Woman and Girl Embracing by Egon Schiele

Woman and Girl Embracing

Egon Schiele · 1918

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“This powerful charcoal drawing captures a moment of intense, raw emotion between a woman and a girl. Its stark lines and intertwined forms reveal the intimate, vulnerable side of Expressionism, a style focused on inner feeling.”

ABOUT THIS WORK

A woman and a young girl embrace, their forms rendered in the raw, expressive charcoal lines characteristic of Egon Schiele's work. Created in 1918, the year of his death, this drawing captures a moment of poignant intimacy, perhaps reflecting the artist's personal circumstances during the Spanish flu pandemic. The figures are intertwined, the woman's head resting on the girl's shoulder, their eyes downcast or closed, suggesting a shared vulnerability or comfort. Schiele, an Austrian Expressionist, often explored intense emotional states, and here, the starkness of the medium amplifies the tenderness and fragility of the human connection. The composition feels immediate and unidealized, drawing the viewer into a private, deeply felt exchange.

DETAILS
Artist
Egon Schiele
Date
1918
Medium
Charcoal on paper
Location
The Metropolitan Museum of Art
Dimensions
18 1/4 x 11 3/4 in. (46.4 x 29.8 cm)
Collection
Modern and Contemporary Art
Credit line
Bequest of Scofield Thayer, 1982
ART MOVEMENTS
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What to Notice

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Woman and Girl Embracing

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01

The girl's profile

Look at the face at upper left, turned down and away. The eye, nose and lips are drawn with a few tight lines, which gives the girl a quiet, inward look.

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02

The woman's closed eyes

Behind the girl, the woman's face rests close to her shoulder, with lowered lids and a small teardrop-like mark on the cheek. The expression reads as tender, maybe sorrowful.

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03

The long diagonal arm

The girl's arm slopes from her shoulder down to her hands at lower left. It carries your eye through the whole crouched figure and anchors the pose.

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04

Hands and feet tangle

At lower left, the girl's reaching hand, a foot and toes cross in a knot of lines. The contours overlap, so the limbs are hard to separate and the area feels tense.

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05Whole painting

Line without shading

Almost everything is a single dark contour, with little shading. The line thickens and breaks, and the bare tan paper stands in for skin and body volume.

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THE ARTIST

Egon Schiele

1890–1918 · Cisleithania

Egon Schiele, an Austrian Expressionist, captured raw human emotion and twisted forms, often in stark self-portraits.

Read Schiele’s full story
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More works to explore

Beyond Schiele and Expressionism: works from the same years, and from the other movements Woman and Girl Embracing belongs to.

Maude Adams (1872–1953) as Joan of Arc Same movement · Vienna Secession Maude Adams (1872–1953) as Joan of Arc Alphonse Mucha · 1909 · The Metropolitan Museum of Art Lozenge Composition with Yellow, Black, Blue, Red, and Gray Same era · 1900s–1930s Lozenge Composition with Yellow, Black, Blue, Red, and Gray Piet Mondrian · 1921 · Art Institute of Chicago Frauenkopf vor Sonnenblumen Same movement · Die Brucke Frauenkopf vor Sonnenblumen Ernst Ludwig Kirchner · 1906 · Museum Frieder Burda Railway Bridge on Löbtauer Strasse in Dresden Same era · 1900s–1930s Railway Bridge on Löbtauer Strasse in Dresden Ernst Ludwig Kirchner · 1918 · Galerie Neue Meister Still Life with Crayfish Same movement · Der Blaue Reiter Still Life with Crayfish Mikhail Larionov · 1900 · Museum Ludwig Bull's Head Same era · 1900s–1930s Bull's Head Mikhail Larionov · 1913 · Tretyakov Gallery Portrait of a Lady in a High Hat Same movement · Jugendstil Portrait of a Lady in a High Hat Gustav Klimt · 1882 · Art Institute of Chicago The Lineman Same era · 1900s–1930s The Lineman Ivan Puni · 1927 · Art Institute of Chicago
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