“This engraving captures Saint Cecilia in a moment of divine musical inspiration, surrounded by angels and symbolic lilies. It's a vivid example of Pre-Raphaelite art, illustrating Tennyson's poem with intricate detail and intense emotion.”
In this small wood engraving, Saint Cecilia is caught in a moment of intense, almost ecstatic, communion. Her head is thrown back, eyes closed, as she plays a portable organ, her fingers gracefully poised over the keys. Above her, an angel leans in, his face mirroring her rapture, as he gently holds the organ's bellows. The scene is framed by a dense thicket of lilies, symbolizing purity, and a sleeping knight in the foreground, his armor gleaming faintly. This work, created in 1857, illustrates Alfred, Lord Tennyson's poem "The Palace of Art," which explores themes of artistic isolation and spiritual awakening. The intricate details and the emotional intensity are characteristic of the Pre-Raphaelite Brotherhood, a movement focused on rich symbolism and a return to the vividness of early Renaissance art.
- Artist
- Dante Gabriel Rossetti
- Date
- 1857
- Medium
- Wood engraving
- Location
- The Metropolitan Museum of Art
- Dimensions
- Image: 3 5/8 × 3 1/16 in. (9.2 × 7.8 cm)
- Collection
- Drawings and Prints
- Credit line
- Anonymous Gift, 1925
What to Notice
Five details hide in plain sight. Here’s where to look.

The angel's hand on the organ's bellows, suggesting divine inspiration.
The sleeping knight's face, partially obscured by the lilies.
The delicate folds of Saint Cecilia's gown, hinting at movement.
The intricate patterns on the organ itself, a miniature work of art.
1 more detail is waiting.
See all 5 in Art Whisper →Stand in front of it and listen
The full narration walks you through St. Cecily / Cecilia (Illustration for The Palace of Art in Tennyson's Poems, New York, 1903) — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Dante Gabriel Rossetti
1828–1882 · United Kingdom of Great Britain and IrelandDante Gabriel Rossetti, a founding member of the Pre-Raphaelite Brotherhood, blended poetry and painting to create evocative, symbolic works like "Beata Beatrix."
Further Works by Rossetti
Beata Beatrix
1877 · Birmingham Museums Trust
Faust: Part 1. Last Scene
1846 · The Metropolitan Museum of Art
Mariana in the South (Illustration for "The Palace of Art" in Tennyson's Poems, New York, 1903)
1857 · The Metropolitan Museum of Art
Sir Galahad (from Tennyson's Poems, New York, 1903)
1857 · The Metropolitan Museum of Art
The Lady of Shalott (from Tennyson's Poems, New York, 1903)
1857 · The Metropolitan Museum of Art
Buy from Us with a Golden Curl (frontispiece to "Goblin Market and other Poems" by Christina Rossetti)
1862 · The Metropolitan Museum of Art
Design for Old Testament Window
1865 · The Metropolitan Museum of Art
Jane Morris: Study for "Mariana"
1868 · The Metropolitan Museum of Art
More from Symbolism
More works to explore
Beyond Rossetti and Symbolism: works from the same years, and from the other movements St. Cecily / Cecilia (Illustration for The Palace of Art in Tennyson's Poems, New York, 1903) belongs to.
Same movement · Arts and Crafts movement
The Backgammon Players
Philip Webb · 1861 · The Metropolitan Museum of Art
Same era · 1840s–1870s
The Cottage by the Roadside, Stormy Sky
Léon-Victor Dupré · 1855 · Art Institute of Chicago
Same movement · Aestheticism
Hagar and Ishmael, from "Dalziels' Bible Gallery"
Simeon Solomon · 1863 · The Metropolitan Museum of Art
Same era · 1840s–1870s
The Sheepshearers
Jean-François Millet · 1857 · Art Institute of Chicago
Same movement · Arts and Crafts movement
Trellis
William Morris · 1864 · The Metropolitan Museum of Art
Same era · 1840s–1870s
Lion Hunt
Eugène Delacroix · 1858 · Museum of Fine Arts Boston
Same movement · Aestheticism
Fear
Odilon Redon · 1866 · Cleveland Museum of Art
Same era · 1840s–1870s
Woman in a Riding Habit (L'Amazone)
Gustave Courbet · 1856 · Metropolitan Museum of Art
Same era · 1840s–1870s
Peace and Plenty
William Hart · 1855 · New Britain Museum of American Art
Same era · 1840s–1870s
Young Spartan Girls Challenging Boys
Edgar Degas · 1860 · Art Institute of Chicago
Same era · 1840s–1870s
Joséphine-Éléonore-Marie-Pauline de Galard de Brassac de Béarn (1825–1860), Princesse de Broglie
Jean-Auguste-Dominique Ingres · 1853 · Metropolitan Museum of Art
Same era · 1840s–1870s
Olive Trees
Vincent van Gogh · 1853 · The Metropolitan Museum of Art
Same era · 1840s–1870s
An Arab Warrior
Mariano Fortuny Marsal · 1862 · Hispanic Society of America
Same era · 1840s–1870s
Alfred Sisley
Pierre-Auguste Renoir · 1864 · Foundation E.G. Bührle Collection
Same era · 1840s–1870s
Sea View, Calm Weather (Vue de mer, temps calme)
Édouard Manet · 1864 · Art Institute of Chicago
Same era · 1840s–1870s
The Banks of the Marne in Winter
Camille Pissarro · 1866 · Art Institute of Chicago




