriel Rossetti
1828–1882 · United Kingdom of Great Britain and IrelandDante Gabriel Rossetti, a founding member of the Pre-Raphaelite Brotherhood, blended poetry and painting to create evocative, symbolic works like "Beata Beatrix."
Further Works by Rossetti
Beata Beatrix
1877 · Birmingham Museums Trust
Mariana in the South (Illustration for "The Palace of Art" in Tennyson's Poems, New York, 1903)
1857 · The Metropolitan Museum of Art
Sir Galahad (from Tennyson's Poems, New York, 1903)
1857 · The Metropolitan Museum of Art
St. Cecily / Cecilia (Illustration for The Palace of Art in Tennyson's Poems, New York, 1903)
1857 · The Metropolitan Museum of Art
The Lady of Shalott (from Tennyson's Poems, New York, 1903)
1857 · The Metropolitan Museum of Art
Buy from Us with a Golden Curl (frontispiece to "Goblin Market and other Poems" by Christina Rossetti)
1862 · The Metropolitan Museum of Art
Design for Old Testament Window
1865 · The Metropolitan Museum of Art
Jane Morris: Study for "Mariana"
1868 · The Metropolitan Museum of Art
More from Symbolism
More works to explore
Beyond Rossetti and Symbolism: works from the same years, and from the other movements Faust: Part 1. Last Scene belongs to.
Same movement · Arts and Crafts movement
The Backgammon Players
Philip Webb · 1861 · The Metropolitan Museum of Art
Same era · 1830s–1860s
The Cottage by the Roadside, Stormy Sky
Léon-Victor Dupré · 1855 · Art Institute of Chicago
Same movement · Aestheticism
Hagar and Ishmael, from "Dalziels' Bible Gallery"
Simeon Solomon · 1863 · The Metropolitan Museum of Art
Same era · 1830s–1860s
Wooded Landscape
Gustave Courbet · 1848 · Art Institute of Chicago
Same movement · Arts and Crafts movement
Trellis
William Morris · 1864 · The Metropolitan Museum of Art
Same era · 1830s–1860s
Young Woman
Jean-François Millet · 1844 · Art Institute of Chicago
Same movement · Aestheticism
Fear
Odilon Redon · 1866 · Cleveland Museum of Art
Same era · 1830s–1860s
Arab Horseman Attacked by a Lion
Eugène Delacroix · 1849 · Art Institute of Chicago
Same era · 1830s–1860s
Mount Chocorua and Moat Mountain from North Conway
William Hart · 1850
Same era · 1830s–1860s
Snow Storm: Steam-Boat off a Harbour's Mouth
J. M. W. Turner · 1842 · National Gallery
Same era · 1830s–1860s
The Virgin Adoring the Host
Jean-Auguste-Dominique Ingres · 1841 · Pushkin Museum of Fine Arts
Same era · 1830s–1860s
Olive Trees
Vincent van Gogh · 1853 · The Metropolitan Museum of Art
Same era · 1830s–1860s
Young Spartan Girls Challenging Boys
Edgar Degas · 1860 · Art Institute of Chicago
Same era · 1830s–1860s
Designs for a Decorated Dish, or Platter, and a Biscuit Barrel
Alfred Henry Forrester [Alfred Crowquill] · 1845 · The Metropolitan Museum of Art
Same era · 1830s–1860s
Lettered title: Christy
Samuel Alcock & Company · 1845 · The Metropolitan Museum of Art
Same era · 1830s–1860s
Portrait of Fred Adelbert Haywood
School of William Matthew Prior · 1848 · Art Institute of Chicago




