“This iconic artwork captures a moment of overwhelming anxiety, with its screaming figure and blood-red sky representing a profound "scream passing through nature." It's a powerful depiction of existential dread that has become one of art's most recognizable images.”
The central figure in this version of The Scream presses its hands to its face, its mouth open in a silent cry that seems to reverberate through the swirling landscape. The sky, rendered in vivid wax crayon on cardboard, is a striking blood-red, contrasting sharply with the deep blues of the fjord and the city beyond. This intense color, which the artist noted "shrieked," was inspired by a sunset he witnessed, possibly heightened by the effects of the Krakatoa volcanic eruption years earlier. The distorted, almost skeletal form of the figure, often linked to a Peruvian mummy Munch may have seen, embodies a profound sense of existential dread. Two dark, indistinct figures recede into the background, leaving the central figure isolated in its moment of intense psychological distress, a powerful image that profoundly influenced the Expressionist movement.
- Artist
- Edvard Munch
- Date
- 1910
- Medium
- Wax crayon, Cardboard
- Location
- Munch Museum
What to Notice
Five details hide in plain sight. Here’s where to look.

The swirling lines of the sky and water, mirroring the figure's anguish.
The two distant figures on the bridge, seemingly unaware of the scream.
The way the figure's hands press into its face, distorting its features.
The vibrant, almost unnatural blood-red and orange hues of the sky.
1 more detail is waiting.
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Edvard Munch
1863–1944 · NorwayNorwegian painter whose 1893 work The Scream became one of Western art's most iconic images.
Further Works by Munch
Potted Plant
1881 · Munch Museum
The Hands
1893 · Munch Museum
The Kiss
1897 · Munch Museum
Consolation
1907 · Munch Museum
Two Women on the Shore
1935 · Munch Museum
The Sick Child
1885 · National Museum of Art, Architecture and Design
Øvre Foss
1880 · Munch Museum
Death and the Woman
1894 · The Metropolitan Museum of Art
More from Symbolism
The Seine at Pont de Grenelle
Gauguin · 1875 · Wallraf–Richartz Museum
Beata Beatrix
Rossetti · 1877 · Birmingham Museums Trust
Lozenge Composition with Yellow, Black, Blue, Red, and Gray
Mondrian · 1921 · Art Institute of Chicago
Portrait of a Lady in a High Hat
Klimt · 1882 · Art Institute of Chicago
More works to explore
Beyond Munch and Symbolism: works from the same years, and from the other movements The Scream belongs to.
Same movement · Expressionism
Cart with Red and White Ox
Vincent van Gogh · 1884 · Kröller-Müller Museum
Same era · 1890s–1920s
Blue Girl in the Sun
Ernst Ludwig Kirchner · 1910
Same movement · Expressionism
Birth
Marc Chagall · 1911 · Art Institute of Chicago
Same era · 1890s–1920s
Streetcar
Mikhail Larionov · 1911 · Bashkir State Art Museum (Nesterov Museum)
Same movement · Expressionism
Crouching Nude in Shoes and Black Stockings, Back View
Egon Schiele · 1912 · The Metropolitan Museum of Art
Same era · 1890s–1920s
Daniel-Henry Kahnweiler
Pablo Picasso · 1910 · Art Institute of Chicago
Same movement · Expressionism
Death in the Garden (Legend)
Paul Klee · 1919 · Art Institute of Chicago
Same era · 1890s–1920s
Bathers by a River
Henri Matisse · 1909 · Art Institute of Chicago
Same movement · Expressionism
Figure with Meat
Francis Bacon · 1954 · Art Institute of Chicago
Same era · 1890s–1920s
Little Harbor in Normandy
Georges Braque · 1909 · Art Institute of Chicago
Same era · 1890s–1920s
Maude Adams (1872–1953) as Joan of Arc
Alphonse Mucha · 1909 · The Metropolitan Museum of Art
Same era · 1890s–1920s
Sirmione
John Singer Sargent · 1913 · The Metropolitan Museum of Art
Same era · 1890s–1920s
Standing Nude with Orange Drapery (recto): Study of Nude with Arms Raised (verso)
Egon Schiele · 1914 · The Metropolitan Museum of Art
Same era · 1890s–1920s
The Magic Foot-ball, 'I thought you were wrong,' he said in triumph. 'You said it was nine! Stupid!'
Norman Rockwell · 1914 · Norman Rockwell Museum
Same era · 1890s–1920s
Irises
Claude Monet · 1915 · National Gallery
Same era · 1890s–1920s
Mont Sainte-Victoire
Paul Cézanne · 1904 · Detroit Institute of Arts
Same era · 1890s–1920s
Composition with Figures and a Horse
Paul Gauguin · 1902 · Nationalmuseum
