“Stop to experience a raw, unsettling vision of fear itself. This etching, a powerful "noir" by Odilon Redon, draws you into a world of inner emotion and the subconscious.”
A spectral figure emerges from the darkness in this unsettling etching, its face a mask of anguish. The eyes are wide, almost bulging, fixed on something unseen, while the mouth is slightly agape, as if gasping for air or mid-scream. The indistinct quality of the figure, rendered through delicate lines and murky shadows, heightens the sense of unease. Redon, a French Symbolist, often explored the inner world and the subconscious in his art, moving away from objective reality to evoke feelings and ideas. This work, created early in his career, is a powerful example of his "noirs," a series of works almost exclusively in charcoal and lithography where he delved into the fantastic and the dreamlike. It asks us to confront primal emotions, making the invisible realm of fear starkly visible.
- Artist
- Odilon Redon
- Date
- 1866
- Medium
- etching
- Location
- Cleveland Museum of Art
- Dimensions
- [object Object]
- Collection
- Prints
- Culture
- France, 19th century
- Credit line
- Gift of The Print Club of Cleveland
What to Notice
Four details hide in plain sight. Here’s where to look.

The figure's wide, staring eyes, fixed on an unseen terror.
The subtle, almost blurred lines that create the spectral form.
The way the darkness seems to consume the figure's body.
The slight opening of the mouth, suggesting a silent cry.
Stand in front of it and listen
The full narration walks you through Fear — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Odilon Redon
Odilon Redon, a French Symbolist, journeyed from his haunting 'noirs' to vibrant, dreamlike pastels, inspiring Surrealism with his explorations of the unseen.
More from Aestheticism
More works to explore
Beyond Redon and Aestheticism: works from the same years.
Same era · 1850s–1880s
Two Boats in a Storm
Léon-Victor Dupré · 1870 · Art Institute of Chicago
Same era · 1850s–1880s
The Backgammon Players
Philip Webb · 1861 · The Metropolitan Museum of Art
Same era · 1850s–1880s
Paris Street; Rainy Day
Kawabata Gyokushō · 1877 · Art Institute of Chicago
Same era · 1850s–1880s
Boy with Pitcher (La Régalade)
Édouard Manet · 1866 · Art Institute of Chicago
Same era · 1850s–1880s
In the Auvergne
Jean-François Millet · 1866 · Art Institute of Chicago
Same era · 1850s–1880s
Seashore, Morning
William Hart · 1866 · The Metropolitan Museum of Art
Same era · 1850s–1880s
The Banks of the Marne in Winter
Camille Pissarro · 1866 · Art Institute of Chicago
Same era · 1850s–1880s
A Woman Seated beside a Vase of Flowers (Madame Paul Valpinçon?)
Edgar Degas · 1865 · The Metropolitan Museum of Art
Same era · 1850s–1880s
Cliffs on the Sea Coast: Small Beach, Sunrise (Falaise au bord de la mer, vu Petite Plage, soleil levant)
Gustave Courbet · 1865 · Art Institute of Chicago
Same era · 1850s–1880s
Mirope Savati Gaye
Mariano Fortuny Marsal · 1865 · The Metropolitan Museum of Art
Same era · 1850s–1880s
The Beach at Sainte-Adresse
Claude Monet · 1867 · Art Institute of Chicago
Same era · 1850s–1880s
Alfred Sisley
Pierre-Auguste Renoir · 1864 · Foundation E.G. Bührle Collection


