Chariot Race

Léon-Victor Dupré, 1876

MEDIUMOil on cradled panel
DIMENSIONS86.3 × 156 cm (34 × 61 7/16 in.); Framed: 108.6 × 174 cm (42 3/4 × 68 1/2 in.)
LOCATIONArt Institute of Chicago
COLLECTIONPainting and Sculpture of Europe
CULTUREFrance
CREDIT LINEGeorge F. Harding Collection

Step into the ancient world with this dramatic, archaeologically-informed depiction of a Roman chariot race. Feel the intensity of the moment as horses, chariots, and drivers collide in a thrilling spectacle of speed and chaos.

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ABOUT THIS WORK

This painting plunges you into the heart of a chaotic chariot race at Rome's ancient Circus Maximus. You can almost hear the roar of the crowd and the thundering hooves as horses, chariots, and drivers are locked in a fierce struggle. The artist, Léon-Victor Dupré, meticulously rendered the scene, reportedly basing his depiction on archaeological research to ensure its accuracy. This almost cinematic portrayal captures a pivotal moment of intense action, with the struggle and confusion powerfully expressed. When it arrived in the United States, this dramatic work made headlines, reflecting its popularity among wealthy American collectors in the 19th century. Young writer Henry James described it as a "fierce mêlée of beasts, men, and wheels," praising the "hard, consummate finish characteristic of the author."

ART MOVEMENTS
Barbizon school
LOOK CLOSER

What to Notice

1

The intricate details of the chariots, some appearing to be on the verge of splintering.

2

The expressions on the faces of the horses, straining with effort and fear.

3

The dust and debris kicked up by the speeding chariots, adding to the sense of motion.

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Audio Deep Dive

Step into the ancient world with this dramatic, archaeologically-informed depiction of a Roman chariot race. Feel the intensity of the moment as horses, chario…

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THE ARTIST
Léon-Victor Dupré 1816–1879 · France

Léon-Victor Dupré, a French landscape painter, followed in his brother Jules's footsteps, capturing the quiet beauty of the French countryside.

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