“This striking self-portrait by Edvard Munch draws you into his intense gaze, captured in a moment of solitary reflection. The dramatic lighting and stark lines create a powerful sense of psychological depth, making it a compelling stop.”
In this self-portrait, Edvard Munch presents himself as a shadowy, almost spectral figure, emerging from a deep, inky blackness. His face, rendered with stark, angular lines, is illuminated from below, casting dramatic shadows that emphasize his gaunt features and intense gaze. He holds a lit cigar, its smoke curling upwards to dissolve into the darkness, a subtle detail that adds to the brooding atmosphere. Created in 1908, a period marked by personal turmoil and his eventual hospitalization, this lithograph captures a moment of raw introspection. The stark contrast between light and shadow, typical of Expressionist printmaking, amplifies the sense of isolation and psychological intensity, inviting viewers to confront the artist's inner state.
- Artist
- Edvard Munch
- Date
- 1908
- Medium
- Lithograph
- Location
- The Metropolitan Museum of Art
- Dimensions
- Plate: 22 5/16 x 17 15/16 inches (56.7 x 45.6 cm)
- Collection
- Drawings and Prints
- Credit line
- Bequest of Scofield Thayer, 1982
What to Notice
Four details hide in plain sight. Here’s where to look.

The way Munch's face is lit from below, creating deep shadows.
The glowing tip of the cigar and the wisps of smoke.
The sharp, almost jagged lines defining his features and coat.
The complete absence of background details, emphasizing isolation.
Stand in front of it and listen
The full narration walks you through Self-Portrait with a Cigar — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Edvard Munch
1863–1944 · NorwayNorwegian painter whose 1893 work The Scream became one of Western art's most iconic images.
Further Works by Munch
Potted Plant
1881 · Munch Museum
The Sick Child
1885 · National Museum of Art, Architecture and Design
The Hands
1893 · Munch Museum
The Kiss
1897 · Munch Museum
Consolation
1907 · Munch Museum
Two Women on the Shore
1935 · Munch Museum
Death and the Woman
1894 · The Metropolitan Museum of Art
Tête-á-Tête
1894 · The Metropolitan Museum of Art
More from Symbolism
The Seine at Pont de Grenelle
Gauguin · 1875 · Wallraf–Richartz Museum
Beata Beatrix
Rossetti · 1877 · Birmingham Museums Trust
Lozenge Composition with Yellow, Black, Blue, Red, and Gray
Mondrian · 1921 · Art Institute of Chicago
Portrait of a Lady in a High Hat
Klimt · 1882 · Art Institute of Chicago
More works to explore
Beyond Munch and Symbolism: works from the same years, and from the other movements Self-Portrait with a Cigar belongs to.
Same movement · Expressionism
Cart with Red and White Ox
Vincent van Gogh · 1884 · Kröller-Müller Museum
Same era · 1890s–1920s
Barber
Mikhail Larionov · 1907 · Russian Museum
Same movement · Expressionism
Birth
Marc Chagall · 1911 · Art Institute of Chicago
Same era · 1890s–1920s
Female Nude (Dodo)
Ernst Ludwig Kirchner · 1909 · Albertina
Same movement · Expressionism
Crouching Nude in Shoes and Black Stockings, Back View
Egon Schiele · 1912 · The Metropolitan Museum of Art
Same era · 1890s–1920s
Bathers by a River
Henri Matisse · 1909 · Art Institute of Chicago
Same movement · Expressionism
Death in the Garden (Legend)
Paul Klee · 1919 · Art Institute of Chicago
Same era · 1890s–1920s
Little Harbor in Normandy
Georges Braque · 1909 · Art Institute of Chicago
Same movement · Expressionism
Figure with Meat
Francis Bacon · 1954 · Art Institute of Chicago
Same era · 1890s–1920s
Maude Adams (1872–1953) as Joan of Arc
Alphonse Mucha · 1909 · The Metropolitan Museum of Art
Same era · 1890s–1920s
Self-Portrait
Pablo Picasso · 1906 · The Metropolitan Museum of Art
Same era · 1890s–1920s
Mont Sainte-Victoire
Paul Cézanne · 1904 · Detroit Institute of Arts
Same era · 1890s–1920s
Sirmione
John Singer Sargent · 1913 · The Metropolitan Museum of Art
Same era · 1890s–1920s
Composition with Figures and a Horse
Paul Gauguin · 1902 · Nationalmuseum
Same era · 1890s–1920s
Standing Nude with Orange Drapery (recto): Study of Nude with Arms Raised (verso)
Egon Schiele · 1914 · The Metropolitan Museum of Art
Same era · 1890s–1920s
The Magic Foot-ball, 'I thought you were wrong,' he said in triumph. 'You said it was nine! Stupid!'
Norman Rockwell · 1914 · Norman Rockwell Museum
Same era · 1890s–1920s
Charing Cross Bridge, London
Claude Monet · 1901 · Art Institute of Chicago
