The girl's profile
Look at the face at upper left, turned down and away. The eye, nose and lips are drawn with a few tight lines, which gives the girl a quiet, inward look.

“This powerful charcoal drawing captures a moment of intense, raw emotion between a woman and a girl. Its stark lines and intertwined forms reveal the intimate, vulnerable side of Expressionism, a style focused on inner feeling.”
A woman and a young girl embrace, their forms rendered in the raw, expressive charcoal lines characteristic of Egon Schiele's work. Created in 1918, the year of his death, this drawing captures a moment of poignant intimacy, perhaps reflecting the artist's personal circumstances during the Spanish flu pandemic. The figures are intertwined, the woman's head resting on the girl's shoulder, their eyes downcast or closed, suggesting a shared vulnerability or comfort. Schiele, an Austrian Expressionist, often explored intense emotional states, and here, the starkness of the medium amplifies the tenderness and fragility of the human connection. The composition feels immediate and unidealized, drawing the viewer into a private, deeply felt exchange.
Five details hide in plain sight. Pick one and we’ll show you exactly where to look.
Look at the face at upper left, turned down and away. The eye, nose and lips are drawn with a few tight lines, which gives the girl a quiet, inward look.
Behind the girl, the woman's face rests close to her shoulder, with lowered lids and a small teardrop-like mark on the cheek. The expression reads as tender, maybe sorrowful.
The girl's arm slopes from her shoulder down to her hands at lower left. It carries your eye through the whole crouched figure and anchors the pose.
At lower left, the girl's reaching hand, a foot and toes cross in a knot of lines. The contours overlap, so the limbs are hard to separate and the area feels tense.
Almost everything is a single dark contour, with little shading. The line thickens and breaks, and the bare tan paper stands in for skin and body volume.
The full narration walks you through Woman and Girl Embracing — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Egon Schiele, an Austrian Expressionist, captured raw human emotion and twisted forms, often in stark self-portraits.
Crouching Nude in Shoes and Black Stockings, Back View
1912 · The Metropolitan Museum of Art
Standing Nude with Orange Drapery (recto): Study of Nude with Arms Raised (verso)
1914 · The Metropolitan Museum of Art
Street Cart
1914 · The Metropolitan Museum of Art
Seated Woman, Back View
1917 · The Metropolitan Museum of Art
Standing Girl, Back View
1908 · The Metropolitan Museum of Art
Observed in a Dream
1911 · The Metropolitan Museum of Art
Seated Woman in Chemise
1914 · The Metropolitan Museum of Art
Seminude with Arms Raised
1914 · The Metropolitan Museum of Art
Beyond Schiele and Expressionism: works from the same years, and from the other movements Woman and Girl Embracing belongs to.
Same movement · Vienna Secession
Maude Adams (1872–1953) as Joan of Arc
Alphonse Mucha · 1909 · The Metropolitan Museum of Art
Same era · 1900s–1930s
Lozenge Composition with Yellow, Black, Blue, Red, and Gray
Piet Mondrian · 1921 · Art Institute of Chicago
Same movement · Die Brucke
Frauenkopf vor Sonnenblumen
Ernst Ludwig Kirchner · 1906 · Museum Frieder Burda
Same era · 1900s–1930s
Railway Bridge on Löbtauer Strasse in Dresden
Ernst Ludwig Kirchner · 1918 · Galerie Neue Meister
Same movement · Der Blaue Reiter
Still Life with Crayfish
Mikhail Larionov · 1900 · Museum Ludwig
Same era · 1900s–1930s
Bull's Head
Mikhail Larionov · 1913 · Tretyakov Gallery
Same movement · Jugendstil
Portrait of a Lady in a High Hat
Gustav Klimt · 1882 · Art Institute of Chicago
Same era · 1900s–1930s
The Lineman
Ivan Puni · 1927 · Art Institute of Chicago
Same era · 1900s–1930s
American Gothic
Okada Saburosuke · 1930 · Art Institute of Chicago
Same era · 1900s–1930s
Interior at Nice
Henri Matisse · 1919 · Art Institute of Chicago
Same era · 1900s–1930s
Man and Trees, Florida
John Singer Sargent · 1917 · The Metropolitan Museum of Art
Same era · 1900s–1930s
Boy with Baby Carriage
Norman Rockwell · 1916 · Norman Rockwell Museum
Same era · 1900s–1930s
Dada Gauguin
Max Ernst · 1920 · Art Institute of Chicago
Same era · 1900s–1930s
Schoolhouse
Paul Klee · 1920 · Art Institute of Chicago
Same era · 1900s–1930s
Irises
Claude Monet · 1915 · National Gallery
Same era · 1900s–1930s
Man with a Pipe
Pablo Picasso · 1915 · Art Institute of Chicago