Death and the Woman by Edvard Munch

Death and the Woman

Edvard Munch · 1894

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“Stop to see how Edvard Munch uses the stark lines of drypoint to create a powerful, intimate depiction of Death's embrace. The intertwining figures and raw emotion make this a compelling and unforgettable image.”

ABOUT THIS WORK

In Edvard Munch's "Death and the Woman," a stark and intimate scene unfolds, rendered through the etched lines of drypoint. A skeletal figure, personifying Death, leans over a prone woman, their forms intertwined in a composition that feels both tender and terrifying. The woman's face, partially obscured, suggests a moment of profound vulnerability or perhaps acceptance. The artist employs the medium's inherent directness to create a raw emotional intensity, the sharp lines and deep shadows emphasizing the gravity of the encounter. This print, from 1894, reflects the Symbolist movement's interest in exploring universal themes of life, death, and human experience through allegorical and emotionally charged imagery.

DETAILS
Artist
Edvard Munch
Date
1894
Medium
Drypoint
Location
The Metropolitan Museum of Art
Dimensions
Plate: 12 × 8 9/16 in. (30.5 × 21.7 cm)
Collection
Drawings and Prints
Credit line
Bequest of Scofield Thayer, 1982
ART MOVEMENTS
LOOK CLOSER

What to Notice

Five details hide in plain sight. Pick one and we’ll show you exactly where to look.

Death and the Woman

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01

Skull at her neck

Look at the yellow skull pressed against her throat. Death seems to kiss her, so desire and dread arrive in the same gesture.

1 of 5 on the painting
02

Her arched pose

Follow her pale body as it bends back, head tipped and eyes turned up. The curve reads as both surrender and a pull away.

2 of 5 on the painting
03

Hand on her breast

Death's thin hand reaches around from behind and grips her at the side of her chest, just below the raised arm. It is easy to miss, yet it shows how firmly he holds her.

3 of 5 on the painting
04

Clawed foot and hand

On the right, Death's hand ends in sharp, animal-like claws. He looks less like a plain skeleton and more like a predatory beast.

4 of 5 on the painting
05

Folds of white cloth

Trace the sheet she lifts at both sides. Its glossy highlights and deep grey folds show careful modeling and give her lower body weight.

5 of 5 on the painting
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THE ARTIST

Edvard Munch

1863–1944 · Norway

Norwegian painter whose 1893 work The Scream became one of Western art's most iconic images.

Read Munch’s full story
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EXPLORE THE MOVEMENT

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More works to explore

Beyond Munch and Symbolism: works from the same years, and from the other movements Death and the Woman belongs to.

Cart with Red and White Ox Same movement · Expressionism Cart with Red and White Ox Vincent van Gogh · 1884 · Kröller-Müller Museum A Woman Walking in a Garden Same era · 1870s–1900s A Woman Walking in a Garden Vincent van Gogh · 1887 · Frans Buffa & sons Birth Same movement · Expressionism Birth Marc Chagall · 1911 · Art Institute of Chicago Still Life with Crayfish Same era · 1870s–1900s Still Life with Crayfish Mikhail Larionov · 1900 · Museum Ludwig Crouching Nude in Shoes and Black Stockings, Back View Same movement · Expressionism Crouching Nude in Shoes and Black Stockings, Back View Egon Schiele · 1912 · The Metropolitan Museum of Art A Sunday on La Grande Jatte — 1884 Same era · 1870s–1900s A Sunday on La Grande Jatte — 1884 Okada Saburosuke · 1884 · Art Institute of Chicago Death in the Garden (Legend) Same movement · Expressionism Death in the Garden (Legend) Paul Klee · 1919 · Art Institute of Chicago Madame Léon Clapisson Same era · 1870s–1900s Madame Léon Clapisson Léon-Victor Dupré · 1883 · Art Institute of Chicago
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